This study concentrates on The Devils, but also places this novel in the total context of Dostoevsky’s work. Also considered is the life and work of T.N. Granovsky, who is satirised along with Turgenev in the novel, and thus offers a useful basis on which to delineate the contours of Dostoevsky’s thought. First published in 1991, the book begins from the belief that his "genius embodies much of what is typical of Russian life: his boundless vitality, his extremism, his lack of empiricism and economy. To understand Dostoevsky is therefore somehow to understand Russia." The author concludes that Dostoevsky badly misunderstood Western liberalism, but grappled very well with the psychology of the radical terrorist. This is explained with reference to his intellectual revolution, which is seen as consisting of six stages from his early works of the 1840s.

The Mathematical Mind of F. M. Dostoevsky: Imaginary Numbers, Non-Euclidean Geometry, and Infinity reconstructs the curriculum and readings that F. M. Dostoevsky encountered during his studies and connects such sources to the mathematical references and themes in his published works. Prior to becoming a man of letters, Dostoevsky studied at the Main Engineering School in St. Petersburg from 1838 to 1843. After he was arrested, submitted to mock execution by firing squad, and sentenced to penal servitude in Siberia for his involvement in the revolutionary Petrashevsky Circle in 1849, most of his books and journals from the period of his education were confiscated, and destroyed by the Third Section of the Russian Secret Police. Although most scholars discount the legacy of his engineering studies, the literary aesthetics of his works communicate an acute awareness of mathematical principles and debates. This book unearths subtexts in works by Dostoevsky, communicating veins of mathematical thought that evolved throughout Classical Antiquity, the Renaissance, and the Scientific Revolution.

A magnificent one-volume abridgement of one of the greatest literary biographies of our time Joseph Frank's award-winning, five-volume Dostoevsky is widely recognized as the best biography of the writer in any language—and one of the greatest literary biographies of the past half-century. Now Frank's monumental, 2,500-page work has been skillfully abridged and condensed in this single, highly readable volume with a new preface by the author. Carefully preserving the original work's acclaimed narrative style and combination of biography, intellectual history, and literary criticism, Dostoevsky: A Writer in His Time illuminates the writer's works—from his first novel Poor Folk to Crime and Punishment and The Brothers Karamazov—by setting them in their personal, historical, and above all ideological context. More than a biography in the usual sense, this is a cultural history of nineteenth-century Russia, providing both a rich picture of the world in which Dostoevsky lived and a major reinterpretation of his life and work.

Using, or rather mimicking, traditional forms of storytelling Gogol created stories that are complete within themselves and only tangentially connected to a meaning or moral. His work belongs to the school of invention, where each twist and turn of the narrative is a surprise unfettered by obligation to an overarching theme. Selected from Evenings on a Farm near Dikanka, Mirgorod, and the Petersburg tales and arranged in order of composition, the thirteen stories in The Collected Tales of Nikolai Gogolencompass the breadth of Gogol's literary achievement. From the demon-haunted “St. John's Eve ” to the heartrending humiliations and trials of a titular councilor in “The Overcoat,” Gogol's knack for turning literary conventions on their heads combined with his overt joy in the art of story telling shine through in each of the tales. This translation, by Richard Pevear and Larissa Volokhonsky, is as vigorous and darkly funny as the original Russian. It allows readers to experience anew the unmistakable genius of a writer who paved the way for Dostevsky and Kafka.

“Wealth without work Pleasure without conscience Science without humanity Knowledge without character Politics without principle Commerce without morality Worship without sacrifice. https://vidjambov.blogspot.com/2023/01/book-inventory-vladimir-djambov-talmach.html The works of F. M. Dostoevsky have long been "torn" into quotations. The writer's thoughts have forever entered the treasury of the best aphorisms of Russian classics. However, more and more often, and primarily in the media and on the Internet, "quotes" attributed to Fyodor Mikhailovich Dostoevsky are published. In this collection, an attempt was made to collect the brightest and most significant thoughts of the author, put into the mouth of his heroes or expressed by himself in numerous articles and notes. These are thoughts concerning the main topics that worried the writer throughout his creative life: faith and God, man and his life, creativity, modernity, morality, love and, of course, Russia.

Introducing a new hermeneutics, this book explores the correlation between the personal faith of F.M. Dostoevsky (1821-1881) and the religious quality of his texts. In offering the first comprehensive analysis of his ego documents, it demonstrates how faith has methodologically to be defined by the inaccessibility of the 'living person'. This thesis, which draws on the work of M.M. Bakhtin, is further developed by critically examining the reception of Dostoevsky by the two main representatives of early dialectical theology, Karl Barth and Eduard Thurneysen. In the early 1920s, they claimed Dostoevsky as a chief witness to their radical theology of the fully transcendent God. While previously unpublished archive materials demonstrate the theological problems of their static conceptual interpretation, the 'kaleidoscopic' hermeneutics is founded on the awareness that a text offers only a fixed image, whereas living faith is in permanent motion.

Fyodor Mikhailovich Dostoevsky (1821ndash;1881), one of the greatest novelists of the 19th century, continues to be one of the writers most focused upon in academia throughout the world. With the recent opening of numerous archives in the former Soviet Union, much new material has come to light that has not yet been incorporated in publishes works or standard curricula. The Dostoevsky Archive comprehensively documents the entire life of the Russian novelist, using contemporary Russian source documents, the author's own letters and notes and those of his family, and the memoirs of his contemporaries. This fullscale reference work includes a detailed chronology, an annotated bibliography, and brief biographies of important contemporaries. Fully indexed.

In considering Dostoevsky's 'The Idiot', a novel less easily defined in terms of plot and ideas than his other major fictional works, Sarah Young addresses problems in the novel unresolved by previous interpretations, and in doing so fills a significant gap in Dostoevsky studies. 'Dostoevsky's The Idiot and the Ethical Foundations of Narrative' provides an innovative theoretical framework for an analysis that integrates structural and narratological considerations with thematic (religious and ethical) aspects, by focusing on the characters' interactivity as the most fundamental level on which the ethical systems of the novel are enacted. It examines the questions of what ethical bases are put forward by the novel, what faith-issues and philosophical world-views they derive from, and how, in terms of structuring and narration rather than simply thematically, they are presented in the novel.