Evita – acclaimed chef and icon of the nation – presents her recipes for delicious dishes gathered on travels in South Africa and around the world. From the Cape to Limpopo, the West Coast to our president’s home province, come divine platefuls: guineafowl with prunes, potroasted quail, quince bredie and orange duck. Pofadders, oxtail and even sweet and sour warthog. Evita reinvents old favourites, and deliciously prepares veldkos – who would have thought of waterblommetjie chicken or dandelion salad for the dinner table? Each recipe has been tested and vetted, and they’re all ridiculously easy to make. My liewe aarde, just paging through the book is a mouth-watering experience, with all these pictures taken on her visits. First there was Kossie Sikelela, now there is Bossie. A new culinary front hits your table.

Great recipes, humor and political satire by Evita Bezuidenhout - the most famous white woman in South Africa and the alter-ego of celebrated playwright Pieter-Dirk Uys.

Great recipes, humor and political satire by Evita Bezuidenhout - the most famous white woman in South Africa and the alter-ego of celebrated playwright Pieter-Dirk Uys.

Have you ever stopped what you were doing as an aroma transported you back to your grandmother’s kitchen or took you to a time and place so special from your childhood that you treasure it in your heart for ever? In Giving Back Childhood, celebrities from the world of sport, music, media, academia, business, politics, literature, food and entertainment, as well as unsung heroes at the Red Cross War Memorial Children’s Hospital, share some of their own personal memories of food and childhood, as well as the recipes that are the on-going connection to those memories. To celebrate the 60th anniversary of the establishment of the Red Cross War Memorial Children’s Hospital in Cape Town, this book of memories and recipes offers you the opportunity to contribute to the outstanding and life-saving medical treatment that the Hospital provides on a daily basis to the children of Southern Africa and many other countries on the African continent. Without the generosity of donors and the general public, much of this work would simply not be possible. All children need to dream, they need hope for the future – and for that they need good health. By purchasing this book, you can help to give the young patients of this Hospital their childhood back.

This book explores stand-up comedy as a relevant sociological phenomenon from a contemporary perspective, as both a symptom of neoliberal capitalism and the locus specificus of socio-political critique in the era of Empire. It draws a feasible connection between the conspicuous rise in the art form’s popularity over the past number of years and the dehumanizing and fracturing processes of the current dispensation that are increasingly becoming the defining experience of life in the contemporary era, and to which, understood in terms of the traditional humor theory of relief (of which Sigmund Freud is key), comedy serves as an obvious palliative. More than this, Taking Comedy Seriously: Stand-Up’s Dissident Potential in Mass Culture, in the Context of the Neoliberal Domain of 'Empire' questions the possibility of a contemporary aesthetics of humor, given that much of the art form is disseminated and controlled by the mass media, and as such complicit in its work. In particular, it argues that the ideological situation of global capitalism poses an obvious predicament for the possibility of a socio-politically efficacious stand-up comedy in that ironic and skeptical distance is already characteristic of postmodern cynicism, incorporated into the social fabric itself, effectively rendering the comedic technique of satire (synonymous with so-called ‘political comedy’) altogether appropriated, or at least compromised, and subsequently impotent. From where then does a site of resistance emerge? Through an analysis of a range of contemporary televisual, digital and literary examples from the comedic routines of American comedian and talk-show host Ellen DeGeneres, South African satirist Pieter-Dirk Uys, and South African born (and now American comedic talk-show sensation) Trevor Noah, this book argues that a contemporary ‘political comedy’ is reliant on a structuring aesthetic logic built around dissent, disruption and difference.

What does it mean to perform whiteness in the postcolonial era? To answer this question—crucial for understanding the changing meanings of race in the twenty-first century—Megan Lewis examines the ways that members of South Africa’s Afrikaner minority have performed themselves into, around, and out of power from the colonial period to the postcolony. The nation’s first European settlers and in the twentieth century the architects of apartheid, since 1994 Afrikaners have been citizens of a multicultural, multilingual democracy. How have they enacted their whiteness in the past, and how do they do so now when their privilege has been deflated? ​ Performing Whitely examines the multiple speech acts, political acts, and theatrical acts of the Afrikaner volk or nation in theatrical and public life, including pageants, museum sites, film, and popular music as well as theatrical productions. Lewis explores the diverse ways in which Afrikaners perform whitely, and the tactics they use, including nostalgia, melodrama, queering, abjection, and kitsch. She first investigates the way that apartheid’s architects leveraged whiteness in support of their nation-building efforts in the early twentieth century. In addition to re-enacting national pilgrimages of colonial-era migrations and building massive monuments at home, Afrikaner nationalists took their show to the United States, staging critical events of the Boer War at the 1904 St. Louis Exposition. A case study of the South African experience, Performing Whitely also offers parables for global whitenesses in the postcolonial era.

Evita Bezuidenhout might be the most famous white woman in South Africa, but her younger sister Bambi, the blonde Afrikaans girl who married a Nazi and became a stripper in the fleshpots of Europe, has a much juicier story to tell. In her autobiography, assisted by Pieter-Dirk Uys, Bambi traces her journey from the Orange Free State to Europe, South America, the USA and back to a democratic South Africa. On the way she gives haircuts to The Beatles in Hamburg, travels with Hemingway in Spain, and gets surgical tips from Chris Barnard. She also rubs shoulders with Ava Gardner and Marlene Dietrich, sups with Paraguay’s dictator General Stroessner, and of course confronts her sister Evita. Peopled with showgirls, divas and film stars, Nazis, assassins and secret agents, Never too Naked is an outrageous and hilarious tale.

At last, Pieter-Dirk Uys, South Africa’s most famous political satirist, entertainer and AIDS activist, has penned a memoir. He takes us back to his upbringing in apartheid South Africa, his early days in the theatre, and the birth of his alter ego, Evita Bezuidenhout, the ambassador to the fictitious homeland of Bapetikosweti. He revisits his political satire, which exposed the absurdities of Whites Only policies and the ridiculousness of the fear surrounding them. He also writes frankly about his sexual journeys in a conservative, Calvinistic society that forbade interracial sex and homosexuality. With the end of apartheid and the fall of the old tyrants, Uys wondered, did he still have a job to do? But a new democracy comes with its own challenges and absurdities, and the government continues to write his scripts for him. Whether he is educating voters or informing the youth about the dangers of HIV/AIDS, he goes to war against ignorance and complacency, brandishing his unique weapons: laughter, compassion ... and a plastic penis! This is a book about journeys, both geographical and personal, a document of Pieter-Dirk Uys’s love affair with South Africa and its people. Frank and controversial, hilarious and humane, Elections & Erections expresses his passion and anger towards present circumstances, and his hope and optimism for the future.

Issues for Nov. 1957- include section: Accessions. Aanwinste, Sept. 1957-