Ian Fairweather is one of the most significant twentieth-century artists to have worked in Australia. After a life of wandering, including time spent in China, Bali and the Philippines, Fairweather settled on Bribie Island, off the coast of Queensland, where he built his own house. In 1962 a leading art critic named him 'our greatest painter'. Fairweather is exceptional among modern artists for his experience of Chinese life and culture. He lived and worked in China for extended periods, learnt Chinese and published a book-length translation of the popular Chinese novel The Drunken Buddha (1965). From an early age Fairweather sought alternatives to art based on verisimilitude and single-point perspective. This led to a lifelong engagement with the principles of Chinese art and thought that profoundly shaped his own creative process. Drawing on letters, interviews and other archival materials to shed new light on Fairweather's artistic practice, Claire Roberts brings her own extensive knowledge of Chinese language and art to this absorbing re-examination of a revered artist. Fairweather and China shows how central the China experience is to his emergence as a key transcultural figure, connecting British, European, Chinese and Australian art histories in new and visionary ways.

A self-portrait by one of Australia’s greatest artists, a man mistakenly portrayed as a hermit

A completely revised and updated edition of Murray Bail's seminal book on the life and work of renowned artist Ian Fairweather.

A special limited 50th anniversary edition of an Ian Fairweather classic. In 1965, UQP first published artist Ian Fairweather's The Drunken Buddha. His iconic translation of an ancient Chinese novel, illustrated with his paintings, was praised by scholars and readers alike. Fairweather was fascinated by Chinese calligraphy and possessed great knowledge of popular Buddhism; his translation retains the spirit of both the original work and popular Chinese literature in general. This new edition celebrates Fairweather's creative legacy; and the classic tale of Buddhist monk Chi-Tien, often drunk and irreverent but nonetheless considered a saint, continues to resonate across the decades.

Percy Jackson meets Tristan Strong in this hilarious middle grade “edge-of-your-seat adventure” (James Ponti, New York Times bestselling author of City Spies) that follows a young boy as he journeys across China to seal the underworld shut and save the mortal realm. Zachary Ying never had many opportunities to learn about his Chinese heritage. His single mom was busy enough making sure they got by, and his schools never taught anything except Western history and myths. So Zack is woefully unprepared when he discovers he was born to host the spirit of the First Emperor of China for a vital mission: sealing the leaking portal to the Chinese underworld before the upcoming Ghost Month blows it wide open. The mission takes an immediate wrong turn when the First Emperor botches his attempt to possess Zack’s body and binds to Zack’s AR gaming headset instead, leading to a battle where Zack’s mom’s soul gets taken by demons. Now, with one of history’s most infamous tyrants yapping in his headset, Zack must journey across China to heist magical artifacts and defeat figures from history and myth, all while learning to wield the emperor’s incredible water dragon powers. And if Zack can’t finish the mission in time, the spirits of the underworld will flood into the mortal realm, and he could lose his mom forever.

A deep and rigorous, yet eminently accessible introduction to the political, social, and cultural development of imperial Chinese civilisation, this volume develops a number of important themes -- such as the ethnic diversity of the early empires -- that other editions omit entirely or discuss only minimally. Includes a general introduction, chronology, bibliography, illustrations, maps, and an index.

This book explores Sino-Indian tensions from the angle of state-building, showing how they stem from their competition for the Himalayan people's allegiance.

Colin Colahan was an Australian painter of outstanding ability and reputation who from the 1920s to the 1970s was remarkably productive. Colahan was one of the more brilliant pupils of the painter Max Meldrum. Identification with the unfashionable 'Meldrumites' is one explanation for Colahan's disappearance from the public gaze. The other has murkier origins in the still unsolved murder of his girlfriend, Mollie Dean, in 1930. There was nothing of substance to link Colahan to the brutal murder, but fevered public speculation cast a depressing shadow for many years and helped propel him to Europe in 1935. There he stayed for the rest of his long life. The story of Colahan's personal life is tantalising in itselfandmdash;three marriages, five children, numerous lovers, beautiful houses in England and Italy, portrait painter of the rich and famous. It was an urbane life. He was a witty, charming, talented man. This intimate, engaging portrait is indeed most welcome, and will restore Colahan's life and work to its rightful place in the history of Australian art.

Longlisted for the Baileys Women's Fiction Prize In a flat above a noisy north London market, translator Iona Kirkpatrick starts work on a Chinese letter. Two lovers, Mu and Jian, have been driven apart by forces beyond their control. As Iona unravels the story of the lovers, Jian and Mu seem to be travelling further and further away from each other. Iona, intoxicated by their romance, sets out to bring them back together, but time is running out. Xiaolu Guo was named as one of Granta's Best of Young British Novelists