“You don’t have to use the exact same words.... But it has to mean exactly what I said.” Thus began the ten-year collaboration between Innu elder and activist Tshaukuesh Elizabeth Penashue and Memorial University professor Elizabeth Yeoman that produced the celebrated Nitinikiau Innusi: I Keep the Land Alive, an English-language edition of Penashue’s journals, originally written in Innu-aimun during her decades of struggle for Innu sovereignty. Exactly What I Said: Translating Words and Worlds reflects on that collaboration and what Yeoman learned from it. It is about naming, mapping, and storytelling; about photographs, collaborative authorship, and voice; about walking together on the land and what can be learned along the way. Combining theory with personal narrative, Yeoman weaves together ideas, memories, and experiences––of home and place, of stories and songs, of looking and listening––to interrogate the challenges and ethics of translation. Examining what it means to relate whole worlds across the boundaries of language, culture, and history, Exactly What I Said offers an accessible, engaging reflection on respectful and responsible translation and collaboration.

Phil M. Jones has trained more than two million people across five continents and over fifty countries in the lost art of spoken communication. In Exactly What to Say, he delivers the tactics you need to get more of what you want.

The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.

"Whether you're new to web writing, or you're a professional writer looking to deepen your skills, this book is for you. You'll learn how to write web copy that addresses your readers' needs and supports your business goals ... Topics include: write marketing copy, interface flows, blog posts, legal policies, and emails; develop behind-the-scenes documents like mission statements, survey questions, and project briefs; find your voice and adapt your tone for the situation; build trust and foster relationships with readers; make a simple style guide."--Publisher's description.

Starting with Bad Behavior in the 1980s, Mary Gaitskill has been writing about gender relations with searing, even prophetic honesty. In This Is Pleasure, she considers our present moment through the lens of a particular #MeToo incident. The effervescent, well-dressed Quin, a successful book editor and fixture on the New York arts scene, has been accused of repeated unforgivable transgressions toward women in his orbit. But are they unforgivable? And who has the right to forgive him? To Quin’s friend Margot, the wrongdoing is less clear. Alternating Quin’s and Margot’s voices and perspectives, Gaitskill creates a nuanced tragicomedy, one that reveals her characters as whole persons—hurtful and hurting, infuriating and touching, and always deeply recognizable. Gaitskill has said that fiction is the only way that she could approach this subject because it is too emotionally faceted to treat in the more rational essay form. Her compliment to her characters—and to her readers—is that they are unvarnished and real. Her belief in our ability to understand them, even when we don’t always admire them, is a gesture of humanity from one of our greatest contemporary writers.

Frank has been in a serious car accident and he's missing memories-of the people around him, of the history they share, and of how he came to be in the crash. All he remembers is that he is a lawyer who specializes in fine print, and as he narrates his story, he applies this expertise in the form of footnotes.* Everyone keeps telling Frank that he was fine before the accident, “just a bit overwhelmed,” but as he begins to reclaim his memories, they don't quite jibe with what everyone is telling him. His odious brother Oscar is intent on going into business with an inventively cruel corporation.** Alice, Frank's wife, isn't at all like the woman he fell in love with. She's written a book called Executive X that makes Frank furious, though he isn't sure why. And to make matters even stranger, stored in a closet is a severed finger floating in an old mustard jar that makes him feel very, very proud. As more memories flood in, Frank's tightly regulated life begins to unspool as he is forced to face up to the real terms*** and the condition of his life.**** Robert Glancy's debut novel is a shrewd and hilarious exploration of freedom and frustration, success and second chances, and whether it's worth living by the rules. * Yes, exactly like this. ** We can't tell you what it's called for legal reasons, but believe us, it's evil. *** Which are rarely in his favor. **** Which is a total mess.

Lucy Larson lives for wearing the satin down on her ballet shoes, and has her sights firmly set on a place at Juilliard. She's on her way to the top and has so far been careful to keep trouble out of her life. Well, up until now… Jude Ryder is the quintessential bad boy and everything a girl like Lucy needs to stay away from, especially if she wants to hold onto her dream future. But Lucy's about to find out that staying away is the only thing she's incapable of. Full of passion, steamy scenes and hot romance this ebook collection of Nicole Williams' CrashTrilogy is perfect fans of New Adult!