A generation of outstanding European thinkers emerged out of the rubble of World War II. It was a group unparalleled in their probing of an age that had produced totalitarianism as a political norm, and the Holocaust as its supreme nightmarish achievement. Figures ranging from George Lichtheim, Ignazio Silone, Raymond Aron, Andrei Amalrik, among many others, found a home in Encounter. None stood taller or saw further than François Bondy of Zurich.In a moving tribute to his friend, Melvin J. Lasky, long- time editor of Encounter, writes, "Bondy was a breathtaking spectacle. I had known him to read and walk, to think and talk, all at once--and still make mental notes for his next article.... Early or late, seated or standing, awake or asleep, his incomparable spiritedness would always be darting from point to point, paying attention and idly wandering at once. Taken all in all, he still continues to represent for me perhaps a Henry Jamesian New Man."Bondy's essays themselves represent a broad sweep of major figures and events in the second half of the twentieth century. His spatial outreach went from Budapest to Tokyo and Paris. His political essays extended from George Kennan to Benito Mussolini. And his prime mÚtier, the cultural figures of Europe, covered Sartre, Kafka, Heidegger and Milosz. The analysis was uniformly fair minded but unstinting in its insights. Taken together, the variegated themes he raised in his work as a Zurich journalist, a Paris editor, and a European homme de letres sketch guidelines for an entrancing portrait of the intellectual as cosmopolitan.European Notebooks contains most of the articles that Bondy (1915-2003) wrote for Encounter under the stewardship of Stephen Spender, Irving Kristol, and then for the thirty years that Melvin Lasky served as editor. Bondy was that rare unattached intellectual, "free of every totalitarian temptation" and, as Lasky notes, unfailing in his devotion to the liberties and civilities of a humane social order. European Notebooks offers a window into a civilization that came to maturity during the period in which these essays were written.

Offers a selective, annotated bibliography of publications on Austria, with an emphasis, where possible, on works published in English. Covers all areas, from language to sport, including history and political institutions, literature, the media, flora and fauna, finance, and business. Includes an introductory overview of Austria's history. For academic specialists, general readers, business people, and tourists. The author is a literary translator. Annotation copyrighted by Book News, Inc., Portland, OR

Revolutionary Subjects explores the literary and cultural significance of Cold War solidarities and offers insight into a substantial and under-analyzed body of German literature concerned with Latin American thought and action. It shows how literary interest in Latin America was vital for understanding oppositional agency and engaged literature in East and West Germany, where authors developed aesthetic solidarities that anticipated conceptual reorganizations of the world connoted by the transnational or the global. Through a combination of close readings, contextual analysis, and careful theoretical work, Revolutionary Subjects traces the historicity and contingency of aesthetic practices, as well as the geocultural grounds against which they unfolded, in case studies of Volker Braun, F.C. Delius, Hans Magnus Enzensberger and Heiner Müller. The book’s cultural and comparative approach offers an antidote to imprecise engagements with the transnational, historicizing critical impulses that accompany the production of disciplinary boundaries. It paves the way for more reflexive debate on the content and method of German Studies as part of a broader landscape of world literature, comparative literature and Latin American Studies.

The year “1968” marked the climax of protests that simultaneously captured most industrialized Western countries. The protesters challenged the institutions of Western democracies, confronting powerful, established parties and groups with an opposing force and public presence that negated traditional structures of institutional authority and criticized the basic assumptions of the post-war order. Exploring the effects the protest movement of 1968 had on the political, social, and symbolic order of the societies they called into question, this volume focuses on the consequences and echoes of 1968 from different perspectives, including history, sociology, and linguistics.

The writings of Hans Magnus Enzensberger are a provocative commentary on the post-1945 period in Germany. Poet and essayist of international standing and frequent contributor to political and cultural debates, his work has accompanied the development of the Federal Republic from the 1950s to German unification and after. This study makes explicit the links between Enzensberger's literary imagination and the cultural and political history of Germany and offers a close reading of both Enzensberger's poetry and his seminal essays on politics and culture, proposing that they be considered as part of a single artistic project. The book argues that Enzensberger's significance lies in his sustained exploration of the relationship between literary and cultural practices and political democracy in Germany. It offers detailed analyses of Enzensberger's poetry and considers his essays on the 'consciousness industry' and on the 'constituents of a theory of the media' in the context of the political development of the Federal Republic in the half-century following 1945. Post-World War 2 essays on cinema and television, on tourism, consumption and migration, and on digital media and the future of literature are also considered and analysed. Enzensberger's work is situated as part of an ongoing critical debate between him and key intellectual figures such as Theodor W. Adorno, Walter Benjamin, Siegfried Kracauer, Jurgen Habermas, Jean Baudrillard and Michel Foucault."