Experiencing the Last Judgement opens up new ways of understanding a Byzantine image type that has hitherto been considered largely uniform in its manifestations and to a great extent frightening, coercive and paralysing. It moves beyond a purely didactic understanding of the Byzantine image of the Last Judgement, as a visual eschatological text to be ‘read’ and learned from, and proposes instead an appreciation of each unique image as a dynamic site to be experienced. Paintings, icons and mosaics from the tenth to the fourteenth century, from inside and outside of the Byzantine Empire, are placed within their specific socio-historical milieus, their immediate decorative programmes and their architectural contexts to demonstrate that each unique image constituted a carefully orchestrated and immersive experience of judgement. Each case study outlines the differences that exist in reality between these images that are often subsumed under one iconographic label, making a case against condensing dynamic, lived images into apparently static pictorial ‘types’. Images of the Last Judgement needed the body, mind and memory of the viewer for the creation of meaning, and so the experience of these images was unavoidably spatial, gendered, corporeal, mnemonic, emotional, rhetorical and most often liturgical. Unpacking Byzantine images of judgement in light of these various facets of experience for the first time helps to elucidate the interaction of past individuals with the image, and the ways in which such encounters were intended to benefit the communities that made and lived alongside them.

Experiencing the Last Judgement opens up new ways of understanding a Byzantine image type that has hitherto been considered largely uniform in its manifestations and to a great extent frightening, coercive and paralysing. It moves beyond a purely didactic understanding of the Byzantine image of the Last Judgement, as a visual eschatological text to be ‘read’ and learned from, and proposes instead an appreciation of each unique image as a dynamic site to be experienced. Paintings, icons and mosaics from the tenth to the fourteenth century, from inside and outside of the Byzantine Empire, are placed within their specific socio-historical milieus, their immediate decorative programmes and their architectural contexts to demonstrate that each unique image constituted a carefully orchestrated and immersive experience of judgement. Each case study outlines the differences that exist in reality between these images that are often subsumed under one iconographic label, making a case against condensing dynamic, lived images into apparently static pictorial ‘types’. Images of the Last Judgement needed the body, mind and memory of the viewer for the creation of meaning, and so the experience of these images was unavoidably spatial, gendered, corporeal, mnemonic, emotional, rhetorical and most often liturgical. Unpacking Byzantine images of judgement in light of these various facets of experience for the first time helps to elucidate the interaction of past individuals with the image, and the ways in which such encounters were intended to benefit the communities that made and lived alongside them.

A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.

A Study Guide and a Teacher’s Manual Gospel Principles was written both as a personal study guide and as a teacher’s manual. As you study it, seeking the Spirit of the Lord, you can grow in your understanding and testimony of God the Father, Jesus Christand His Atonement, and the Restoration of the gospel. You can find answers to life’s questions, gain an assurance of your purpose and self-worth, and face personal and family challenges with faith.

In the smoking ruins of our world, will the struggle for yesterday's technology spark tomorrow's global war? A new postapocalyptic novel, in which a young cowboy claims his destiny—and tries to prevent a catastophic war—from New York Times best-selling author John Ringo, Kacey Ezell, and Christopher L. Smith. WAR IN THE SMOKING RUINS OF TOMORROW! Thirty years ago, the world ended. Giant electrovoric ants and pterodons came through a rift in space-time, millions of humans died, and that was that. Without electricity, human ingenuity has provided some creative work-arounds to the energy problem, but most people survive at subsistence level. For Chuck Gordon, the simple life of a rancher was enough. But then he met a mysterious dying stranger and now he’s on the road of destiny across America accompanied by a warrior monk, a beautiful dragon tamer, a runaway cultist, and a mystic drunken lecher—all searching for the key to reclaiming humanity’s past—and future. At the publisher's request, this title is sold without DRM (Digital Rights Management). About The Valley of Shadows by John Ringo: ". . . fast-paced . . . building to an exciting climax . . . Ringo and Massa have written an end-of-the-world novel that is unconventional and entertaining."—Daily News of Galveston County About Black Tide Rising, coedited by John Ringo (featuring stories by Kacey Ezell and Christopher L. Smith): “. . . an entertaining batch of . . . action-packed tales. Certainly, fans of Ringo’s particular brand of action-adventure will be pleased.”—Booklist "This anthology broadens Ringo’s Black Tide world, serving up doses of humanity amid the ravenous afflicted. Comedy has a place in this harsh reality, and these stories stir adventure and emotion at a frantic clip throughout. Zombie fiction fans will be thrilled."—Library Journal About the Black Tide Rising Series: “Not only has Ringo found a mostly unexplored corner of the zombie landscape, he's using the zombie frame to tackle a broader theme: the collapse and rebirth of civilization. The zombie scenes are exciting, sure, but its the human story that keeps us involved. A fine series.”—Booklist on the Black Tide Rising Series About John Ringo: “[Ringo’s work is] peopled with three-dimensional characters and spiced with personal drama as well as tactical finesse.”—Library Journal “. . . Explosive. . . . Fans . . . will appreciate Ringo’s lively narrative and flavorful characters.”—Publishers Weekly “. . . practically impossible not to read in one sitting . . . exceedingly impressive . . . executed with skill, verve, and wit.”—Booklist “Crackerjack storytelling.”—Starlog About the work of Kacey Ezell: "Gritty, dark and damp. Much like the war itself."—Michael Z. Williamson, best-selling author of A Long Time Until Now "I loved Minds of Men."—D.J. Butler, best-selling author of Witchy Eye

Through a discussion of Biblical texts, this book presents four perspectives on the role of works at the final judgment. The final judgment is the last and final act before God dwells with his people forever. Scripture makes that clear, but what function do our actions play in the final assessment of our souls--especially those of professing Christians? The contributors each state their case for one of four prominent views on the effect of works at the end of time: Robert N. Wilkin: Works will determine rewards but not salvation Thomas R. Schreiner: Works will provide evidence that one actually has been saved James D. G. Dunn: Works will provide the criterion by which Christ will determine eternal destiny of his people Michael P. Barber: Works will merit eternal life This book allows each contributor to not only present the case for his view, but also to critique and respond to the critiques of the other contributors, allowing you to compare their beliefs in an open forum setting to see where they overlap and where they differ. The Counterpoints series presents a comparison and critique of scholarly views on topics important to Christians that are both fair-minded and respectful of the biblical text. Each volume is a one-stop reference that allows readers to evaluate the different positions on a specific issue and form their own, educated opinion.

Get ready for life after death. Combining three books that together have sold nearly 1 million copies, Heaven and the Afterlife gives you Erwin Lutzer’s best reflections on eternity and what it means for you today. The trilogyincludes: One Minute After You Die. A simple and moving explanation of what the Bible teaches about death, this book makes you consider a sobering truth: one minute after you die, your life will not be over. Rather, it will be just beginning—in a place of unimaginable bliss or indescribable gloom. Are you ready for that moment? How You Can Be Sure You Will Spend Eternity with Godsummarizes the Bible’s teaching on salvation, answering questions like, “What role do I play in my own salvation? Can I lose my salvation if I commit a serious sin? What if I doubt that I’m saved?” Your Eternal Reward. This book explores the often-overlooked Scriptures about reward and judgment for Christians, answering questions like, “How will believers be judged? Do rewards for faithfulness vary? If heaven is perfect, why do rewards even matter?” Together these books will help you live faithfully today, readying you for that final hour when you meet your Maker.

-Published to accompany the exhibition Visions of Paradise, The National Gallery, London, 4 November 2015--14 February 2016---Colophon.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.