Written in Middle English during the Tudor period, "Everyman" is the most famous example of the medieval morality play. Popular in Europe during the 15th and 16th century, morality plays were allegorical dramas in which the protagonists are met with the personifications of personal attributes and tasked with choosing either a good and godly life or evil. "Everyman" is the archetypal morality play, as the main character, Everyman, represents all of mankind. God, frustrated with the wicked and greedy, sends Death to Everyman and summons him to account for his misdeeds and sins. It was believed that God tallied all of one's good and evil deeds in life and then one must provide an accounting before God upon one's death. During Everyman's pilgrimage to God, he meets many characters, such as Fellowship, Good Deeds, and Knowledge. Everyman asks them all to join him in his journey so that he may improve his reckoning before God. In the end, it is only Good Deeds that stays with him before God and helps Everyman find salvation and eternal life. This edition is printed on premium acid-free paper.

When it comes to Christian morality tales, most people think of Bunyan's Pilgrim's Progress. Before Pilgrim's Progress, there was The Summoning of Everyman (more commonly known as Everyman); much like Bunyan's classic work, Everyman uses allegorical characters to examine the question of salvation and how man can receive it. The text is present with both the original translation and a modern translation. Please note, this story is also included in the collection “Everyman and Other Old Religious Plays In Plain and Simple English.”

'New Mermaids' are modernized and fully annotated versions of classic English plays. Each volume includes the playtext in modern English spelling, textual notes and a full introduction.

This modern riff on the fifteenth-century morality play Everyman follows Everybody (chosen from amongst the cast by lottery at each performance) as they journey through life’s greatest mystery—the meaning of living.

Het leven van een man komt steeds meer te staan in het teken van zijn ouderdomskwalen.

The drama of the English Middle Ages is perennially popular with students and theatre audiences alike, and this is an updated edition of a book which has established itself as a standard guide to the field. The Cambridge Companion to Medieval English Theatre, second edition continues to provide an authoritative introduction and an up-to-date, illustrated guide to the mystery cycles, morality drama and saints' plays which flourished from the late fourteenth to the mid-sixteenth centuries. The book emphasises regional diversity in the period and engages with the literary and particularly the theatrical values of the plays. Existing chapters have been revised and updated where necessary, and there are three entirely new chapters, including one on the cultural significance of early drama. A thoroughly revised reference section includes a guide to scholarship and criticism, an enlarged classified bibliography and a chronological table.

A New York Times Notable Book In medieval England, a runaway scholar-priest named Nicholas Barber has joined a traveling theater troupe as they make their way toward their liege lord’s castle. In need of money, they decide to perform at a village en route. When their traditional morality plays fail to garner them an audience, they begin to stage the “the play of Thomas Wells”—their own depiction of the real-life drama unfolding within the village around the murder of a young boy. The villagers believe they have already identified the killer, and the troupe believes their play will be a straightforward depiction of justice served. But soon the players soon learn that the details of the crime are elusive, and the lines between performance and reality become blurred as they discover, scene by scene, line by line, what really happened. Thought-provoking and unforgettable, Morality Play is at once a masterful work of historical fiction, a gripping murder mystery, and a literary work of the first order.

Everyman is successful, popular and riding high when Death comes calling. Forced to abandon the life he has built, he embarks on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out. One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, this new adaptation by Poet Laureate Carol Ann Duffy was presented at the National Theatre, London, in April 2015.

Everyman and Mankind are morality plays which mark the turn of the medieval period to the early modern, with their focus on the individual. Everyman follows a man's journey towards death and his efforts to secure himself a life thereafter, whilst Mankind shows a man battling with temptation and sin, often with great humour. Both texts are modernised here and edited to the highest standards of scholarship, with full on-page commentaries giving the depth of information and insight associated with all Arden editions. The comprehensive, illustrated introduction argues that the plays signal the birth of the early modern consciousness and puts them in their historic and religious contexts. An account is also given of the staging and performance history of the plays and their critical history and significance. With a wealth of helpful and incisive commentary this is the finest edition of the plays available.