The final volume of Will Eisner’s celebrated instructional trilogy explores the critical principle of body grammar in comics storytelling. Designed and outlined by Will Eisner before his death in 2005, this posthumous masterwork, the third and final book in the Will Eisner Instructional Series, finally reveals the secrets of Eisner’s own techniques and theories of movement, body mechanics, facial expressions, and posture: the key components of graphic storytelling. From his earliest comics, including the celebrated Spirit, to his pioneering graphic novels, Eisner understood that the proper use of anatomy is crucial to effective storytelling. His control over the mechanical and intuitive skills necessary for its application set him apart among comics artists, and his principles of body grammar have proven invaluable to legions of students in overcoming what is perhaps the most challenging aspect of creating comics. Buttressed by dozens of illustrations, which display Eisner’s mastery of expression, both subtle and overt, Expressive Anatomy for Comics and Narrative will benefit comics fans, students, and teachers and is destined to become the essential primer on the craft.

In this work, Eisner reveals his techniques and theories about movement, body mechanics, facial expressions, and posture: the key components and, generally, the most challenging aspects of effective graphic storytelling.

The author discusses his ideas and theories and provides instructions on the art of graphic storytelling.

Examines the fundamentals of storytelling in comic book style and offers advice on story construction and visual narratives.

A celebration of the life of the acclaimed comic book storyteller through his work as well as interviews with fellow creators. Will Eisner (1917–2005) is universally considered the master of comics storytelling, best known for The Spirit, his iconic newspaper comic strip, and A Contract With God, the first significant graphic novel. This seminal work from 1978 ushered in a new era of personal stories in comics form that touched every adult topic from mortality to religion and sexuality, forever changing the way writers and artists approached comics storytelling. Noted historian Paul Levitz celebrates Eisner by showcasing his most famous work alongside unpublished and rare materials from the family archives. Also included are original interviews with creators such as Jules Feiffer, Art Spiegelman, Scott McCloud, Jeff Smith, Denis Kitchen, and Neil Gaiman—all of whom knew Eisner and were inspired by his work to create their own graphic novels for a new generation of readers. NOTE: The cover is a high-quality photographic reproduction of Eisner's original art. The design intentionally reveals tape and other stray markings that are part of the artist's process and reflect the age of the artifact that was photographed. “Eisner was not only ahead of his times; the present times are still catching up to him,” —John Updike “What Will did was and is timeless,” —Neil Gaiman “Will Eisner is, and remains, one of my precious idols,” —Frank Miller "He was the greatest,” —Harvey Kurtzman “Will Eisner is a national treasure,” —Jules Feiffer “Will Eisner is the heart and mind of American comics,” —Scott McCloud “Eisner is the single person most responsible for giving comics its brains,” —Alan Moore “Eisner was unique in feeling from the start that comic books were not necessarily this despised, bastard, crappy, lowbrow kind of art form, and that there was a potential for real art,” —Michael Chabon

How to Draw Noir Comics: The Art and Technique of Visual Storytelling is an instructional book based on the cinematic, high contrast noir style of acclaimed comic book and graphic novel illustrator, Shawn Martinbrough. Martinbrough’s work has been published by DC Comics, Vertigo and Marvel Comics, illustrating stories ranging from Batman to the X-Men. This is his first book, released through Watson-Guptill Publications and The Nielsen Company. In How to Draw Noir Comics, Martinbrough shows how the expert use of the color black is critical for drawing noir comics. He demonstrates how to set a mood, design characters and locations, stage action and enhance drama, and discusses important topics like page layout, panel design, and cover design. How to Draw Noir Comics includes The Truce, an original graphic novel written and illustrated by Martinbrough which incorporates the many lessons addressed throughout the book, and has an introduction by critically-acclaimed novelist Greg Rucka, author of the graphic novel Whiteout, currently in production as a major motion picture.

"Comics and Sequential Art is a masterwork, the distillation of Will Eisner's genius to a clear and potent elixir."—Michael Chabon, Pulitzer Prize-winning author of The Amazing Adventures of Kavalier & Clay. Will Eisner is one of the twentieth century's great American artists, a man who pioneered the field of comic arts. Here, in his classic Comics and Sequential Art, he refines the art of graphic storytelling into clear, concise principles that every cartoonist, comic artist, writer, and filmmaker meeds to know. Adapted from Eisner's landmark course at New York's School of Visual Arts, Comics and Sequential Art is an essential text filled with invaluable theories and easy-to-use techniques. Eisner reveals here the fundamentals of graphic storytelling. He addresses dialogue, anatomy, framing, and many other important aspects of the art form. Fully updated and revised to reflect current practices and technology, including a section on digital media, this introduction to the art of comics is as valuable a guide as it was when first published.

A series of vignettes, in graphic novel format, built around elements that make up New York City--its buildings, people, trash and treasures.

"In their passionate intensity these drawings are as emotionally poignant as the very best war work that Paul Nash or Nevinson ever produced, while technically the broad lines and heavy blacks of Mr. Szüts have a sledge-hammer mastery which is more akin to the work of Forain and Steinlen."―The Sunday Times (London). The pen, ink, and wash images of this graphic novel speak louder than words in relating a soldier's experiences during World War I. My War, a dramatic narrative by Hungarian veteran Szegedi Szüts, portrays the tragedy of wartime life on the battlefield as well as on the home front. With pathos and grim humor, more than 200 images trace a young recruit's progress from initial enthusiasm to ultimate disillusionment. Includes new Foreword by Peter Kuper.

A new course of material to accompany First Second's widely acclaimed 2008 comics textbook. In their hotly anticipated follow-up to 2008's comics textbook Drawing Words & Writing Pictures, School of Visual Arts cartooning professors Matt Madden and Jessica Abel bring their expertise to bear on the "second semester" of a course of study for the budding cartoonist. Covering advanced topics such as story composition, coloring, and file formatting, Mastering Comics is a vital companion to the introductory content of the first volume.