Based on Sam Raimi¿s 80s cult classic films, EVIL DEAD tells the tale of 5 college kids who travel to a cabin in the woods and accidentally unleash an evil force. And although it may sound like a horror, it's not! The songs are hilariously campy and the show is bursting with more farce than a Monty Python skit. EVIL DEAD: THE MUSICAL unearths the old familiar story: boy and friends take a weekend getaway at abandoned cabin, boy expects to get lucky, boy unleashes ancient evil spirit, friends turn into Candarian Demons, boy fights until dawn to survive. As musical mayhem descends upon this sleepover in the woods, ¿camp¿ takes on a whole new meaning with uproarious numbers like ¿All the Men in my Life Keep Getting Killed by Candarian Demons,¿ ¿Look Who¿s Evil Now¿ and ¿Do the Necronomicon.¿

The Death of Character is a broad historical, sociological, and cultural inquiry into the moral life and moral education of young Americans based upon a huge empirical study of the children themselves. The children's thoughts and concerns-expressed here in their own words-shed a whole new light on what we can expect from moral education. Targeting new theories of education and the prominence of psychology over moral instruction, Hunter analyzes the making of a new cultural narcissism.

In the past 31 years, there has been a lot of ink—actual and virtual—spilled on the subject of the Necronomicon. Some have derided it as a clumsy hoax; others have praised it as a powerful grimoire. As the decades have passed, more information has come to light both on the book's origins and discovery, and on the information contained within its pages. The Necronomicon has been found to contain formula for spiritual trans-formation, consistent with some of the most ancient mystical processes in the world, processes that were not public knowledge when the book was first published, processes that involve communion with the stars. In spite of all the controversy, the first edition sold out before it was published. And it has never been out of print since then. This year, the original designer of the 1977 edition and the original editor have joined forces to present a new, deluxe hardcover edition of the most feared, most reviled, and most desired occult book on the planet.

With honesty, sensitivity, and concern for biblical truth, Sproul addresses the afterlife and the role of suffering in human experience.

In this expanded edition of The Evil of Banality, Elizabeth Minnich argues for a tragic yet hopeful explanation of “extensive evil,” her term for systematic, normalized harm-doing on the scale of genocide, slavery, sexualized dominance. The book now includes a new preface, new chapter, and expanded afterword addressing ongoing extensive evils, the paradox of lying, and the importance of developing the thinking without which conscience remains mute. Extensive evils are actually carried out not by psychopaths, but by people like your quiet next-door neighbor, your ambitious colleagues. There simply are not enough moral monsters to do the long hard work of extensive evils, nor enough saints for extensive good. In periods of extensive evil, people little different from you and me do its work for no more than a better job, a raise, the house of the family “disappeared” last week. So how can there be hope? Such evils are neither mysterious nor demonic. If we avoid romanticizing both the worst and best of which humans are capable, we can recognize and say no to extensive evil, practice and sustain extensive good, where they must take root – in ordinary lives.

"Follows a homicide case committed in Georgia in 1927 from the crime to the executions of those convicted of the crime almost a year later. Along the way, the narrative highlights a number of issues impacting the death penalty process, many of which are still relevant in the modern era of capital punishment in the United States ... Moreover, the case in question illustrates a range of themes prevalent in post-Progressive Georgia and brings them together to create a broader narrative. Thus, issues of race, class, and gender emerge from what was supposed to be a neutral process; ... demonstrates that capital punishment cannot be administered in an untainted fashion, but its finality demands that it must be"--From Athenaeum@UGA website.

"This book is about dying, not about death. We are always dying a big, always giving things up, always having things taken away. Is there a person alive who isn't really curious about what dying is for them? Is there a person alive who wouldn't like to go to their dying full of excitement, without fear and without morbidity? This books tells you how." -- Front cover.

If Chins Could Kill: Confessions of a B Movie Actor Here we are together in the digital universe. Somehow, you've clicked yourself to this page. If you came here of your own free will and desire, you and I are going to get along just fine. Life is full of choices. Right now, yours is whether or not to download the autobiography of a mid-grade, kind of hammy actor. Am I supposed to know this guy? you think to yourself. No-and that's exactly the point. You can download a terabyte of books about famous actors and their high-falootin' shenanigans. I don't want to be a spoilsport, but we've all been down that road before. Scroll down to that Judy Garland biography. You know plenty about her already-great voice, troubled life. Scroll down a little further to the Charlton Heston book. Same deal. You know his story too-great voice, troubled toupee. The truth is that though you might not have a clue who I am-unless you watch cable very late at night-there are countless working stiffs like me out there, grinding away every day at the wheel of fortune. If Chins Could Kill: Confessions of a B Movie Actor documents my time in blue-collar Hollywood, where movies are cheap, the hours are long, and the filmmaking process can be very personal. To keep up with the times, I've digitized Chins. It was originally published in hardcover/analog fifteen years ago, which is a vast amount of time in the evolution of books and technology, and it was time to get current. The advance of technology is great for a book like this, which is jammed full of pictures. When it came out originally, the photographs all had to be black and white and moderately sized on the page. Now, any photo that was originally taken in color can strut its stuff. Overall, the resolution of the images is off-the-charts better than the first go-around. This is one "sequel" that I'm happy to be a part of, since we could make so many technical improvements. The process was very similar to restoring an old movie. Since I knew that it was going to be reissued, I also had a look at the story being told and decided to condense, move, or clarify some chapters, all or in part. I also tried to add a hint of historical context, since it has been a decade and a half since Chins first came out. I hope you enjoy it. Regards, Bruce Campbell