This book examines the British response to the huge number of soldiers who incurred facial injuries during the First World War.

Explores the genesis of plastic surgery developed by Harold Gillies during the First World War.

Faces of the Home Front presents a fascinating insight into the people, wartime organisations, events, life and work on the British Home Front during the Second World War. This is the story of ordinary people in extraordinary times told through an array of previously unpublished rare photographs, illustrations and ephemera. If you have wondered how Air Raid Wardens, Ambulance crews, Home Guard, Firemen, Special Constables, Women's Voluntary Service and the Women's Land Army were recruited and trained, how they were uniformed and what their duties entailed in wartime were, this is the book for you. Drawing on the authors’ own extensive archives of original photographs, training manuals, documents, decades of research and interviews with those who were there, there are stories of well-known events such as the Blitz on London and many other often lesser known events and incidents around the country, some deeply moving, some harrowing and some that show how the kindness and selfless bravery of people that helped get Britain through its darkest hours. The combination of images and stories vividly bring to life the experiences of people in cities, towns and countryside in wartime as they experienced evacuation, rationing, the black-out and air raids touched the lives of everyone. This volume is a valuable addition to the bookshelf of any family historian, collector, re-enactor.

Have fun with face masks in this lift-the-flap, out-and-about adventure! Toddlers today are growing up in a world where adults wear face masks outside the house. Everyone is wearing them, from the bus driver to the shop assistant! In Smiley Eyes, Smiley Faces, their can take an interactive journey through the town, meeting different adults along the way. Toddlers can then lift the mask-shaped flaps to reveal the smiley faces underneath the bright, colourful masks. They can even lift their own mask at the end of the day with the surprise mirrored finale! Zoe Waring's bright artwork and charming characters encourage interaction and play as small children engage with the new world around us. (Please refer to the WHO guidelines for advice on children and the wearing of face masks.) This novelty Ladybird title: Introduces the world Boosts motor skills Recommended for children aged 2+

When a bear takes a young boy's ball, he and his dog display a wide range of emotions through their facial expressions.

Archival images and biographical sketches of Union soldiers tell the stories of their lives during and after the Civil War. Before leaving to fight in the Civil War, many Union and Confederate soldiers posed for a carte de visite, or visiting card, to give to their families, friends, or sweethearts. Invented in 1854 by a French photographer, the carte de visite was a small photographic print roughly the size of a modern trading card. The format arrived in America on the eve of the Civil War, fueling intense demand for the keepsakes. Many cards of Civil War soldiers survive today, but the experiences?and often the names?of the individuals portrayed have been lost to time. A passionate collector of Civil War–era photography, Ron Coddington researched the history behind these anonymous faces in military records, pension files, and other public and personal documents. In Faces of the Civil War, Coddington presents 77 cartes de visite of Union soldiers from his collection and tells the stories of their lives during and after the war. These soldiers came from all walks of life. All were volunteers. Their personal stories reveal a tremendous diversity in their experience of war: many served with distinction, some were captured, some never saw combat while others saw little else. The lives of survivors were even more disparate. While some made successful transitions back to civilian life, others suffered permanent physical and mental disabilities, which too often wrecked their families and careers. In compelling words and haunting pictures, Faces of the Civil War offers a unique perspective on the most dramatic and wrenching period in American history.

Amazing, your face. Amazing. Whatever we feel-whether happy or sad, excited or wishful, proud or lonely-our faces mirror our emotions. In this contemporary yet timeless collection, sixteen evocative poems are brought to life in diverse and detailed faces that reveal the universal feelings we all share. Girls and boys, women and men invite us to experience their world, understand their lives, and find the connections that bring us together. Poet Lee Bennett Hopkins gathers these insightful works from an impressive array of authors, including Joseph Bruchac, Rebecca Kai Dotlich, Nikki Grimes, Pat Mora, Carole Boston Weatherford, Janet S. Wong, Jane Yolen, and more. Glowing illustrations created by Chris Soentpiet infuse the verses with atmosphere and exquisite settings. Readers of all ages will want to feast their eyes on these captivating poems and pictures again and again.

A New York Times Bestseller Finalist for the 2022 Kirkus Prize | Named a best book of the year by The Guardian "Enthralling. Harrowing. Heartbreaking. And utterly redemptive. Lindsey Fitzharris hit this one out of the park." —Erik Larson, author of The Splendid and the Vile Lindsey Fitzharris, the award-winning author of The Butchering Art, presents the compelling, true story of a visionary surgeon who rebuilt the faces of the First World War’s injured heroes, and in the process ushered in the modern era of plastic surgery. From the moment the first machine gun rang out over the Western Front, one thing was clear: humankind’s military technology had wildly surpassed its medical capabilities. Bodies were battered, gouged, hacked, and gassed. The First World War claimed millions of lives and left millions more wounded and disfigured. In the midst of this brutality, however, there were also those who strove to alleviate suffering. The Facemaker tells the extraordinary story of such an individual: the pioneering plastic surgeon Harold Gillies, who dedicated himself to reconstructing the burned and broken faces of the injured soldiers under his care. Gillies, a Cambridge-educated New Zealander, became interested in the nascent field of plastic surgery after encountering the human wreckage on the front. Returning to Britain, he established one of the world’s first hospitals dedicated entirely to facial reconstruction. There, Gillies assembled a unique group of practitioners whose task was to rebuild what had been torn apart, to re-create what had been destroyed. At a time when losing a limb made a soldier a hero, but losing a face made him a monster to a society largely intolerant of disfigurement, Gillies restored not just the faces of the wounded but also their spirits. The Facemaker places Gillies’s ingenious surgical innovations alongside the dramatic stories of soldiers whose lives were wrecked and repaired. The result is a vivid account of how medicine can be an art, and of what courage and imagination can accomplish in the presence of relentless horror.

For almost a century the concept of guilt, as embedded in drive theory, has dominated psychoanalytic thought. Increasingly, however, investigators are focusing on shame as a key aspect of human behavior. This volume captures a range of compelling viewpoints on the role of shame in psychological development, psychopathology, and the therapeutic process. Donald Nathanson has assembled internationally prominent authorities, engaging them in extensive dialogue about their areas of expertise. Concise introductions to each chapter place the authors both historically and theoretically, and outline their emphases and contributions to our understanding of shame. Including many illustrative clinical examples, the book covers such topics as the relationship between shame and narcissism, shame's central place in affect theory, psychosis and shame, and shame in the literature of French psychoanalysis and philosophy.

Humans possess the most expressive faces in the animal kingdom. Adam Wilkins presents evidence ranging from the fossil record to recent findings of genetics, molecular biology, and developmental biology to reconstruct the fascinating story of how the human face evolved. Beginning with the first vertebrate faces half a billion years ago and continuing to dramatic changes among our recent human ancestors, Making Faces illuminates how the unusual characteristics of the human face came about—both the physical shape of facial features and the critical role facial expression plays in human society. Offering more than an account of morphological changes over time and space, which rely on findings from paleontology and anthropology, Wilkins also draws on comparative studies of living nonhuman species. He examines the genetic foundations of the remarkable diversity in human faces, and also shows how the evolution of the face was intimately connected to the evolution of the brain. Brain structures capable of recognizing different individuals as well as “reading” and reacting to their facial expressions led to complex social exchanges. Furthermore, the neural and muscular mechanisms that created facial expressions also allowed the development of speech, which is unique to humans. In demonstrating how the physical evolution of the human face has been inextricably intertwined with our species’ growing social complexity, Wilkins argues that it was both the product and enabler of human sociality.