This is a true story of a familys attempt at working together to care for aging parents. It involves four adult siblings, two parents, some anger, resentment, love and joy. There are tears, astonishment, sleepless nights, laughter and a whole lot of conflict, quiet and otherwise. Mary L. Currier shares her insight, beliefs and professional experiences to normalize conflict between adult siblings. She explains that families are often no strangers to conflict. Rather, they may be strangers to managing that conflict. Or perhaps its more of an unwillingness to slip into the deeper crevices of those sticky issues that form the patterns of communication, therefore creating conflict. Either way, there is often a deeply imbedded cycle of poor communication that courses through family veins. Youd think that blood relatives would have a comparatively easy time sorting out issues of conflict. Youd think that four siblings would share similarities in problem solving techniques. That is not the case in this family. What first appeared as a moderate challenge evolved into a lifelong lesson requiring patience, self-understanding, unconditional love and an unending supply of forgiveness. As anxiety, Alzheimers, depression, and cancer, come out from behind the shadows, each family member acts, or reacts, as only they can - with the skills they have cultivated. Does that work for them? Not always. This is a wonderful tool for adult siblings thinking about how they will sustain their relationships with one another as they venture into the care giving process. Mary even offers troubleshooting guidance in an effort to improve skills in communications and conflict resolution in hopes of sustaining adult sibling relationships.

'The book has two striking strengths. The first is its exhaustive use of ... literature, autobiographies and biographies to make up for the lack of survey findings... The second is the concept of 'family fluidity' in a period before the sanctification of the nuclear family.' - John C. Caldwell, Health Transition Review The nineteenth-century transition to a small family size in the Western world was unprecedented, and the reasons people began to have fewer children are still not clear. Using contemporary novels, letters, biographies and poetry, this book brings forward the voices of the past to give their own comments and views on a wide range of issues which may have influenced that decision. Individuals in fact and fiction discuss families, love and marriage, as well as childbearing, child survival and what children meant to them - and their reactions to unwanted pregnancies. Their experiences reflect and amplify the demographic evidence of the period, and add life to the statistics. In the same way, their perspectives on education, religion and the ideas and controversies of the period, as well as on social mobility and social change, provide personal notes to the historical background against which their voices are heard.

Chicago, 1920: Hadley Richardson is a shy twenty-eight-year-old who has all but given up on love and happiness when she meets Ernest Hemingway and is captivated by his energy, intensity and burning ambition to write. After a whirlwind courtship and wedding, the pair set sail for France. But glamorous Jazz Age Paris, full of artists and writers, fuelled by alcohol and gossip, is no place for family life and fidelity. Ernest and Hadley's marriage begins to founder, and the birth of a beloved son serves only to drive them further apart. Then, at last, Ernest's ferocious literary endeavours begin to bring him recognition - not least from a woman intent on making him her own . . .

Following the death of her worthy liberal parents, Corlis McCrea moves back into her family's grand Reconstruction mansion in North Carolina, willed to all three siblings. Her timid younger brother has never left home. When her bullying black-sheep older brother moves into "his" house as well, it's war. Each heir wants the house. Yet to buy the other out, two siblings must team against one. Just as in girlhood, Corlis is torn between allying with the decent but fearful youngest and the iconoclastic eldest, who covets his legacy to destroy it. A Perfectly Good Family is a stunning examination of inheritance, literal and psychological: what we take from our parents, what we discard, and what we are stuck with, like it or not.

"This is Claude. He's five years old, the youngest of five brothers. He also loves peanut butter sandwiches. He also loves wearing a dress, and dreams of being a princess.When he grows up, Claude says, he wants to be a girl. Rosie and Penn want Claude to be whoever Claude wants to be. They're just not sure they're ready to share that with the world. Soon the entire family is keeping Claude's secret. Until one day it explodes."--

"Supernatural suspense at its finest . . . It will scare the pants off you." —The New York Times Book Review Evil is invisible, and it is everywhere. That is the only way to explain the series of misfortunes that have plagued the wagon train known as the Donner Party. Depleted rations, bitter quarrels, and the mysterious death of a little boy have driven the isolated travelers to the brink of madness. Though they dream of what awaits them in the West, long-buried secrets begin to emerge, and dissent among them escalates to the point of murder and chaos. As members of the group begin to disappear, the survivors start to wonder if there really is something disturbing, and hungry, waiting for them in the mountains...and whether the evil that has unfolded around them may have in fact been growing within them all along.

When a mysterious man claims to be her long-missing brother, a woman must confront her family’s closely guarded secrets in this “delicious hybrid of mystery, drama, and elegance” (Jodi Picoult, #1 New York Times bestselling author). Washington, DC, 2019: Laura Preston is a reclusive artist at odds with her older sister Beatrice as their elegant, formidable mother slowly slides into dementia. When a stranger contacts Laura claiming to be her brother who disappeared forty years earlier when the family lived in Bangkok, Laura ignores Bea’s warnings of a scam and flies to Thailand to see if it can be true. But meeting him in person leads to more questions than answers. Bangkok, 1972: Genevieve and Robert Preston live in a beautiful house behind a high wall, raising their three children with the help of a cadre of servants. In these exotic surroundings, Genevieve strives to create a semblance of the life they would have had at home in the US—ballet and riding classes for the children, impeccable dinner parties, a meticulously kept home. But in truth, Robert works for American intelligence, Genevieve finds herself drawn into a passionate affair with her husband’s boss, and their serene household is vulnerable to unseen dangers in a rapidly changing world and a country they don’t really understand. Alternating between past and present as all of the secrets are revealed, What Could Be Saved is an unforgettable novel about a family broken by loss and betrayal, and “a richly imagined page-turner that delivers twists alongside thought-provoking commentary” (Kirkus Reviews).

From Giller Prize winner, internationally acclaimed, and bestselling author Vincent Lam comes a superbly crafted, highly suspenseful, and deeply affecting novel set against the turmoil of the Vietnam War. Percival Chen is the headmaster of the most respected English school in Saigon. He is also a bon vivant, a compulsive gambler and an incorrigible womanizer. He is well accustomed to bribing a forever-changing list of government officials in order to maintain the elite status of the Chen Academy. He is fiercely proud of his Chinese heritage, and quick to spot the business opportunities rife in a divided country. He devotedly ignores all news of the fighting that swirls around him, choosing instead to read the faces of his opponents at high-stakes mahjong tables. But when his only son gets in trouble with the Vietnamese authorities, Percival faces the limits of his connections and wealth and is forced to send him away. In the loneliness that follows, Percival finds solace in Jacqueline, a beautiful woman of mixed French and Vietnamese heritage, and Laing Jai, a son born to them on the eve of the Tet offensive. Percival's new-found happiness is precarious, and as the complexities of war encroach further and further into his world, he must confront the tragedy of all he has refused to see. Blessed with intriguingly flawed characters moving through a richly drawn historical and physical landscape, The Headmaster's Wager is a riveting story of love, betrayal and sacrifice.

NATIONAL BESTSELLER • A gripping memoir about the nature of addiction and the meaning of recovery from a bold and talented literary voice. “Anyone who has ever felt broken and wished for a better life will find inspiration in Frey’s story.” —People “A great story.... You can't help but cheer his victory.” —Los Angeles Times Book Review By the time he entered a drug and alcohol treatment facility, James Frey had taken his addictions to near-deadly extremes. He had so thoroughly ravaged his body that the facility’s doctors were shocked he was still alive. The ensuing torments of detoxification and withdrawal, and the never-ending urge to use chemicals, are captured with a vitality and directness that recalls the seminal eye-opening power of William Burroughs’s Junky. But A Million Little Pieces refuses to fit any mold of drug literature. Inside the clinic, James is surrounded by patients as troubled as he is—including a judge, a mobster, a one-time world-champion boxer, and a fragile former prostitute to whom he is not allowed to speak—but their friendship and advice strikes James as stronger and truer than the clinic’s droning dogma of How to Recover. James refuses to consider himself a victim of anything but his own bad decisions, and insists on accepting sole accountability for the person he has been and the person he may become—which runs directly counter to his counselors' recipes for recovery. James has to fight to find his own way to confront the consequences of the life he has lived so far, and to determine what future, if any, he holds. It is this fight, told with the charismatic energy and power of One Flew over the Cuckoo's Nest, that is at the heart of A Million Little Pieces: the fight between one young man’s will and the ever-tempting chemical trip to oblivion, the fight to survive on his own terms, for reasons close to his own heart. "

‘Hypnotic’ Chicago Review of Books ‘Rich, complex ... vivid’ New York Times Book Review ‘Compelling’ Jewish Week Everything is fine. Everyone is fine.