The decline of Christian beliefs and Christian practice in modern Europe has often been commented on, and there have been calls for a 're-evangelization' of Europe. But how far has Europe really been Christian? That is the fascinating issue explored in this book. In a historical survey of the Graeco-Roman, Celtic and Germanic backgrounds against which the gospel was first preached, Anton Wessels asks how Christianity came to be related to pre-Christian cultures. Were these swept away or just given a new significance? Which elements of them were abolished and which Christianized? Did Christianity prevail only by incorporating much of what had previously existed? These questions are not just asked out of curiosity. What has long fascinated the author is whether an insight into the spread of Christianity through Europe can be of any help in presenting the gospel in today's secularized world. There is much talk of the cinculturation' of the gospel in other cultures: African, Asian and Latin American; but Europe can be no exception here and the inculturation of the gospel in European countries is something of which Europeans should be far more aware. Here is a wealth of fascinating information, from the Graeco-Roman mystery religions through the Arthurian legends to the German festivals. And here is an area of exploration which is likely to prove increasingly important.

Latest from Olivier Roy offering a brilliant analysis of Europe's ongoing culture wars over identity, immigration and Islam, and what these mean for Christianity. As populism rises and historic identities are hotly contested, the idea of the 'Christian West' is under the spotlight.

A New York Times Notable Book, winner of the Jerwood Award from the Royal Society of Literature, a New York Times Book Review Editors’ Choice, and named a Book of the Year by the Telegraph, Spectator, Observer, and BBC History Magazine, this bold new history of the rise of Christianity shows how its radical followers helped to annihilate Greek and Roman civilizations. The Darkening Age is the largely unknown story of how a militant religion deliberately attacked and suppressed the teachings of the Classical world, ushering in centuries of unquestioning adherence to "one true faith." Despite the long-held notion that the early Christians were meek and mild, going to their martyrs' deaths singing hymns of love and praise, the truth, as Catherine Nixey reveals, is very different. Far from being meek and mild, they were violent, ruthless, and fundamentally intolerant. Unlike the polytheistic world, in which the addition of one new religion made no fundamental difference to the old ones, this new ideology stated not only that it was the way, the truth, and the light but that, by extension, every single other way was wrong and had to be destroyed. From the first century to the sixth, those who didn't fall into step with its beliefs were pursued in every possible way: social, legal, financial, and physical. Their altars were upturned and their temples demolished, their statues hacked to pieces, and their priests killed. It was an annihilation. Authoritative, vividly written, and utterly compelling, this is a remarkable debut from a brilliant young historian.

This book seeks to explain the political and religious factors leading to the economic reversal of fortunes between Europe and the Middle East.

The New York Times bestselling history of early Christianity in Africa, Asia, and the Middle East—from “one of America’s best scholars of religion” (The Economist). In this groundbreaking book, renowned scholar Philip Jenkins explores a vast and forgotten network of the world’s largest and most influential Christian churches that existed to the east of the Roman Empire. These churches and their leaders ruled the Middle East for centuries and became the chief administrators and academics in the new Muslim empire. The author recounts the shocking history of how these churches—those that had the closest link to Jesus and the early church—eventually died. Jenkins offers a new lens through which to view our world today, including the current conflicts in the Middle East, Asia, and Africa. Without this lost history, we lack an important element for understanding our collective religious past. By understanding the forgotten catastrophe that befell Christianity, we can appreciate the surprising new births that are occurring in our own time, once again making Christianity a true world religion.

Late Medieval Christianity's encounter with miraculous materials viewed in the context of changing conceptions of matter itself. In the period between 1150 and 1550, an increasing number of Christians in western Europe made pilgrimage to places where material objects--among them paintings, statues, relics, pieces of wood, earth, stones, and Eucharistic wafers--allegedly erupted into life through such activities as bleeding, weeping, and walking about. Challenging Christians both to seek ever more frequent encounters with miraculous matter and to turn to an inward piety that rejected material objects of devotion, such phenomena were by the fifteenth century at the heart of religious practice and polemic. In Christian Materiality, Caroline Walker Bynum describes the miracles themselves, discusses the problems they presented for both church authorities and the ordinary faithful, and probes the basic scientific and religious assumptions about matter that lay behind them. She also analyzes the proliferation of religious art in the later Middle Ages and argues that it called attention to its materiality in sophisticated ways that explain both the animation of images and the hostility to them on the part of iconoclasts. Seeing the Christian culture of the fourteenth and fifteenth centuries as a paradoxical affirmation of the glory and the threat of the natural world, Bynum's study suggests a new understanding of the background to the sixteenth-century reformations, both Protestant and Catholic. Moving beyond the cultural study of "the body"--a field she helped to establish--Bynum argues that Western attitudes toward body and person must be placed in the context of changing conceptions of matter itself. Her study has broad theoretical implications, suggesting a new approach to the study of material culture and religious practice.

Discusses German influence on the development of early medieval Christianity.

Discourse on the 'Judeo-Christian tradition' has been around in the United States since the middle of the 20th century. This volume returns to the original coinage of the signifier 'Judeo-Christian' by F.C. Baur in 1831. From this European perspective and context, the volume engages the religious, philosophical and political dimensions of the term's development. Scholars of European intellectual history will find this volume timely and relevant.

'The next Bill Bryson.’ New York Times Having been dragged against his will to live in Denmark, Michael Booth discovered one of the great secrets of travel literature - Andersen's A Poet's Bazaar - a fascinating travelogue through a Europe on the cusp of revolution, by an author who invented children's literature. He discovered, too, his chance to escape Denmark. In 1840 Andersen was also desperate to flee, writing as he sailed: 'It is just as well I am leaving, my soul is unwell!' In Germany he was enraptured both by steam travel and the fiery Franz Liszt. In sultry Naples this latent bisexual wrestled with his erotic demons before travelling to Athens (little more than a village), seeing the dervishes dance in Istanbul, and sailing home up the Danube. Booth follows him every step of the way, reflecting on Andersen's life, work and pathological self-obsession, encountering his own cast of characters, from an accommodating Hamburg prostitute to a bemused Danish Ambassador to the first ever female dervish, who whisks him off to meet her guru.