Born the year World War I began, acclaimed poet William Stafford (1914-1993) spent World War II in a camp for conscientious objectors. Throughout a century of conflict he remained convinced that wars simply don't work. In his writings, Stafford showed it is possible--and crucial--to think independently when fanatics act, and to speak for reconciliation when nations take sides. He believed it was a failure of imagination to only see two options: to fight or to run away. This book gathers the evidence of a lifetime's commitment to nonviolence, including an account of Stafford's near-hanging at the hands of American patriots. In excerpts from his daily journal from 1951-1991, Stafford uses questions, alternative views of history, lyric invitations, and direct assessments of our political habits to suggest another way than war. Many of these statements are published here for the first time, together with a generous selection of Stafford's pacifist poems and interviews from elusive sources. Stafford provides an alternative approach to a nation's military habit, our current administration's aggressive instincts, and our legacy of armed ventures in Europe, the Pacific, Korea, Vietnam, the Persian Gulf, Afghanistan, and beyond.

This is a laugh-out-loud exploration of sexuality, family, female friendship, grief, and community. With the heart and hilarity of Netflix's critically-acclaimed Sex Education, Wibke Brueggemann's sex positive debut Love Is for Losers is required reading for Generation Z teens. Did you know you can marry yourself? How strange / brilliant is that? Fifteen-year-old Phoebe thinks falling in love is vile and degrading, and vows never to do it. Then, due to circumstances not entirely in her control, she finds herself volunteering at a local thrift shop. There she meets Emma . . . who might unwittingly upend her whole theory on life.

A collection of poems by twentieth-century American poet William Stafford, featuring unpublished works from his last year of life, including the poem he wrote the day he died, and providing selections drawn from throughout his career, from the 1960s through the 1990s.

What makes somebody a Loser, a person doomed to unfulfilled dreams and humiliation? Nobody is born to lose, and yet failure embodies our worst fears. The Loser is our national bogeyman, and his history over the past two hundred years reveals the dark side of success, how economic striving reshaped the self and soul of America. From colonial days to the Columbine tragedy, Scott Sandage explores how failure evolved from a business loss into a personality deficit, from a career setback to a gauge of our self-worth. From hundreds of private diaries, family letters, business records, and even early credit reports, Sandage reconstructs the dramas of real-life Willy Lomans. He unearths their confessions and denials, foolish hopes and lost faith, sticking places and changing times. Dreamers, suckers, and nobodies come to life in the major scenes of American history, like the Civil War and the approach of big business, showing how the national quest for success remade the individual ordeal of failure. Born Losers is a pioneering work of American cultural history, which connects everyday attitudes and anxieties about failure to lofty ideals of individualism and salesmanship of self. Sandage's storytelling will resonate with all of us as it brings to life forgotten men and women who wrestled with The Loser--the label and the experience--in the days when American capitalism was building a nation of winners.

In this riveting and suspenseful New York Times best-selling book, Adam Hochschild brings WWI to life as never before... World War I was supposed to be the “war to end all wars.” Over four long years, nations around the globe were sucked into the tempest, and millions of men died on the battlefields. To this day, the war stands as one of history’s most senseless spasms of carnage, defying rational explanation. To End All Wars focuses on the long-ignored moral drama of the war’s critics, alongside its generals and heroes. Many of these dissenters were thrown in jail for their opposition to the war, from a future Nobel Prize winner to an editor behind bars who distributed a clandestine newspaper on toilet paper. These critics were sometimes intimately connected to their enemy hawks: one of Britain’s most prominent women pacifist campaigners had a brother who was commander in chief on the Western Front. Two well-known sisters split so bitterly over the war that they ended up publishing newspapers that attacked each other. Hochschild forces us to confront the big questions: Why did so many nations get so swept up in the violence? Why couldn’t cooler heads prevail? And can we ever avoid repeating history?

THE TIME HAS COME. SEKINOWARI - THE LAST WAR - HAS ARRIVED. The breakneck conclusion to the trilogy that started with We Are the Dead. To beat the ultimate evil, sometimes the price is more than you can pay . . . The war with the Egril has changed Tinnstra forever. A coward no more, she'll go to any length to defeat every last one of her enemies. Zorique has grown into her powers. It's time for her to lead her army into Jia and spearhead the fight for her homeland. But at what cost? The Egril emperor Raaku - the Son of Kage himself - is waiting for them. And he intends to destroy Zorique, Tinnstra and all their allies. They will need to put everything on the line if Jia hopes to see the dawn. * * * * * * * * * * * * * * * PRAISE FOR THE LAST WAR: 'Like Tarantino crossed with David Gemmell' Peter McLean, author of Priest of Bones 'Dark, brutal, wonderful' Nick Martell, author of The Two-Faced Queen 'A must-read for all fans of the genre' The Chronicler 'Heart-hammering' Novel Notions 'Staggering, marvellous and gripping' Grimdark Magazine 'An adventure that's rich in darkness and bloodshed' SFX

Down in My Heart is an account of the relationships among the men in the camps and their day-to-day activities - fighting forest fires, building trails and roads, restoring eroded lands - and their earnest pursuit of a social morality rooted in religious and secular pacifist ideals. In his new introduction to the book, Kim Stafford calls them a "generation of seekers" working full time "to envision a way to avoid the next war.".

The Osage Orange Tree, a never-before-published story by beloved poet William Stafford, is about young love complicated by misunderstanding and the insecurity of adolescence, set against the backdrop of poverty brought on by the Great Depression. The narrator recalls a girl he once knew. He and Evangeline, both shy, never find the courage to speak to each other in high school. Every evening, however, Evangeline meets him at the Osage orange tree on the edge of her property. He delivers a newspaper to her, and they talk—and as the year progresses a secret friendship blossoms. This magical coming-of-age tale is brought to life through linocut illustrations by Oregon artist Dennis Cunningham, with an afterword by poet Naomi Shihab Nye, a personal friend of Stafford’s. In the tradition of the work of great fiction writers like Steinbeck, O’Connor, and Welty, The Osage Orange Tree stands the test of time, not just as an ode to a place and a generation but as a testament to the resilience of a nation and the strength of the human heart.

History has tended to measure war's winners and losers in terms of its major engagements, battles in which the result was so clear-cut that they could be considered "decisive." Cannae, Konigsberg, Austerlitz, Midway, Agincourt-all resonate in the literature of war and in our imaginations as tide-turning. But these legendary battles may or may not have determined the final outcome of the wars in which they were fought. Nor has the "genius" of the so-called Great Captains - from Alexander the Great to Frederick the Great and Napoleon - play a major role. Wars are decided in other ways. Cathal J. Nolan's The Allure of Battle systematically and engrossingly examines the great battles, tracing what he calls "short-war thinking," the hope that victory might be swift and wars brief. As he proves persuasively, however, such has almost never been the case. Even the major engagements have mainly contributed to victory or defeat by accelerating the erosion of the other side's defences. Massive conflicts, the so-called "people's wars," beginning with Napoleon and continuing until 1945, have consisted of and been determined by prolonged stalemate and attrition, industrial wars in which the determining factor has been not military but matériel. Nolan's masterful book places battles squarely and mercilessly within the context of the wider conflict in which they took place. In the process it help corrects a distorted view of battle's role in war, replacing popular images of the "battles of annihilation" with somber appreciation of the commitments and human sacrifices made throughout centuries of war particularly among the Great Powers. Accessible, provocative, exhaustive, and illuminating, The Allure of Battle will spark fresh debate about the history and conduct of warfare.

This is a modern day civil war novel with NO political blame. After years of questioning the reality of what has been happening in this nation, I have come to the conclusion that when war happens it will be because of WE THE PEOPLE. There is so much division being pushed today by our political leaders and Hollywood elites that the country is starting to break. Make no mistake about it, the divide they are pushing CAN BE avoided if WE THE PEOPLE would stop for even a moment to realize how brainwashed they are hoping we will become. This story is based on a twenty year long nightmare that I have had. The book is told in the first person, think of it in the terms of a dairy of a man on the ground when it all goes wrong.