The material culture of persecution : collecting for the Holocaust exhibition at the Imperial War Museum / Suzanne BardgettLyricism and offence in Egyptian archaeology collections / Stephen QuirkeContested human remains / Jack LohmanExtreme or commonplace : the collecting of unprovenanced antiquities / Kathy Walker TubbUnfit for society? : the case of the Galton Collection at UCL / Natasha McEnroeKnowing the new / Susan PearceThe global scope of extreme collecting : Japanese woodblock prints on the Internet / Richard WilkAwkward objects : collecting, deploying and debating relics / Jan GeisbuschGreat expectations and modest transactions : art, commodity and collecting / Henrietta LidchiExtremes of collecting at the Imperial War Museum, 1917-2009 : struggles with the large and the ephemeral / Paul CornishPlasticswhy not? : a perspective from the Museum of Design in Plastics / Susan LambertTime capsules as extreme collecting / Brian DurransCanning cans, or, What you can do with tins : an interview with Robert Opie / J.C.H. King.

By exploring the processes of collecting, which challenge the bounds of normally acceptable practice, this book debates the practice of collecting ‘difficult’ objects, from a historical and contemporary perspective; and discusses the acquisition of objects related to war and genocide, and those purchased from the internet, as well as considering human remains, mass produced objects and illicitly traded antiquities. The aim is to apply a critical approach to the rigidity of museums in maintaining essentially nineteenth-century ideas of collecting; and to move towards identifying priorities for collection policies in museums, which are inclusive of acquiring ‘difficult’ objects. Much of the book engages with the question of the limits to the practice of collecting as a means to think through the implementation of new strategies.

A fascinating insight into the strange world of collectors of the macabre, Morbid Curiosities features 18 unique collections and an extensive interview with each collector, explaining how and why they collect, and showcasing the most remarkable pieces from each collection. The collections include skulls, mummified body parts, taxidermy, occult objects and various carnival, and side-show and criminal ephemera. Detailed captions tell the curious stories behind each object, many of which are being shown outside the private world of their collections for the first time. Morbid Curiosities includes stunning, specially commissioned photography of both the individual objects and the context of how the collector exhibits their work, forming a unique showcase of the bizarre and the intriguing.

Extreme Teaming provides new insights into the world of increasingly complex, cross industry projects. Amy Edmondson and Jean-Francois Harvey show vividly through their international cases how the complex demands of collaboration impact on management and revolutionize our understanding of teams.

In recent years, the study of textiles and culture has become a dynamic field of scholarship, reflecting new global, material and technological possibilities. This is the first handbook of specially commissioned essays to provide a guide to the major strands of critical work around textiles past and present and to draw upon the work of artists and designers as well as researchers in textiles studies. The handbook offers an authoritative and wide-ranging guide to the topics, issues, and questions that are central to the study of textiles today: it examines how material practices reflect cross-cultural influences; it explores textiles' relationships to history, memory, place, and social and technological change; and considers their influence on fashion and design, sustainable production, craft, architecture, curation and contemporary textile art practice. This illustrated volume will be essential reading for students and scholars involved in research on textiles and related subjects such as dress, costume and fashion, feminism and gender, art and design, and cultural history. Cover image: Anne Wilson, To Cross (Walking New York), 2014. Site-specific performance and sculpture at The Drawing Center, NYC. Thread cross research. Photo: Christie Carlson/Anne Wilson Studio.