This invaluable anthology is the first and only collection dedicated to the art of the eulogy. For the past several years, Phyllis Theroux has collected the most eloquent and moving writing commemorating a death, assessing a life, or offering solace to the bereaved. Ranging from Thomas Jefferson's magisterial eulogy for George Washington to Anna Quindlen's affectionate memorial for her grandmother; from Helen Keller's words about her dear friend Mark Twain to Adlai Stevenson's about Eleanor Roosevelt, The Book of Eulogies establishes that great eulogies are a celebration of remarkable lives that can illuminate, confirm, inspire, and redirect our own. Theroux has included some of the world's most well-known tributes, such as Pericles' Funeral Oration, Jules Michelet's appreciation of Jeanne d'Arc, Victor Hugo's ringing words on the one hundredth anniversary of Voltaire's death, Cardinal Suenens's eulogy for Pope John XXIII. But most of the eulogized assembled here are eighteenth- to twentieth-century Americans, and the stories of their lives illuminate our history with a particularly intimate light. In Robert Kennedy's extemporaneous remarks upon hearing of the death of Martin Luther King, or Eugene McCarthy's tribute to his friend and colleague, Hubert Humphrey, the values, wisdom, and spirit of both the eulogized and the eulogizer are revealed. The Book of Eulogies is a sourcebook for anyone who must find words of solace, understanding, and inspiration on the occasion of a beloved's death. It is also a treasury of astonishing eloquence, passion, and humanity -- a record of extraordinary lives, seen through the eyes of those who knew and loved them.

New York Times bestselling author Donald Miller shares the plan that led him to turn his life around. This actionable guide will teach you how to do the same through journaling prompts and goal-planning exercises. There are four characters in every story: The victim, the villain, the hero, and the guide. These four characters live inside us. If we play the victim, we’re doomed to fail. If we play the villain, we will not create genuine bonds. But if we play the hero or guide, our lives will flourish. The hard part is being self-aware enough to know which character we are playing. In this book, bestselling author Donald Miller uses his own experiences to help you recognize if the character you are currently surfacing is helping you experience a life of meaning. He breaks down the transformational, yet practical, plan that took him from slowly giving up to rapidly gaining a new perspective of his own life’s beauty and meaning, igniting his motivation, passion, and productivity, so you can do the same. In Hero on a Mission, Donald’s lessons will teach you how to: Discover when you are playing the victim and villain. Create a simple life plan that will bring clarity and meaning to your goals ahead. Take control of your life by choosing to be the hero in your story. Cultivate a sense of creativity about what your life can be. Move beyond just being productive to experiencing a deep sense of meaning. Donald will help you identify the many chances you have of being the hero in your life, and the times when you are falling into the trap of becoming the victim. Hero on a Mission will guide you in developing a unique plan that will speak to the challenges you currently face so you can find the fulfillment you have been searching for in your life and work.

The Last Word investigates the debased art of eulogy. Through insightful, surprisingly playful readings of famous eulogies (from a scene in Love Actually to Jacques Derrida’s heart-rending essays on the deaths of his peers), Cooper argues against the socially sanctioned desire to avoid thinking about death that results in clichéd memorials, honoring neither the living nor the dead.

The perfect Mother's Day gift: A collection of witty one-line advice New Yorker writer Patricia Marx heard from her mother, accompanied by full-color illustrations by New Yorker staff cartoonist Roz Chast. Every mother knows best, but New Yorker writer Patty Marx's knows better. Patty has never been able to shake her mother's one-line witticisms from her brain, so she's collected them into a book, accompanied by full color illustrations by New Yorker staff cartoonist Roz Chast. These snappy maternal cautions include: If you feel guilty about throwing away leftovers, put them in the back of your refrigerator for five days and then throw them out. If you run out of food at your dinner party, the world will end. When traveling, call the hotel from the airport to say there aren't enough towels in your room and, by the way, you'd like a room with a better view. Why don't you write my eulogy now so I can correct it? Every child will want to buy this for mom on Mother's Day!

"Sexy, Gritty, and Intense. Eulogy grabs you by the throat and doens't let go unitl the very last page." - New York Times Bestselling Author Meghan March "Dark, intense, and raw. Eulogy will set you on fire!" - Bestselling Author Staci Hart "Excuse me while I pick up the shattered pieces of my heart, Eulogy is emotional, sexy, hot, and explosive. I didn't want it to end and could not put it down." -Author HP Davenport All is lost. All. I don't recognize myself in the mirror anymore. My thoughts are filled with hatred and dripping with rage. I've lost my soul. She took it to the depths of Hell with her and haunts me with images of what could have been. Sixty lives are mine to take. Sixty lives stand in the way of my vengeance. Sixty lives plus one more. Mine. When the last drop of blood falls - mine will be spilled. Only one person stands in the way. She doesn't realize I'll kill her too. I don't own a heart. And even if I did - I wouldn't fall prey to its lies again. I am Chase Abandonato. Heir to a legacy of betrayal. And I will kill them all. Even if it means pointing the gun at myself. A life for a life. A soul for a soul. Now I lay me down to sleep... I pray the Lord my soul to keep. Blood in. No out. Eulogy is a stand alone mafia romance with dark themes, alpha males, violence, and enough humor woven in to make it so you don't want to hunt the author down when you finish. It is linked to the Eagle Elite series, any book can be read out of order, but will contain spoilers if you choose to take that path. Enjoy, blood in no out!

In writing her sister Annie's eulogy, Kathy reflects on the complexities that shaped their family and their identities.

Eulogies have a long and important history in remembering and commemorating the dead. As Thomas Lynch notes in his Foreword, eulogies are meant "to speak for the ages, to bring homage and appreciation, the final appraisal, the last world and first draft of all future biography." In Great American Catholic Eulogies, Carol DeChant has compiled fifty of the most memorable and instructive eulogies of and by Catholics in America. The eulogies span the American experience, from those who were born before the Declaration of Independence was written to a modern sports legend, from pioneers in social justice, healthcare, and the arts to founders of distinctly American religious order, and from all the varied ethnic cultures who contribute to the great cultural milieu that is the United States.

Jacques Derrida famously stated in Specters of Marx that a justice worthy of the name must call us to render justice not only to the living but also to the dead. In The Politics and Pedagogy of Mourning, Timothy Secret argues that offering a persuasive account of such a duty requires establishing a discussion among the 20th century's three key thinkers on death – Heidegger, Levinas and Freud. Despite arguing that none of these three figures' discourses offers us a complete account of our duty to the dead and that it remains impossible to unify them into a single, consistent and correct approach, Secret nevertheless offers an account of how Derrida managed to produce an always singular articulation of these discourses in each of the acts of eulogy he offered for his philosophical contemporaries. This is one of the first monographs to pay particular attention to the key role any contemporary account of the ethics of eulogy must grant to the revolutionary theoretical work on the materiality of crypts and phantoms offered by the psychoanalysts Nicolas Abraham and Maria Torok. Their work is shown to supplement major limitations in traditional philosophical accounts of the ethical relation. The account of eulogy as a privileged space where different discourses act on each other under the pressure of responding responsibly to an always singular loss proves itself essential reading not only for those interested in understanding Derrida's overtly political works, but also offers an account of a performative training in negotiating aporias that arise in political society – the result of which is a pedagogy in the art of civility whose relevance today is more timely than ever.

Eulogy for Burying a Crane (Yi he ming) is perhaps the most eccentric piece in China’s calligraphic canon. Apparently marking the burial of a crane, the large inscription, datable to 514 CE, was once carved into a cliff on Jiaoshan Island in the Yangzi River. Since the discovery of its ruins in the early eleventh century, it has fascinated generations of scholars and calligraphers and been enshrined as a calligraphic masterpiece. Nonetheless, skeptics have questioned the quality of the calligraphy and complained that its fragmentary state and worn characters make assessment of its artistic value impossible. Moreover, historians have trouble fitting it into the storyline of Chinese calligraphy. Such controversies illuminate moments of discontinuity in the history of the art form that complicate the mechanism of canon formation. In this volume, Lei Xue examines previous epigraphic studies and recent archaeological finds to consider the origin of the work in the sixth century and then trace its history after the eleventh century. He suggests that formation of the canon of Chinese calligraphy over two millennia has been an ongoing process embedded in the sociopolitical realities of particular historical moments. This biography of the stone monument Eulogy for Burying a Crane reveals Chinese calligraphy to be a contested field of cultural and political forces that have constantly reconfigured the practice, theory, and historiography of this unique art form. Art History Publication Initiative A McLellan Book