This book traces the impact of exile in the formation of independent republics in Chile and the Río de la Plata in the decades after independence. Exile was central to state and nation formation, playing a role in the emergence of territorial borders and Romantic notions of national difference, while creating a transnational political culture that spanned the new independent nations. Analyzing the mobility of a large cohort of largely elite political émigrés from Chile and the Río de la Plata across much of South America before 1862, Edward Blumenthal reinterprets the political thought of well-known figures in a transnational context of exile. As Blumenthal shows, exile was part of a reflexive process in which elites imagined the nation from abroad while gaining experience building the same state and civil society institutions they considered integral to their republican nation-building projects.

The history of exile literature is as old as the history of writing itself. Despite this vast and varied literary tradition, criticism of exile writing has tended to analyze these works according to a binary logic, where exile either produces creative freedom or it traps the writer in restrictive nostalgia. The Dialectics of Exile: Nation, Time, Language and Space in Hispanic Literatures offers a theory of exile writing that accounts for the persistence of these dual impulses and for the ways that they often co-exist within the same literary works. Focusing on writers working in the latter part of the twentieth century who were exiled during a historical moment of increasing globalization, transnational economics, and the theoretical shifts of postmodernism, Sophia A. McClennen proposes that exile literature is best understood as a series of dialectic tensions about cultural identity. Through comparative analysis of Juan Goytisolo (Spain), Ariel Dorfman (Chile) and Cristina Peri Rossi (Uruguay), this book explores how these writers represent exile identity. Each chapter addresses dilemmas central to debates over cultural identity such as nationalism versus globalization, time as historical or cyclical, language as representationally accurate or disconnected from reality, and social space as utopic or dystopic. McClennen demonstrates how the complex writing of these three authors functions as an alternative discourse of cultural identity that not only challenges official versions imposed by authoritarian regimes, but also tests the limits of much cultural criticism.

Five Faces of Exile is the first transnational history of Asian American intellectuals. Espiritu explores five Filipino American writers whose travels, literary works, and political reflections transcend the boundaries of nations and the categories of "Asia" and "America."

The Politics of Exile in Latin America provides a systematic analysis of exile as a mechanism of institutional exclusion and its historical development.

Historical work on the late nineteenth and early twentieth centuries suggests that as nation-states were solidifying throughout Western Europe, exiled groups tended to develop rival national identities—an occurrence that had been fairly uncommon in the two preceding centuries. Diaspora Identities draws on eight case studies, ranging from the early modern period through the twentieth century, to explore the interconnectedness of exile, nationalism, and cosmopolitanism as concepts, ideals, attitudes, and strategies among diasporic groups. Die hier versammelten Studien eröffnen neue Perspektiven auf Nationalismus und Kosmopolitismus. Sie machen deutlich, dass schon vor dem »nationalen « 19. Jahrhundert im Kontext von Diaspora, Exil und Migration Identitäten und Verhaltensweisen entstanden, die zugleich kosmopolitisch und nationalistisch waren.

Che Guevara left Argentina at 22. At 21, Belén Fernández left the U.S. and didn’t look back. Alone, far off the beaten path in places like Syria and Tajikistan, she reflects on what it means to be an American in a largely American-made mess of a world. After growing up in Washington, D.C. and Texas, and then attending Columbia University in New York, Belén Fernández ended up in a state of self-imposed exile from the United States. From trekking—through Europe, the Middle East, Morocco, and Latin America—to packing avocados in southern Spain, to close encounters with a variety of unpredictable men, to witnessing the violent aftermath of the 2009 coup in Honduras, the international travel allowed her by an American passport has, ironically, given her a direct view of the devastating consequences of U.S. machinations worldwide. For some years Fernández survived thanks to the generosity of strangers who picked her up hitchhiking, fed her, and offered accommodations; then she discovered people would pay her for her powerful, unfiltered journalism, enabling—as of the present moment—continued survival. In just a few short years of publishing her observations on world politics and writing from places as varied as Lebanon, Italy, Uzbekistan, Syria, Mexico, Turkey, Honduras, and Iran, Belén Fernández has established herself as a one of the most trenchant observers of America’s interventions around the world, following in the footsteps of great foreign correspondents such as Martha Gellhorn and Susan Sontag.

Libya is a typical example of a colonial or external creation. This book addresses the emergence and construction of nation and nationalism, particularly among Libyan exiles in the Mediterranean region. It charts the rise of nationalism from the colonial era and shows how it developed through an external Libyan diaspora and the influence of Arab nationalism. From 1911, following the Italian occupation, the first nucleus of Libyan nationalism formed through the activities of Libyan exiles. Through experiences undergone during periods of exile, new structures of loyalty and solidarity were formed. The new and emerging social groups were largely responsible for creating the associations that ultimately led to the formation of political parties at the eve of independence. Exploring the influence of colonial rule and external factors on the creation of the state and national identity, this critical study not only provides a clear outline of how Libya was shaped through its borders and boundaries but also underlines the strong influence that Eastern Arab nationalism had on Libyan nationalism. An important contribution to history of Libya and nationalism, this work will be of interest to all scholars of African and Middle Eastern history.

This book explores how categories of identity such as "Hutu" and "Tuts" produced through violence and exile. In 1972 the Burundi army, controlled by t Tutsis, responded to an attempted Hutu rebellion with mass killings of the Hutu The author conducted a year of anthropological field research in Western Tanzani among two groups of Hutu refugees who had fled the killings. One refugee group Kigoma township and the other in the isolated Mishamo refugee camp. The town refugees tended to seek ways of assimilating and inhabiting multiple shifting id contrast to the camp refugees who continually engaged in an impassioned reconstr of their history as a people. Ethnic traits ascribed by social scientists and were freely borrowed to assert cultural difference in this process of identity r In highlighting the different responses to exile in the two refugee groups, this against the assumption that displacement erodes collective identity and shows th possible for refugees in camps to locate their identities within their very disp Mishamo, the refugee camp itself functioned as a spatial and symbolic site for i political and moral community of Hutu.

Thomas Wheatland examines the influence of the Frankfurt School, or Horkheimer Circle, and how they influenced American social thought and postwar German sociology. He argues that, contrary to accepted belief, the members of the group, who fled oppression in Nazi Germany in 1934, had a major influence on postwar intellectual life.

If I were given five minutes with my younger self—that little girl who cried every time we had to leave for another country—I would hold her tight and not say a word. I would just be still and have her feel my beating heart, a thud to echo her own—a silent message that, no matter the outcome, she would survive and be stronger and happier than she might think as she stood at the threshold of each new home. Sisonke Msimang was born in exile, the daughter of South African freedom fighters. Always Another Country is the story of a young girl’s path to womanhood—a journey that took her from Africa to America and back again, then on to a new home in Australia. Frank, fierce and insightful, she reflects candidly on the abuse she suffered as a child, the naive, heady euphoria of returning at last to her parents’ homeland—and her disillusionment with present-day South Africa and its new elites. Sisonke Msimang is a bold new voice on feminism, race and politics—in her beloved South Africa, in Australia, and around the world. Sisonke Msimang was born in exile to South African parents—a freedom fighter and an accountant—and raised in Zambia, Kenya and Canada before studying in the US as an undergraduate. Her family returned to South Africa after apartheid was abolished in the early 1990s. Sisonke has held fellowships at Yale University, the Aspen Institute and the University of the Witwatersrand in Johannesburg, and is a regular contributor to the Guardian, Daily Maverick and New York Times. She now lives in Perth, Australia, where she is head of oral storytelling at the Centre for Stories. ‘Few of us have felt the grinding force of history as consciously or as constantly as Sisonke Msimang. Her story is a timely insight into a life in which the gap between the great world and the private realm is vanishingly narrow and it bears hard lessons about how fragile our hopes and dreams can be.' Tim Winton ‘Brutally and uncompromisingly honest, Sisonke’s beautifully crafted storytelling enriches the already extraordinary pool of young African women writers of our time.’ Graça Machel, Minister for Education and Culture of Mozambique ‘Msimang is a talented and passionate writer, one possessed of an acerbic intelligence...This memoir is also full of warmth and humour.’ Saturday Paper ‘Sisonke Msimang kindles a new fire in our store of memoir, a fire that will warm and singe and sear for a long, long while.’ Njabulo S. Ndebele, author The Cry of Winnie Mandela 'An excellent blend of both the personal and political...a bold memoir...a tale that will sustain itself for generations.’ Books & Publishing ‘Msimang pours herself into these pages with a voice that is molten steel; her radiant warmth and humour sit alongside her fearlessness in naming and refusing injustice. Msimang is a masterful memoirist, a gifted writer, and she comes bearing a message that is as urgent and timely as it is eternal.’ Sarah Krasnostein ‘It is rare to hear from such a voice as Sisonke’s—powerful, accomplished, unabashed and brave. This is a gripping and important memoir that is also self-aware and funny, revealing the depths of a country we’ve mostly only seen through a colonial perspective.’ Alice Pung ‘It is not possible to do this book justice in so few words...Always Another Country is eloquent and powerful. Msimang’s explication of what it means to be from – but not of – a place is profoundly moving. Msimang deserves to be widely read and fans of Roxane Gay and Maxine Beneba Clarke, in particular, will not be disappointed.’ Readings ‘[An] eloquent memoir of home, belonging and race politics.’ Big Issue ‘Msimang’s graceful memoir is one of those rare books that managed to make me less cynical about the state of literature...It’s a coming-of-age story for those children for whom home is marked by more than a single physical location.’ New York Times