Dr. Annabelle Schwartzman has finally found a place to belong. As the medical examiner for the San Francisco Police Department, working alongside homicide detective Hal Harris, she uncovers the tales the dead can't tell about their final moments. It is a job that gives her purpose--and a safe haven from her former life at the hands of an abusive husband. Although it's been seven years since she escaped that ordeal, she still checks over her shoulder to make sure no one is behind her. Schwartzman's latest case is deeply troubling: the victim bears an eerie resemblance to herself. What's more, a shocking piece of evidence suggests that the killer's business is far from over--and that Schwartzman may be in danger. In this pulse-pounding thriller from award-winning writer Danielle Girard, a woman must face her worst nightmare to catch a killer.

Winner, 2023 Charles Tilly Distinguished Contribution to Scholarship Book Award, Collective Behavior and Social Movements Section, American Sociological Association Honorable Mention, 2023 Peace, War, and Social Conflict Section Outstanding Book Award, Peace, War, and Social Conflict Section, American Sociological Association Many years after the fall of Franco’s regime, Spanish human rights activists have turned to new methods to keep the memory of state terror alive. By excavating mass graves, exhuming remains, and employing forensic analysis and DNA testing, they seek to provide direct evidence of repression and break through the silence about the dictatorship’s atrocities that persisted well into Spain’s transition to democracy. Nicole Iturriaga offers an ethnographic examination of how Spanish human rights activists use forensic methods to challenge dominant histories, reshape collective memory, and create new forms of transitional justice. She argues that by grounding their claims in science, activists can present themselves as credible and impartial, helping them intervene in fraught public disputes about the remembrance of the past. The perceived legitimacy and authenticity of scientific techniques allows their users to contest the state’s historical claims and offer new narratives of violence in pursuit of long-delayed justice. Iturriaga draws on interviews with technicians and forensics experts and provides a detailed case study of Spain’s best-known forensic human rights organization, the Association for the Recovery of Historical Memory. She also considers how the tools and tactics used in Spain can be adopted by human rights and civil society groups pursuing transitional justice in other parts of the world. An ethnographically rich account, Exhuming Violent Histories sheds new light on how science and technology intersect with human rights and collective memory.

This book argues that a serious, scholarly study on exhumation is long overdue. Examining more well-known cases, such as that of Richard III, the Romanovs, and Tutankhamen, alongside the more obscure, Michael Nash explores the motivations beyond exhumation, from retribution to repatriation. Along the way, he explores the influence of Gothic fiction in the eighteenth century, the notoriety of the Ressurection Men in the nineteenth century, and the archeological heyday of the twentieth century.

How fictional representations of dead bodies develop over the twentieth century is the central concern of Lisa K. Perdigao's study of American writers. Arguing that the crisis of bodily representation can be traced in the move from modernist entombment to postmodernist exhumation, Perdigao considers how works by writers from F. Scott Fitzgerald, William Faulkner, Willa Cather, and Richard Wright to Jody Shields, Toni Morrison, Octavia Butler, and Jeffrey Eugenides reflect changing attitudes about dying, death, and mourning. For example, while modernist writers direct their plots toward a transformation of the dead body by way of metaphor, postmodernist writers exhume the transformed body, reasserting its materiality. Rather than viewing these tropes in oppositional terms, Perdigao examines the implications for narrative of the authors' apparently contradictory attempts to recover meaning at the site of loss. She argues that entombment and exhumation are complementary drives that speak to the tension between the desire to bury the dead and the need to remember, indicating shifts in critical discussions about the body and about the function of aesthetics in relation to materialized violence and loss.

It's hard enough to be The Living Corpse -- the flies, the hunger for human brains, and the unending task of holding off the hordes of darkness from creeping into the world of the living. But when a Nosferatu suddenly moves into his graveyard, all hell breaks loose! And what will happen when The Living Corpse's friend, Lilith, get's caught in the middle? It's a battle of the undead and only one will be left standing! (here's a hint... the name of the book ain't Nosferatu!) The Living Corpse rises from the grave in an all-new, 6-issue mini-series, collected in this trade paperback, complete with a cover gallery and bonus material.

Leena Dhingra family was forced to abandon the family house when Partition placed Lahore in Pakistan and go into exile in France. The big family secret is the execution of Madan Lal Dhingra, Leena's great uncle, in London on 17 August 1909. An Indian freedom fighter, Madan Lal assassinated the British Army official William Hutt Curzon. In England, Madan Lal is a famous murderer: in India he is hailed as a great patriot, revolutionary terrorist, and martyr. In December 1976, his remains were exhumed and his body returned to India. Part memoir, part history, Exhumation: The Life and Death of Madan Lal Dhingra is the revealing and unraveling of secrets.

This book examines the contested representations of those murdered during the Spanish Civil War of the 1930s in two small rural communities as they undergo the experience of exhumation, identification, and reburial from nearby mass graves. Based on interviews with relatives of the dead, community members and forensic archaeologists, it pays close attention to the role of excavated objects and images in breaking the pact of silence that surrounded the memory of these painful events for decades afterward. It also assesses the significance of archaeological and forensic practices in changing relationships between the living and dead. The exposure of graves has opened up a discursive space in Spanish society for multiple representations to be made of the war dead and of Spain’s traumatic past.