Eva Zeisel was one of the twentieth century's most influential ceramicists and designers of modern housewares. Her distinctive take on modern industrial design was inspired by organic form and brought beauty and playfulness to housewares, earning her designs a beloved place in midcentury homes. This richly illustrated volume—the first-ever complete biographical account of Zeisel's life and work—presents an extensive survey of every line she ever created, all captured in gorgeous new photography, plus 28 short essays from scholars, collectors, curators, and designers. The definitive book on the grande dame of twentieth-century ceramics, this is an essential resource for anyone who appreciates modern design.

Continuing to put great classic and contemporary design within everyones grasp, Chronicle Books proudly delivers the next four installments of the popular Compact Design Portfolio. Written by top design critics, these books cover modern masters whose work ranges from the cozily domestic to the aggressively avant-garde: Eva Zeisel, whose elegantly democratic housewares span a 70-year career; Ingo Maurer, who raises lamp and lighting design to a high art form; Gaetano Pesce, whose rejection of traditional good taste brought about revolutionary furniture design; and George Nelson, the impresario behind the Marshmallow sofa and other Herman Miller classics. Follow-ing the introductory essay, a visual gallery exhibits selections of the designers best work in photographs and sketches. Presented in an irresistible small format, this series encapsulates the life, work, and influence of the great designers of our time.

With a career spanning more than 75 years, Eva Zeisel stands at the forefront of 20th century designers. Her works, mostly in ceramics and glass, are a reflection of an independent vision. In this book, the designer communicates the ideas that have guided and inspired her work throughout her career.

Eva Zeisel's recounting of 16 months in a Soviet prison, 1936-37, at the beginning of the Stalinist purges. It includes original NKVD documents related to Zeisel's case, such as questionnaires and interrogation transcriptions. Also contains photos, poems written while she was in prison, 40 year old audio recordings of Eva recalling her time in prison, and video clips of her return visit, in 2000, to the Lomonosov factory in St. Petersburg where she had worked 63 years before.

A lively exploration of eclecticism, playfulness, and whimsy in American postwar design, including architecture, graphic design, and product design This spirited volume shows how postwar designers embraced whimsy and eclecticism in their work, exploring playfulness as an essential construct of modernity. Following World War II, Americans began accumulating more and more goods, spurring a transformation in the field of interior decoration. Storage walls became ubiquitous, often serving as a home's centerpiece. Designers such as Alexander Girard encouraged homeowners to populate their new shelving units with folk art, as well as unconventional and modern objects, to produce innovative and unexpected juxtapositions within modern architectural settings. Playfulness can be seen in the colorful, child-sized furniture by Charles and Ray Eames, who also produced toys. And in the postwar corporate world, the concept of play is manifested in the influential advertising work of Paul Rand. Set against the backdrop of a society that was experiencing rapid change and high anxiety, Serious Play takes a revelatory look at how many of the country's leading designers connected with their audience through wit and imagination.

A artistic tribute to 25 influential mid-century women featuring a quote and a original, colorful, and hand-painted painted portrait reflecting each woman's contribution to the visual arts. Includes a short biography on each person

Eva Zeisel was one of the twentieth century's most influential ceramicists and designers of modern housewares. Her distinctive take on modern industrial design was inspired by organic form and brought beauty and playfulness to housewares, earning her designs a beloved place in midcentury homes. This richly illustrated volume—the first-ever complete biographical account of Zeisel's life and work—presents an extensive survey of every line she ever created, all captured in gorgeous new photography, plus 28 short essays from scholars, collectors, curators, and designers. The definitive book on the grande dame of twentieth-century ceramics, this is an essential resource for anyone who appreciates modern design.

An intimate and revealing collection of photographs of astonishingly beautiful, iconic, and undiscovered mid-century interiors. Among significant mid-century interiors, none are more celebrated yet underpublished as the homes created by architects and interior designers for themselves. This collection of newly commissioned photographs presents the most compelling homes by influential mid-century designers, such as Russel Wright, George Nakashima, Harry Bertoia, Charles and Ray Eames, and Eva Zeisel, among others. Intimate as well as revelatory, Williamson’s photographs show these creative homes as they were lived in by their designers: Walter Gropius’s historic Bauhaus home in Massachusetts; Albert Frey’s floating modernist aerie on a Palm Springs rock outcropping; Wharton Esherick’s completely handmade Pennsylvania house, from the organic handcarved staircase to the iconic furniture. Personal and breathtaking by turn—these homes are exemplary studies of domestic modernism at its warmest and most creative.

This pioneering collection of essays deals with the topic of how Irish literature responds to the presence of non-Irish immigrants in Celtic-Tiger and post-Celtic-Tiger Ireland. The book assembles an international group of 18 leading and prestigious academics in the field of Irish studies from both sides of the Atlantic, including Declan Kiberd, Anne Fogarty and Maureen T. Reddy, amongst others. Key areas of discussion are: what does it mean to be 'multicultural' and what are the implications of this condition for contemporary Irish writers? How has literature in Ireland responded to inward migration? Have Irish writers reflected in their work (either explicitly or implicitly) the existence of migrant communities in Ireland? If so, are elements of Irish traditional culture and community maintained or transformed? What is the social and political efficacy of these intercultural artistic visions? Writers discussed include Hugo Hamilton, Roddy Doyle, Colum McCann, Éilís Ní Dhuibhne, Dermot Bolger, Chris Binchy, Michael O'Loughlin, Emer Martin, and Kate O'Riordan.