Often regarded as merely the creator of sentimental images of mothers and children or an expatriate heavily influenced by Impressionism, Mary Cassatt is not typically regarded as an artist of radical convictions. This text re-evaluates these dismissals and presents a complete overview of her mural.

What Would You Do If a Secret Was Causing Your Family to Crumble? Is there a secret terrible enough that it should never be revealed, not even if it was tearing a family apart? For more than five decades Emma Bauer has kept one--carefully guarding it with all her strength, and for more than five decades that choice has haunted her life and also the lives of her daughters and granddaughter. Is it too late for wrongs to be righted? Does Emma even have the strength to let the healing power of truth work in her family? The story of four generations of women and the powerful effects that their choices have had on their lives is at the heart of Eve's Daughters, an epic novel from author Lynn Austin. Grand in scope but tender and personal at the same time, it will please you as a fan of contemporary or historical fiction. Exploring times from World War I to the 980s, Eve's Daughters is an insightful look at mothers, daughters, sisters, and families that allows you to see a little bit of yourself through the characters' triumphs, struggles, and hard-tested faith. Yearning for love, dignity, and freedom, the four generations of women must come to terms with the choices they have made. Healing comes when the past is forgiven but only when they embrace God's forgiveness can they shatter the cycle that has ruled their lives over the decades. Link to Readers' Discussion Questions

The girls at Modesta High School feel like they're stuck in some anti-feminist time warp-they're faced with sexism at every turn, and they've had enough. Sponsored by their new art teacher, Ms. Stark, they band together to form the Daughters of Eve. It's more than a school club-it's a secret society, a sisterhood. At first, it seems like they are actually changing the way guys at school treat them. But Ms. Stark urges them to take more vindictive action, and it starts to feel more like revenge-brutal revenge. Blinded by their oath of loyalty, the Daughters of Eve become instruments of vengeance. Can one of them break the spell before real tragedy strikes?

Heroic acts of women throughout history have been ignored, misinterpreted, and maligned. For example, Miriam Polster contrasts the condemnation of Eve with the admiration for Prometheus, although each defied the gods and gave humanity knowledge. Polster reveals that our understanding of heroism in society is entrenched in archaic male archetypes that are potentially destructive and often irrelevant to our daily lives. Offering a positive approach to the psychology of women, Polster explains why we must celebrate the heroism of women, from Eve to the champions of everyday life - the single mother in night school, the female scientist in a male-dominated field, the victim of harassment demanding justice. Drawing on case examples from her private practice as well as mythology, biblical commentary, and anthropology, she shows how a different, unheralded kind of heroism - the heroism of women - is more attuned to the real social and psychological needs of women, men, and children today. Polster shows how women and men, in confronting their own daily struggles, need not be limited to stereotypical male heroism, but can rely on their innate and unique strengths and qualities - as women heroes have done for centuries - to embody true heroism, achieve goals, and realize self-fulfillment.

Famous and seductive, female stage performers haunted French public life in the century before and after the Revolution. This pathbreaking study delineates the distinctive place of actresses, dancers, and singers within the French erotic and political imaginations. From the moment they became an unofficial caste of mistresses to France's elite during the reign of Louis XIV, their image fluctuated between emasculating men and delighting them. Drawing upon newspaper accounts, society columns, theater criticism, government reports, autobiographies, public rituals, and a huge corpus of fiction, Lenard Berlanstein argues that the public image of actresses was shaped by the political climate and ruling ideology; thus they were deified in one era and damned in the next. Tolerated when civil society functioned and demonized when it faltered, they finally passed from notoriety to celebrity with the stabilization of parliamentary life after 1880. Only then could female fans admire them openly, and could the state officially recognize their contributions to national life. Daughters of Eve is a provocative look at how a culture creates social perceptions and reshuffles collective identities in response to political change.

During the 1920s and 1930s, in cities from Beijing to Bombay, Tokyo to Berlin, Johannesburg to New York, the Modern Girl made her sometimes flashy, always fashionable appearance in city streets and cafes, in films, advertisements, and illustrated magazines. Modern Girls wore sexy clothes and high heels; they applied lipstick and other cosmetics. Dressed in provocative attire and in hot pursuit of romantic love, Modern Girls appeared on the surface to disregard the prescribed roles of dutiful daughter, wife, and mother. Contemporaries debated whether the Modern Girl was looking for sexual, economic, or political emancipation, or whether she was little more than an image, a hollow product of the emerging global commodity culture. The contributors to this collection track the Modern Girl as she emerged as a global phenomenon in the interwar period. Scholars of history, women’s studies, literature, and cultural studies follow the Modern Girl around the world, analyzing her manifestations in Germany, Australia, China, Japan, France, India, the United States, Russia, South Africa, and Zimbabwe. Along the way, they demonstrate how the economic structures and cultural flows that shaped a particular form of modern femininity crossed national and imperial boundaries. In so doing, they highlight the gendered dynamics of interwar processes of racial formation, showing how images and ideas of the Modern Girl were used to shore up or critique nationalist and imperial agendas. A mix of collaborative and individually authored chapters, the volume concludes with commentaries by Kathy Peiss, Miriam Silverberg, and Timothy Burke. Contributors: Davarian L. Baldwin, Tani E. Barlow, Timothy Burke, Liz Conor, Madeleine Yue Dong, Anne E. Gorsuch, Ruri Ito, Kathy Peiss, Uta G. Poiger, Priti Ramamurthy, Mary Louise Roberts, Barbara Sato, Miriam Silverberg, Lynn M. Thomas, Alys Eve Weinbaum

This book invites you to examine some of the fascinating stories of biblical women. Some of these characters may be familiar to you; many you may have never heard of.

The swooning Victorian ladies and the 1950s housewives genuinely needed to be liberated. That much is indisputable. So, First-Wave feminists held rallies for women's suffrage. Second-Wave feminists marched for Prohibition, jobs, and abortion. Today, Third-Wave feminists stand firmly for nobody's quite sure what. But modern women--who use psychotherapeutic antidepressants at a rate never before seen in history--need liberating now more than ever. The truth is, feminists don't know what liberation is. They have led us into a very boring dead end. Eve in Exile sets aside all stereotypes of mid-century housewives, of China-doll femininity, of Victorians fainting, of women not allowed to think for themselves or talk to the men about anything interesting or important. It dismisses the pencil-skirted and stiletto-heeled executives of TV, the outspoken feminists freed from all that hinders them, the brave career women in charge of their own destinies. Once those fictionalized stereotypes are out of the way--whether they're things that make you gag or things you think look pretty fun--Christians can focus on real women. What did God make real women for?

Explores the tension women experience between their bodies and their desire for a spiritual life.