“A renowned quilt historian . . . present[s] what she considers to be an accurate assessment of slavery, quilts and the Underground Railroad.” —Time Recall an unforgettable phase of our nation’s history with America’s leading quilt historian. Barbara Brackman presents the most current research on the role of quilts during the time of slavery, emancipation, and the Underground Railroad. Nine quilt projects combine historic blocks with Barbara’s own designs. Did quilts really lead the way to freedom? What role did quilts play? Barbara explores the stories surrounding the Underground Railroad. Read about the people who were there! First-person accounts, newspaper and military records, and surviving quilts all add clues. YOU decide how to interpret the stories and history, fabrication and facts as you learn about this fascinating time in history. Excellent resource for elementary through high school learners—curriculum included! “Quilters interested in African American slavery and quilting will find many historically accurate, teachable moments within these pages. The first-personal accounts by slaves of their quilt making, quilt parties, and stolen quilts make emotional reading. A must-have book for your quilting library!” —Kyra Hicks, author of Black Threads “Brackman skillfully assembles accurate historical evidence along with beautiful quilt examples infused with slave-era symbolism.” —Dr. Carolyn Mazloomi, author of Threads of Faith “Many of persons featured or quoted are women with a connection to the ‘peculiar institution’: slaves, escaped slaves, freed slaves, plantation owners, abolitionists, and so forth . . . teaches history through quilting and offers fun projects for history-minded quilters . . . the stories offer good starting points for one’s own research and the projects are beautiful.” —Beth’s Bobbins

This richly illustrated book offers a glimpse into the lives and creativity of African American quilters during the era of slavery. Originally published in 1989, Stitched from the Soul was the first book to examine the history of quilting in the enslaved community and to place slave-made quilts into historical and cultural context. It remains a beautiful and moving tribute to an African American tradition. Undertaking a national search to locate slave-crafted textiles, Gladys-Marie Fry uncovered a treasure trove of pieces. The 123 color and black and white photographs featured here highlight many of the finest and most interesting examples of the quilts, woven coverlets, counterpanes, rag rugs, and crocheted artifacts attributed to slave women and men. In a new preface, Fry reflects on the inspiration behind her original research--the desire to learn more about her enslaved great-great-grandmother, a skilled seamstress--and on the deep and often emotional chords the book has struck among readers bonded by an interest in African American artistry.

* This remarkable book features 50 quilt blocks to commemorate the 150th anniversary of the American Civil War.

The Underground Railroad story is one of the most dramatic chapters in America's history. It's a story about how countless slaves made their way out of bondage, risking death for freedom. This book features fifteen traditional quilt blocks believed to have had secret meanings to escaping slaves.

North and South, black and white - the story of the War Between the States is embedded in the soul of every American. In her second book on quilts and the Civil War, Barbara Brackman introduces 9 women who lived during those turbulent times, matching each woman to a quilt that she might have made herself. 9 projects adapted from period quilts, with patterns and instructions. Excellent reference book for Civil War re-enactors; offers creative activities related to each woman’s story. Fascinating information about 9 real-life American women and their experiences during the Civil War, from abolitionist speaker Lucy Stone to freed slave Susie Taylor King to Confederate spy Belle Edmondson. Make a reproduction quilt and forge a personal link to the women of the Civil War!

One million African Americans spend approximately $118 million annually on quilting. Some believe that recent studies of oral histories telling of the role quilting played in the Underground Railroad have inspired African Americans to take up their fabric and needles, but whatever the reason, quilters like Faith Ringgold, Clementine Hunter, Winnie McQueen, and many others are keeping the African American traditions of quilting alive. This is the first comprehensive guide to African American quilt history and contemporary practices. It offers more than 1,700 bibliographic references, many of them annotated, covering exhibit catalogs, books, newspapers, magazines, dissertations, films, novels, poetry, speeches, works of art, advertisements, patterns, greeting cards, auction results, ephemeral items, and online resources on African American quilting. The book also includes primary research done by the author on the Internet usage of African American quilters, a listing of over 100 museums with African American-made quilts in their permanent collections, a directory of African American quilting groups in 29 states, and a detailed timeline that covers 200 years of African American quilting and needle arts events.

Thoughtfully written by curator Cuesta Benberry as catalogue for The Kentucky Quilt Project's installation of 1992 exhibition by the same title. Features 35 quilts in full color. Forewords by Jonathan Holstein & Shelly Zegart. Text discusses the historical context of African-American quiltmaking in the mainstream of American quilting and reviews some of the current artists' use of quilts as their point of reference.

This wide-ranging book shows how to create quilts with an authentic antique look, collect period textiles, while revealing the history of American fabrics. Learn the fascinating true story of fabrics in America and make your own period quilts with this comprehensive guide to fabrics and their influence on American quilts, from the machine age to the atomic age. From quilt historian Barbara Brackman, author of America's Printed Fabrics 1770–1890,Making History not only includes 9 quilt projects inspired by vintage quilt designs and fabrics, but is packed with historic photos, stories, and insights into the role of fabrics in everyday life.

The fascinating story of a friendship, a lost tradition, and an incredible discovery, revealing how enslaved men and women made encoded quilts and then used them to navigate their escape on the Underground Railroad. In Hidden in Plain View, historian Jacqueline Tobin and scholar Raymond Dobard offer the first proof that certain quilt patterns, including a prominent one called the Charleston Code, were, in fact, essential tools for escape along the Underground Railroad. In 1993, historian Jacqueline Tobin met African American quilter Ozella Williams amid piles of beautiful handmade quilts in the Old Market Building of Charleston, South Carolina. With the admonition to "write this down," Williams began to describe how slaves made coded quilts and used them to navigate their escape on the Underground Railroad. But just as quickly as she started, Williams stopped, informing Tobin that she would learn the rest when she was "ready." During the three years it took for Williams's narrative to unfold—and as the friendship and trust between the two women grew—Tobin enlisted Raymond Dobard, Ph.D., an art history professor and well-known African American quilter, to help unravel the mystery. Part adventure and part history, Hidden in Plain View traces the origin of the Charleston Code from Africa to the Carolinas, from the low-country island Gullah peoples to free blacks living in the cities of the North, and shows how three people from completely different backgrounds pieced together one amazing American story. With a new afterword. Illlustrations and photographs throughout, including a full-color photo insert.

The history of quilts, their makers, and usage is an important part of our country's heritage presented here in full detail through 330 vintage photographs. Books on quilt history have, to date, included only a few photos of quilts. This in-depth collection, most of which has never been seen before, date from 1855 to 1955. Each vivid image provides commentary on quilting specifics, photography, costume, and American cultural history, especially toward the end of the 19th and early 20th centuries. Photographic formats and a glossary of quilting terms are included to aid the reader in dating their own vintage photographs. This book is a wonderful resource for all quilters, historians, and photographers.