Originally published in 1901, this book contains twenty six folk tales from the Malay peninsula. The text is illustrated with photographs and drawings of Malaysian settings and animals, and the stories are accompanied by explanatory notes at the end of the text to clarify points of local history, religion and language. This book will be of value to anyone with an interest in comparative folklore or the fables of the Malay peninsula.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Fables Folk-Tales From an Eastern Forest Here, however, it is perhaps worth noting that although the Mouse-deer as a master of slimness is given the preeminent place among all the beasts of the field, its mantle is sometimes temporarily permitted to fall upon the shoulders of other and quite different members of the animal creation. Hence we hnd in the 14th story, that the King crow is worsted by a Water-snai], and I may add that in a Javanese fable of the same type (for which compare our own 'hare-and-tortoise' F able) the Mouse-deer itself plays the part of the deceived, instead of that of the deceiver. But the subject of the mutual relations of the Beasts in Malayan Fable is one which has yet to be worked out, and which lies unfortunately far beyond the bounds of the present disquisition. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A wonderful collection of 22 fairytales in inspiring retellings and vivid illustrations, with folkloric notes.

Trees are symbols of life itself. We cut them down at our peril. Here is a leafy anthology of 12 traditional tales from all over the Earth's surface, from Native North America to New Guinea and from Wales to Nepal. They include tales of high magic, bravery and guile, death and rebirth, each woven around a tree Eric Maddern's and Helen East's spirited storytelling combines with Alan Marks' romantic artwork to create a lively and thought-provoking collection.

A wise rabbi uses a pillow full of feathers to teach a gossipy villager a lesson.

Read Along or Enhanced eBook: Two hungry travelers arrive at a village expecting to find a household that will share a bit of food, as has been the custom along their journey. To their surprise, villager after villager refuses to share, each one closing the door with a bang. As they sit to rest beside a well, one of the travelers observes that if the townspeople have no food to share, they must be "in greater need than we are." With that, the travelers demonstrate their special recipe for a magical soup, using a stone as a starter. All they need is a carrot, which a young girl volunteers. Not to be outdone, another villager contributes a potato, and the soup grows as others bring corn, celery, and other vegetables and seasonings. In this cumulative retelling of an ancient and widely circulated legend, author Heather Forest shows us that when each person makes a small contribution, “the collective impact can be huge.” Susan Gaber's paintings portray the optimism and timelessness of a story that celebrates teamwork and generosity