The fascinating history and unnerving future of high-tech aerial surveillance, from its secret military origins to its growing use on American citizens Eyes in the Sky is the authoritative account of how the Pentagon secretly developed a godlike surveillance system for monitoring America's enemies overseas, and how it is now being used to watch us in our own backyards. Whereas a regular aerial camera can only capture a small patch of ground at any given time, this system—and its most powerful iteration, Gorgon Stare—allow operators to track thousands of moving targets at once, both forwards and backwards in time, across whole city-sized areas. When fused with big-data analysis techniques, this network can be used to watch everything simultaneously, and perhaps even predict attacks before they happen. In battle, Gorgon Stare and other systems like it have saved countless lives, but when this technology is deployed over American cities—as it already has been, extensively and largely in secret—it has the potential to become the most nightmarishly powerful visual surveillance system ever built. While it may well solve serious crimes and even help ease the traffic along your morning commute, it could also enable far more sinister and dangerous intrusions into our lives. This is closed-circuit television on steroids. Facebook in the heavens. Drawing on extensive access within the Pentagon and in the companies and government labs that developed these devices, Eyes in the Sky reveals how a top-secret team of mad scientists brought Gorgon Stare into existence, how it has come to pose an unprecedented threat to our privacy and freedom, and how we might still capitalize on its great promise while avoiding its many perils.

Bea, a resident of a retirement home, is being haunted by a ghostly nun. When Sarah Jane, Luke and Maria investigate, they're surprised to find that Bea has had just as many intergalactic adventures as Sarah Jane. But they're not the only ones who are interested in the souvenirs from her travels.

The author takes us on a journey of discovery as the protagonist discovers that she possesses the astonishing gift of sight but also an abundance of compassion and love for humanity that is unmatched by any God. The author in her adoring portrayal so eloquently and intimately engages with and unravels the infamous Grecian Myth of the great and powerful Medusa. This myth denied Medusa her voice forever condemning her fragmented monstrous form whereas this wonderful story celebrates and gives Medusa back what she had lost for centuries. However, evil has many faces as Medusa unveils the horrid guises of "the righteous" and guides us through the difference between truth and verisimilitude. Condemned to live a half-life in the shadows, her deadly stare forbids any hope of any human contact, she is made to be the repulsive monster that everyone fears they too could become. But her story does not end there. She rewrites history as this so called "monster" holds a mirror up defiantly to the gods and to us.

Mallins Wood is home to the last surviving gorgon, and Col's mother, the gorgon's supernatural Companion, is determined to save it from encroaching development--even to the point of endangering Col and his best friend Connie, the most powerful Companion alive.

The fourth title in Joe Todd-Stanton's Brownstone's Mythical Collection series ventures into the world of Ancient Greek mythology. For readers not yet old enough for Rick Riordan's Percy Jackson & The Olympians series. Full of dangerous challenges, cunning monsters, and godly heroes, this graphic novel is sure to be a hit with young readers interested in Greek mythology. Buried amongst the treasures in Professor Brownstone's vaults, lie a humble collection of books. Filled with legendary stories from his ancestors, they tell of fearless fighters and unlikely heroes. The 4th entry in the Brownstone's Mythical Collection series follows Leo Brownstone, who's been tasked with hunting a terrifying gorgon. But is the gorgon the menace everyone thinks it is?

"THE GODS ARE FUNNY. Except when you piss them off. Then they suck. They really, really suck. (Really). Alexander Weiss discovers this tidbit when he inadvertently insults Athena, Goddess of Wisdom, and she casts him away on a forgotten isle filled with statues. Being marooned is bad enough, but the fact that the island is also the home of Euryale, elder sister to Medusa, makes the situation a touch worse. The only thing keeping Alex from being petrified is the fact that Euryale has taken a liking to the blundering mortal. For now. What follows next is a wild, adventurous tale filled with heroes, gods, monsters, love, and war that is nothing short of legendary" -- back cover

Ferrus Manus, primarch of the Iron Hands, employs his brutal methods of war to bring a world to heel in the Emperor's name. The Great Crusade has swept across half the galaxy, a million human worlds now embracing the truth and reason that comes with allegiance to the rule of Terra. But even such unparalleled success comes at a cost. Rumours abound that the Emperor plans to step back from the Crusade and raise one of his primarch sons to lead in his stead. Faced with the bitterly non-compliant human empire of Gardinaal and a leaderless host of Ultramarines, Thousand Sons and Emperor’s Children at his Legion’s command, the Iron Hands primarch Ferrus Manus decides to make an example that even the Emperor cannot ignore.

Greek vases and Peruvian bottles, Chinese bronzes and African masks, Tel Brak idols and Egyptian tomb paintings—artifacts ancient and modern reveal man's universal fascination with the eye and his awe before its mysterious powers. In this wide-ranging and richly illustrated essay Albert M. Potts considers the special properties the human mind has ascribed to the eye over the millenia and seeks out its peculiar significance as symbol. Amulets against the Evil Eye persist today in nearly every part of the world. Almost as pervasive is the conception of the Good Eye, itself used as a protective amulet. The Eye of Horus, for example, was one of the holiest symbols of the ancient Egyptian religion, and its descendants can still be found in the Mediterranean basin. Using artifacts and texts, the folklore of our own times, and aspects of the unconscious revealed by Jungian psychology, Potts reveals the diverse forms and meanings of this powerful symbol.

How perceptual technologies have shaped the history of war from the Renaissance to the present From ubiquitous surveillance to drone strikes that put “warheads onto foreheads,” we live in a world of globalized, individualized targeting. The perils are great. In The Eye of War, Antoine Bousquet provides both a sweeping historical overview of military perception technologies and a disquieting lens on a world that is, increasingly, one in which anything or anyone that can be perceived can be destroyed—in which to see is to destroy. Arguing that modern-day global targeting is dissolving the conventionally bounded spaces of armed conflict, Bousquet shows that over several centuries, a logistical order of militarized perception has come into ascendancy, bringing perception and annihilation into ever-closer alignment. The efforts deployed to evade this deadly visibility have correspondingly intensified, yielding practices of radical concealment that presage a wholesale disappearance of the customary space of the battlefield. Beginning with the Renaissance’s fateful discovery of linear perspective, The Eye of War discloses the entanglement of the sciences and techniques of perception, representation, and localization in the modern era amid the perpetual quest for military superiority. In a survey that ranges from the telescope, aerial photograph, and gridded map to radar, digital imaging, and the geographic information system, Bousquet shows how successive technological systems have profoundly shaped the history of warfare and the experience of soldiering. A work of grand historical sweep and remarkable analytical power, The Eye of War explores the implications of militarized perception for the character of war in the twenty-first century and the place of human subjects within its increasingly technical armature.