John Castagno's Artists' Signatures and Monograms have become the standard reference source for galleries, museums, libraries, and collectors around the world. European Artists III: Signatures and Monograms From 1800, A Directory features an additional 2,800 artists and signatures. In addition to the standard signature entries, the book features sections for monograms and initials, common surname signatures, alternative surname signatures, and illegible signatures. It provides the researcher a reference tool not duplicated elsewhere—one that will save many hours of research.

John Castagno's Artists' Signatures and Monograms have become the standard reference source for galleries, museums, libraries, and collectors around the world. Whether used to identify, authenticate, or verify signatures and works of both well-known and little-known artists, Castagno's work has no equal. In the first volume of European Artists Signatures and Monograms, 1800-1990 (Scarecrow, 1990), Castagno provided identification for more than 4,800 artists' signatures, along with biographical information and reference sources. The second volume, published by Scarecrow in 2007, identified an additional 2,100 artists and featured 3,000 signature examples. This third volume features an additional 2,800 artists and signatures. In addition to the standard signature entries, the book features sections for monograms and initials, common surname signatures, alternative surname signatures, and illegible signatures. Less than five percent of the entries in this volume are listed in the original volumes--and these are included to provide additional information about the artists. The use of European Artists III: Signatures and Monograms From 1800, A Directory provides the researcher a reference tool not duplicated elsewhere--one that will save many hours of research.

This book presents and analyzes artistic interactions both within the Soviet bloc and with the West between 1945 and 1989. During the Cold War the exchange of artistic ideas and products united Europe?s avant-garde in a most remarkable way. Despite the Iron Curtain and national and political borders there existed a constant flow of artists, artworks, artistic ideas and practices. The geographic borders of these exchanges have yet to be clearly defined. How were networks, centers, peripheries (local, national and international), scales, and distances constructed? How did (neo)avant-garde tendencies relate with officially sanctioned socialist realism? The literature on the art of Eastern Europe provides a great deal of factual knowledge about a vast cultural space, but mostly through the prism of stereotypes and national preoccupations. By discussing artworks, studying the writings on art, observing artistic evolution and artists? strategies, as well as the influence of political authorities, art dealers and art critics, the essays in Art beyond Borders compose a transnational history of arts in the Soviet satellite countries in the post war period. ÿ

First systematic, inclusive study of the impact of the high civilizations of Asia on the development of modern Western civilization.

The Cambridge Yearbook of European Legal Studies provides a forum for the scrutiny of significant issues in EU Law, the law of the European Convention on Human Rights, and Comparative Law with a 'European' dimension, and particularly those issues which have come to the fore during the year preceding publication. The contributions appearing in the collection are commissioned by the Centre for European Legal Studies (CELS) Cambridge, a research centre in the Law Faculty of the University of Cambridge specialising in European legal issues. The papers presented are at the cutting edge of the fields which they address, and reflect the views of recognised experts drawn from the University world, legal practice, and the institutions of both the EU and its Member States. Inclusion of the comparative dimension brings a fresh perspective to the study of European law, and highlights the effects of globalisation of the law more generally, and the resulting cross fertilisation of norms and ideas that has occurred among previously sovereign and separate legal orders. The Cambridge Yearbook of European Legal Studies is an invaluable resource for those wishing to keep pace with legal developments in the fast moving world of European integration. INDIVIDUAL CHAPTERS Please click on the link below to purchase individual chapters from Volume 11 through Ingenta Connect: www.ingentaconnect.com SUBSCRIPTION TO SERIES To place an annual online subscription or a print standing order through Hart Publishing please click on the link below. Please note that any customers who have a standing order for the printed volumes will now be entitled to free online access. www.hartjournals.co.uk/cyels/subs Editorial Advisory Board: Albertina Albors-Llorens, John Bell, Alan Dashwood, Simon Deakin, David Feldman, Richard Fentiman, Angus Johnston, John Spencer Founding Editors: Alan Dashwood and Angela Ward

In a relatively short time, the European Union has become one of the world's most powerful and important bodies. Its critical role in international affairs extends to several different areas: economics; culture; the environment; and, of course, international security and foreign affairs. This important volume explains and evaluates EU foreign policy in all its confusing dimensions. Is there really any such thing as "European Union Foreign Policy"? If so, what is it? What are its goals and priorities, and how effective is it? How do outsiders perceive EU foreign policy, and what are the ramifications of those views? Those are just some of the questions this book tries to answer. In order to draw the most comprehensive picture possible of EU foreign policy, Federiga Bindi and her contributors dissect both "horizontal" and "vertical" issues. Vertical concerns focus on particular geographic regions, such as the EU's foreign policy toward Africa and Asia and its relations with the United States. Horizontal issues explore wider crosscutting themes that help explain the EU's foreign policy choices and operations, such as decisionmaking processes and procedures; European self-identity; and core priorities such as peace, democracy, and human rights. Contents Foreword by Giuliano Amato, former foreign minister and prime minister of Italy Part I. The New Tools of EU Foreign Policy II. US-EU Relations after the Elections III. EU Relations with the Rest of the Americas IV. Africa and Asia V. The EU and Its Neighbors VI. The EU, the Mediterranean, and the Middle East VII. Promoting Values and Models Abroad VIII. Conclusions: Assessing EU Foreign Policy

Today construction industry is being asked more and more to protect the quality of the countryside and to help enhance our natural environment. The industry is subject to a complex and wide-ranging regulatory framework; it now needs to understand its responsibilities and take them seriously. Paul Rees provides here an authoritative guide, outlining wildlife and nature conservation law in the UK - including our European and international commitments, and giving clear explanations to a potentially costly area of law in a style accessible to the non-legal market. This comprehensive manual offers information and guidance for building surveyors, environmental managers, engineers and planners on: the legal and planning issues around biodiversity, nature conservation and construction how ecosystems work and why certain species and habitats need protection where to go for the relevant legislation and appropriate organisations for help and advice. UK and European case law demonstrates how the law has functioned in particular instances, and case studies illustrate how companies have adapted to fulfil their legal obligations. These are key features of the book and provide information on important legal precedents as well as demonstrating current industry best practice.

What is the European Union international role and identity becoming after the cold war, September 11th and the transatlantic rift? Is the second global actor challenging the trends towards a 'pax americana'? EUROPE: A CIVILIAN POWER? provides an original account of the features and the external relations of the EU as a civilian power in the making. It addresses the key questions on the new security threat, world emergencies challenging the EU, not only as a peace and democracy stablizer on a continental scale, but also as an actor which shares responsibility for global governance and world order. MARIO TELO provides a comparative analysis of regional cooperation in Europe, Africa, Asia and Latin America and focuses on the interregional relations with the EU. He highlights the international relevance of the current EU constitutionalization process and gives a critical review of the concepts of civilian power, soft power, civilizing power, multilateralism, multipolarism, international fragmentation, empire, hegemonic stability and global legitimacy. Analysis of the best literature on international relations and European integration is completed by MARIO's practical experience as an advisor to the EU institutions and a lecturer in Asia and Americas.

Making Copies in European Art 1400-1600 comprises sixteen essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and they investigate the artistic techniques that enabled and facilitated the production of copies. They also ask what patrons and collectors wanted from a copy, which characteristics of an artwork were considered copyable, and where and how copies were stored, studied, displayed, and circulated. Making Copies in European Art, in addition to studying many unfamiliar pictures, incorporates previously unpublished documentary materials.