Carmen, M 'erim 'ee's classic tale of passion and power, provided the inspiration for one of the world's most enduringly popular operas, and numerous films. Like Carmen, the other stories in this book, including Mateo Falcone, The Etruscan Vase, and The Venus of Ille, explore the clash of primitive and civilized values. This is the only selection of M 'erim 'ee's short stories available

The Etruscans, a revenant and unusual people, had an Italian empire before the Greeks and Romans did. By the start of the Christian era their wooden temples and writings had vanished, the Romans and the early church had melted their bronze statues, and the people had assimilated. After the last Etruscan augur served the Romans as they fought back the Visigoths in 408 CE, the civilization disappeared but for ruins, tombs, art, and vases. No other lost culture disappeared as completely and then returned to the same extent as the Etruscans. Indeed, no other ancient Mediterranean people was as controversial both in its time and in posterity. Though the Greeks and Romans tarred them as superstitious and decadent, D.H. Lawrence praised their way of life as offering an alternative to modernity. In The Etruscans in the Modern Imagination Sam Solecki chronicles their unexpected return to intellectual and cultural history, beginning with eighteenth-century scholars, collectors, and archaeologists. The resurrection of this vanished kingdom occurred with remarkable vigour in philosophy, literature, music, history, mythology, and the plastic arts. From Wedgwood to Picasso, Proust to Lawrence, Emily Dickinson to Anne Carson, Solecki reads the disembodied traces of Etruscan culture for what they tell us about cultural knowledge and mindsets in different times and places, for the way that ideas about the Etruscans can serve as a reflection or foil to a particular cultural moment, and for the creative alchemy whereby artists turn to the past for the raw materials of contemporary creation. The Etruscans are a cultural curiosity because of their disputed origin, unique language, and distinctive religion and customs, but their destination is no less worthy of our curiosity. The Etruscans in the Modern Imagination provides a fascinating meditation on cultural transmission between ancient and modern civilizations.

Hadji Murat, one of the most feared and venerated mountain chiefs in the Caucasian struggle against the Russians, defects from the Muslim rebels after feuding with his ruling imam, Shamil. Hoping to protect his family, he joins the Russians, who accept him but never put their trust in him - and so Murat must find another way to end the struggle.Tolstoy knew as he was writing this, his last work of fiction, that it would not be published in his lifetime, and so gave an uncompromising portrayal of the Russians' faults and the nature of the rebels' struggle. In the process, he shows a mastery of style and an understanding of Chechnya that still carries great resonance today.

"e;A Village Romeo and Juliet"e; is a bitter-sweet tragedy telling the tale of two young lovers kept apart by a family feud. Inspired by the suicides of two real-life sweethearts and set in rural Switzerland, it evokes the overwhelming beauty of young love and nature, but is ultimately pessimistic about the possibility of such beauty surviving in the real world. Although it attracted controversy when it was first published in 1856, Keller's timeless story has now rightfully entered the canon of world literature and is widely considered as one of the finest examples of nineteenth-century poetic realism.

Two of Wedekind's most seminal plays, "e;Earth Spirit"e; and "e;Pandora's Box"e; both focus on the actions of the young heroine Lulu, who embodies both animal sensuality and waif-like innocence, as she escapes a life on the streets, receives a society education, marries, takes on various lovers, becomes a dancer in a revue, is imprisoned for murder, and encounters Jack the Ripper. When "e;Earth Spirit"e; was premiered Leipzig in 1898, Wedekind was vilified and persecuted for advocating unfeigned sexual pleasure and making his heroine a heartless whore. "e;Death and Devil"e; and "e;Castle Wetterstein,"e; the other plays that make up this volume, are essentially extensions of and complementary to the Lulu tragedies.

After her tragic death in December 1938 at the early age of twenty-six, Antonia Pozzi's poems - which she had been secretly writing for years - were brought to light and became the object of great critical attention, going through several editions in Italy and being translated into all the major European languages. Since then, her reputation has risen steadily, and she is now considered one of the greatest Italian poets of the twentieth century.

In order to rescue his beloved Lyudmila, who has been abducted by the evil wizard Chernomor, the warrior Ruslan faces an epic and perilous quest, encountering a multitude of fantastic and terrifying characters along the way.The basis for Glinka's famous opera of the same name, Ruslan and Lyudmila - Pushkin's second longest poetical work - is a dramatic and ingenious retelling of Russian folklore, full of humour and irony.

Happily engaged to the poet Amandus, Fraulein Anna is horrified to discover that a beautiful ring, mysteriously deposited upon her finger whilst tending her kitchen garden, forces her into marriage with the gnome Corduanspitz. Can Anna find any way of removing the ring? Will her poet lover shake off his passive demeanour and come to her aid? And has Corduanspitz truly relinquished all ties to his gnome heritage, as he so proudly claims?Around a love story very much of its time, Hoffman arranges a narrative that brings to mind the most successful elements of contemporary magical realism and surreal comedy. Always entertaining, yet capable of a focused though subtle morality, "e;The King's Bride"e; brings disparate elements into a masterful harmony.