This book presents multi-faceted images of religious experience in the Marathi-speaking region of India. In addition to Irawati Karve's classic, "On the Road," about her pilgrimage to Pandharpur, there are three essays by Karve that appear in English for the first time. Here is possession by gods and ghosts, an actual sermon by an inspired saint in the traditional bhajan style, and an autobiographical account of the religious nationalism of the militant R.S.S. These are engaging, true-to-life accounts of the lives of individual Hindus. Essays and imaginative literature, a poem, and a short story interplay the ideas, concepts, personalities, practices, rituals, and deities of Hinduism in a surprisingly coherent manner.

From 1800 onwards, the Hindu temple occupied a fragile and uneasy proximity to Imperial governance in India. The colonial state sought to regulate and extract the wealth of large temples. Imperial scholars classified the extraordinary diversity of architectural forms from across India, and selected temples were defined as monuments and brought into the custody of Imperial archaeology. Over time, the Imperial literary imagination transformed the Hindu temple from a place of worship and devotion into a space of wealth, sensuality, and violence. However, the Hindu temple also tested the Imperial state. Devotees and trustees manipulated and rejected attempts at governance, and the Hindu temple became a site at which the authority of the state was persistently modified or curtailed. Ruling Devotion combines historical, literary, art historical, and archaeological perspectives to explore the idea of the temple in particular localities, through the formation of pan-British-Indian policy and in the broadest of transnational realms of Imperial culture. Drawing on a huge range and diversity of archival materials, the book explores the preoccupations and frailties of the colonial state in India.

'The Life of Hinduism' collects a series of essays that present Hinduism as a vibrant, truly 'lived' religion. The text offers a glimpse into the multifaceted world of Hindu worship, life-cycle rites, festivals, performances, gurus, and castes.

The art of Hinduism constitutes one of the world's greatest traditions. This volume examines the entire period, covering shrines consecrated to Hindu cults and works of art portraying Hindu divinities and semi-divine personalities.

Objects of Translation offers a nuanced approach to the entanglements of medieval elites in the regions that today comprise Afghanistan, Pakistan, and north India. The book--which ranges in time from the early eighth to the early thirteenth centuries--challenges existing narratives that cast the period as one of enduring hostility between monolithic "Hindu" and "Muslim" cultures. These narratives of conflict have generally depended upon premodern texts for their understanding of the past. By contrast, this book considers the role of material culture and highlights how objects such as coins, dress, monuments, paintings, and sculptures mediated diverse modes of encounter during a critical but neglected period in South Asian history. The book explores modes of circulation--among them looting, gifting, and trade--through which artisans and artifacts traveled, remapping cultural boundaries usually imagined as stable and static. It analyzes the relationship between mobility and practices of cultural translation, and the role of both in the emergence of complex transcultural identities. Among the subjects discussed are the rendering of Arabic sacred texts in Sanskrit on Indian coins, the adoption of Turko-Persian dress by Buddhist rulers, the work of Indian stone masons in Afghanistan, and the incorporation of carvings from Hindu and Jain temples in early Indian mosques. Objects of Translation draws upon contemporary theories of cosmopolitanism and globalization to argue for radically new approaches to the cultural geography of premodern South Asia and the Islamic world.