"Evelyn Tester is sleepwalking through her suburban life--until a late-night phone call startles her awake. Her husband, a prestigious psychiatrist, has been in an accident. And he isn't alone. Suddenly Evelyn's world isn't as tidy as she thought. And in the midst of it all is Juliette, not only her husband's secret lover but also his patient. If news of the affair were to get out, it would ruin more than just Evelyn's marriage. Although it's a bitter pill for Evelyn to swallow, protecting her family means staying silent--even if, as she begins to discover, the night of the accident has consequences far more dangerous than the unmasking of an affair. But the more Evelyn learns about Juliette's picture-perfect life--complete with a handsome, unsuspecting husband--the more she yearns for revenge ... and satisfaction. Her growing obsession fuels her rage, burning away her complacency. What will be left of her after it flames out?"-- Page [4] of cover.

"Introduces readers to Evelyn Cheesman who forged her own path at a time when women rarely went to college, much less worked as veterinarians or entomologists."--Provided by publisher.

Voices after Evelyn seeks not so much to dig up a cold case--the 1953 disappearance of La Crosse, Wisconsin, babysitter Evelyn Hartley-- as reopen its heart. A fugue of voices across time (cracked, offensive, profound) reverberating toward today, when the phantoms of socalled innocence and greatness grow scarier than anything that took Evelyn away. An unsolved crime that jaundiced the way a town saw itself and its relationship to the outside world is rendered into a polyphonic, farcical, yet accurate visitation to the 1950s Midwest, where banality and inspired caprice make for an odd mix of the hilarious and terrifying. "Rick Harsch is America's lost Midwest noir genius, an heir to the more lurid Faulkner, an ex-pat living in Slovenia, a master of dialogue. Voices after Evelyn is a fictional take on true crime, and its bloody heart in the real, still-unsolved 1953 disappearance of teenage Evelyn Hartley in La Crosse, Wisconsin. Through that victimization, Harsch makes us look at other victims, survivors too, and throughout the novel, a Greek-style chorus sings songs of rage and loss and puzzlement. Voices after Evelyn is taut and funny, smart and haunting, enraging and true."--Daniel A. Hoyt, author, Then We Saw the Flames

From Newbery Medalist Meg Medina comes the bittersweet story of two girls who will always be each other’s número uno, even though one is moving away. A big truck with its mouth wide open is parked at the curb, ready to gobble up Evelyn’s mirror with the stickers around the edge . . . and the sofa that we bounce on to get to the moon. Evelyn Del Rey is Daniela’s best friend. They do everything together and even live in twin apartments across the street from each other: Daniela with her mami and hamster, and Evelyn with her mami, papi, and cat. But not after today—not after Evelyn moves away. Until then, the girls play amid the moving boxes until it’s time to say goodbye, making promises to keep in touch, because they know that their friendship will always be special. The tenderness of Meg Medina’s beautifully written story about friendship and change is balanced by Sonia Sánchez’s colorful and vibrant depictions of the girls’ urban neighborhood.

Named a Best Book of the Year by The Guardian, The Sunday Times, and the Financial Times A completely fresh view of one of the most gifted—and fascinating—writers of our time, the enigmatic author of Brideshead Revisited Graham Greene hailed Evelyn Waugh as “the greatest novelist of my generation,” and in recent years Waugh’s reputation has only grown. Now, half a century after Waugh’s death in 1966, with Evelyn Waugh, Philip Eade has delivered a hugely entertaining biography that is both authoritative and full of new information, some of it sensational. Drawing on extensive unseen primary sources, Eade’s book sheds new light on many of the key phases and themes of Waugh’s life: his difficult relationship with his embarrassingly sentimental father; his formative homosexual affairs at Oxford; his unrequited love for various Bright Young Things; his disastrous first marriage; his momentous conversion to Roman Catholicism; his unconventional yet successful second marriage; his checkered wartime career; and his shattering nervous breakdown. Along the way, we come to understand not only Waugh’s complex relationship with the aristocracy, but also the astonishing power of his wit, and the love, fear, and loathing that he variously inspired in others. Waugh was famously difficult, and Eade brilliantly captures the myriad facets of his character, even as he casts new light on the novels that have dazzled generations of readers.

Evelyn Sanders is a smart, confident woman, who is tired of the games boys play. She wants to marry, but she needs someone who will be honest with her and treat her like a lady. When one of her students misbehaves in class, and she meets with his father, she is unprepared for the feelings that spring to life for him, despite his seemingly uncaring attitude about his son’s misdeeds. Frank Keifer moved to Nowhere, Texas, to start a ranch and escape the unhappy memories of his ancestral home in Georgia. When his son acts up in school, he hatches a plan to make the pretty teacher’s assistant in town his son’s private tutor. Even he isn’t sure if he does it to get his son a quality education or to get to know the pretty lady. Will he be able to trust his heart enough to fall in love again? Or will he spend the rest of his life alone and sad?

Sequel to the Sunday Times bestseller EVELYN, also a major film. After the heady days of the trial which released her from the care of the State Industrial schools and succeeded in changing the law, Evelyn returns to the same grinding poverty. And when Desmond is once again forced to return to England to find work, 'new mammy' Jessie increasingly takes out her frustration on the twelve-year-old Evelyn. After a gruelling winter, the family eventually leaves for England in search of a better life. But matters quickly deteriorate. Jessie's relationship with Desmond becomes strained and Evelyn increasingly finds herself getting the brunt of their criticism and dissatisfaction. Part memoir, part social history, Evelyn's remarkable journey takes us through her adolescence as an assistant in Woolworth's in the swinging sixties, as a weaver in a mill in Yorkshire, and her repeated attempts to run away. Throughout everything Evelyn's inexplicably troubled relationship with Jessie looms large, casting a shadow over her life, until the story's brilliant and emotional denouement.

WINNER OF THE 2018 ROGERS WRITERS' TRUST FICTION PRIZE • WINNER OF THE 2019 CITY OF VICTORIA BUTLER BOOK PRIZE • A 2018 KIRKUS BEST BOOK OF THE YEAR • A GLOBE AND MAIL BEST BOOK OF 2018 • A TORONTO STAR TOP TEN BOOK OF THE YEAR • A WINNIPEG FREE PRESS FAVOURITE BOOK OFTHE YEAR • A QUILL & QUIRE BEST BOOK OF 2018 Inspired by the author’s family history, this forthright love story unflinchingly portrays the trials and tensions of a lifelong marriage. Born between the wars on a working-class street in London, Harry Miles wins a scholarship to an exclusive school and with it a chance to escape his station. Instead he falls in love with poetry, and though his teachers encourage him to attend university, he’s tired of scholarship’s dull routines. He takes an entry-level job and spends his free time among the poetry volumes at Battersea Public Library One afternoon on his way up the stairs, Harry encounters the enigmatic Evelyn Hill. The daughter of an alcoholic layabout, the young woman chafes against the idea of marriage—but during a summer spent wandering the commons and taking in plays with Harry, their relationship begins to bloom in the shadow of the Second World War. Before they know it, Harry is headed into battle and the couple faces the first of many challenges in what will become a lifetime spent together. Drawing on original wartime letters written by the author’s father, Dear Evelyn reckons with the shifting tides of marriage, exploring how two people shape one another over the course of a lifetime. This compelling account that will leave its mark on any reader who has ever loved.

Vile Bodies is a 1930 novel satirising the bright young things: decadent young London society after World War I. The title appears in a comment made by the novel’s narrator in reference to the characters’ party-driven lifestyle: “All that succession and repetition of massed humanity... Those vile bodies...”

New York Times bestselling authors Roshani Chokshi, Evelyn Skye, and Sandhya Menon craft a spellbinding novel about discovering the magic of true love on one fateful, magical night in Three Kisses, One Midnight. The town of Moon Ridge was founded 400 years ago and everyone born and raised there knows the legend of the young woman who perished at the stroke of twelve that very same night, losing the life she was set to embark on with her dearest love. Every century since, one day a year, the Lady of Moon Ridge descends from the stars to walk among the townsfolk, conjuring an aura upon those willing to follow their hearts’ desires. “To summon joy and love in another’s soul For a connection that makes two people whole For laughter and a smile that one can never miss Sealed before midnight with a truehearted kiss.” This year at Moon Ridge High, a group of friends known as The Coven will weave art, science, and magic during a masquerade ball unlike any other. Onny, True, and Ash believe everything is in alignment to bring them the affection, acceptance, and healing that can only come from romance—with a little help from Onny’s grandmother’s love potion. But nothing is as simple as it first seems. And as midnight approaches, The Coven learn that it will take more than a spell to recognize those who offer their love and to embrace all the magic that follows.