The Exile in the Maghreb entails the first attempt at describing the historical reality of the legal and social condition of the Jews in the Muslim countries of North Africa (principally Algeria and Morocco) over a thousand year period from the Middle Ages (997 C.E.) to the French colonization (1830 Algeria/1912 Morocco.). The Exile is not a formal history but a chronological anthology of documents drawn from literary (section A) and archival sources (section B), many of which are published for the first time. In section A, Arabic and Hebrew chronicles, Muslim legal, and theological texts are followed by the accounts culled from European travelers—captives, diplomats, doctors, clerics, and adventurers. Each document is introduced and annotated in such a way as to bring out its importance. The second section (B) reflects the diplomatic activity deployed by humanitarian organizations in favour of North African Jewry. Spanning the 19th and early 20th centuries, these are mainly drawn from the archives of the Alliance Israélite Universelle (Paris) and the Anglo-Jewish Association (London). The documents are richly elucidated with illustrations taken from the international press. The book presents a new and illuminating insight into the status of Jews under the Crescent. The Jews of North Africa were the only minority under Islam, in this region and their history reflects Judaism's exclusive encounter with Islam.

In this psychologically complex and darkly humorous debut collection, awardwinning writer Henry Shukman introduces an unforgettable cast of characters, travelers whose certain paths around the world lead invariably back to the uncertain self. In “The Garden of God” an aging, ailing war reporter reflects on his adventures covering a little-known conflict in the Sahara and the precipitous and disgraced end of his career; In “Old Providence,” a dissolute artist mourns a lost love and the “bloody perfect island” where, through his own callow foolishness, he lost her. In “Darien Dogs” a man goes south to Panama, desperate for a business deal that will restore his finances and sense of mastery, only to find himself on a confounding search for a beautiful, mysterious woman and his stolen wallet. By turns full of suspense, farce and poignance, always alive with energy and atmosphere, these are the stories of a gifted and assured writer.

A survey of the poems and writings of Habib Tengour. Though widely published in Europe and North Africa, this is the first English language volume of his works to be published. With over 19 books published to date he is one of the Maghreb regions most important poets and commentators. Tengour, born in Algeria, divides his time between Paris and Constantine. Pierre Joris has been one of Tengour's most active translators into the English language.

This book reviews a thousand years of Jewish history in North Africa under Islam, culled from literary sources such as Islamic legal and theological texts, European travel accounts, and diplomatic dispatches, as well as unpublished archival material.

In June 1887, a man known as General Husayn, a manumitted slave turned dignitary in the Ottoman province of Tunis, passed away in Florence after a life crossing empires. As a youth, Husayn was brought from Circassia to Turkey, where he was sold as a slave. In Tunis, he ascended to the rank of general before French conquest forced his exile to the northern shores of the Mediterranean. His death was followed by wrangling over his estate that spanned a surprising array of actors: Ottoman Sultan Abdülhamid II and his viziers; the Tunisian, French, and Italian governments; and representatives of Muslim and Jewish diasporic communities. A Slave Between Empires investigates Husayn’s transimperial life and the posthumous battle over his fortune to recover the transnational dimensions of North African history. M’hamed Oualdi places Husayn within the international context of the struggle between Ottoman and French forces for control of the Mediterranean amid social and intellectual ferment that crossed empires. Oualdi considers this part of the world not as a colonial borderland but as a central space where overlapping imperial ambitions transformed dynamic societies. He explores how the transition between Ottoman rule and European colonial domination was felt in the daily lives of North African Muslims, Christians, and Jews and how North Africans conceived of and acted upon this shift. Drawing on a wide range of Arabic, French, Italian, and English sources, A Slave Between Empires is a groundbreaking transimperial microhistory that demands a major analytical shift in the conceptualization of North African history.

Facing persecution in early modern England, some Catholics chose exile over conformity. Some even cast their lot with foreign monarchs rather than wait for their own rulers to have a change of heart. This book studies the relationship forged by English exiles and Philip II of Spain. It shows how these expatriates, known as the “Spanish Elizabethans,” used the most powerful tools at their disposal—paper, pens, and presses—to incite war against England during the “messianic” phase of Philip’s reign, from the years leading up to the Grand Armada until the king’s death in 1598. Freddy Cristóbal Domínguez looks at English Catholic propaganda within its international and transnational contexts. He examines a range of long-neglected polemical texts, demonstrating their prominence during an important moment of early modern politico-religious strife and exploring the transnational dynamic of early modern polemics and the flexible rhetorical approaches required by exile. He concludes that while these exiles may have lived on the margins, their books were central to early modern Spanish politics and are key to understanding the broader narrative of the Counter-Reformation. Deeply researched and highly original, Radicals in Exile makes an important contribution to the study of religious exile in early modern Europe. It will be welcomed by historians of early modern Iberian and English politics and religion as well as scholars of book history.

Postcolonial Encounters in International Relations examines the social and cultural aspects of the political violence that underpinned the French colonial project in the Maghreb, and the multi-layered postcolonial realities that ensued. This book explores the reality of the lives of North African migrants in postcolonial France, with a particular focus on their access to political entitlements such as citizenship and rights. This reality is complicated even further by complex practices of memory undertaken by Franco-Maghrebian intellectuals, who negotiate, in their writings, between the violent memory of the French colonial project in the Maghreb, and the contemporary conundrums of postcolonial migration. The book pursues thus the politics of (post)colonial memory by tracing its representations in literary, political, and visual narratives belonging to various Franco-Maghrebian intellectuals, who see themselves as living and writing between France and the Maghreb. By adopting a postcolonial perspective, a perspective quite marginal in International Relations, the book investigates a different international relations, which emerges via narratives of migration. A postcolonial standpoint is instrumental in understanding the relations between class, gender, and race, which interrogate and reflect more generally on the shared (post)colonial violence between North Africa and France, and on the politics of mediating violence through complex practices of memory.

Ever since Bessie Smith's powerful voice conspired with the "race records" industry to make her a star in the 1920s, African American writers have memorialized the sounds and theorized the politics of black women's singing. In Black Resonance, Emily J. Lordi analyzes writings by Richard Wright, Ralph Ellison, James Baldwin, Gayl Jones, and Nikki Giovanni that engage such iconic singers as Bessie Smith, Billie Holiday, Mahalia Jackson, and Aretha Franklin. Focusing on two generations of artists from the 1920s to the 1970s, Black Resonance reveals a musical-literary tradition in which singers and writers, faced with similar challenges and harboring similar aims, developed comparable expressive techniques. Drawing together such seemingly disparate works as Bessie Smith's blues and Richard Wright's neglected film of Native Son, Mahalia Jackson's gospel music and Ralph Ellison's Invisible Man, each chapter pairs one writer with one singer to crystallize the artistic practice they share: lyricism, sincerity, understatement, haunting, and the creation of a signature voice. In the process, Lordi demonstrates that popular female singers are not passive muses with raw, natural, or ineffable talent. Rather, they are experimental artists who innovate black expressive possibilities right alongside their literary peers. The first study of black music and literature to centralize the music of black women, Black Resonance offers new ways of reading and hearing some of the twentieth century's most beloved and challenging voices.

This work presents a critical perspective on many of the best-known texts of Algerian literature in French. It also discusses Maghrebian immigration into France; contemporary French writing about the Maghreb; and "nomadic" poststructuralist theories of language, subjectivity and sociality. Woodhull offers a thorough and detailed exploration of the historical context and the ways in which femininity has been represented in the texts of North African and French writers since the mid-1950s. She aims to provide an important corrective to some (male) models of anticolonialist ideology. Through informed readings of texts by "metropolitan" writers such as Le Clezio, Tournier, Cardinal, and Sullerot, Woodhull challenges the sterile dichotomies which continue to occur in the institutional organization of French departments - namely, the separation between French and Francophone literatures and cultures. In her refusal to allow nationalist concerns to take precedence over the needs of women, Woodhull breaks away from traditional Marxist readings of literature. "Transfigurations of the Maghreb" reveals how Maghrebian texts challenge the very existence of a repressive paternal law, while also attending to the historical contexts from which Maghrebian writing emerges, and the national and global conflicts that encumber its efforts to displace restrictive identities of sex, class, race, nationality and language.

A comprehensive account of two of the most important empires in medieval North AfricaThis is the first book in English to provide a comprehensive account of the rise and fall of the Almoravids and the Almohads, the two most important Berber dynasties of the medieval Islamic west, an area that encompassed southern Spain and Portugal, Morocco, Algeria and Tunisia. The a'anhAja Almoravids emerged from the Sahara in the 1050s to conquer vast territories and halt the Christian advance in Iberia. They were replaced a century later by their rivals, the Almohads, supported by the Maa'GBPmAda Berbers of the High Atlas. Although both have often been seen as uncouth, religiously intolerant tribesmen who undermined the high culture of al-Andalus, this book argues that the eleventh to thirteenth centuries were crucial to the Islamisation of the Maghrib, its integration into the Islamic cultural sphere, and its emergence as a key player in the western Mediterranean, and that much of this was due to these oft-neglected Berber empires.Key featuresThe first work in English to give a full account of the Almoravids and AlmohadsFeatures numerous translated quotes and anecdotes from Arabic primary sourcesProvides an intimate portrait of the daily lives and material culture of people living within the empires, as well as delivering a clear dynastic historyUses maps, genealogical tables, illustrations and a chronology