Prolific author and co-chair of the MFA Design School of Visual Arts Steven Heller shares his love of design with the world through essays, interviews, and profiles. Design is a living. But to live passion is essential. For the Love of Design is an anthology of Steven Heller's essays that are underscored by the essence that makes designers do what they do, Whether it is to make the environ a better place or communicate important messages or simply enliven the quotidian world, design is everywhere and everything. It is a life force made and appreciated with love. The focus of the anthology is graphic design and typography but these disciplines impact so many other forms of design that it is impossible to ignore them. Through essays, interviews and profiles, Heller captures the essence of what makes artists into designers and what makes design and its makers tick. From the design director of the New York Times discussing how during the pandemic he created the most effective front pages to a collage artist talking about why cutting and pasting scraps of material into dynamic compositions, each story and narrative brings to light ambitions and aspirations they are couched in love for the thinking, making, and doing of design. For the Love of Design is here to show that graphic and other design activities are not just ways of making a living, but living a life.

During the interwar years, a proliferation of violence encroached upon the glossy, idealistic world of fashion: from the curiously common appearance of dismembered heads in fashion illustration, to seemingly torturous techniques and devices advertised by beauty imagery, even extending to garments designed to look assaulted and destroyed. Danger in the Path of Chic brings this disturbing imagery to light for the first time, proposing new directions for historians of fashion, violence and culture in the interwar years. Concentrating on London, Paris and New York as fashion centres and political allies, the volume explores why horror manifested itself in this way, at this time, and in a sphere that is usually perceived as being built on fantasy and escape. In doing so, Danger in the Path of Chic situates fashion within the very real social, psychological, economic and political traumas of the period.

Les dix dernières histoires du maître des romans érotiques de Vitaly Mushkin ont été publiées. Le second diffère des dix premiers non parce que c’est pire, c’est-à-dire qu’il prend la deuxième place. Et ce qui est écrit plus tard. Toutes les œuvres de l’auteur sont classées par ordre chronologique, telles qu’elles sont écrites. Par conséquent, la deuxième dix en qualité peut être meilleure que la première. Bien sûr, c’est à vous de juger, cher lecteur.

Home is where the glam is. A sexy interior design book with glamorous, cinematic houses from the seventies, eighties, nineties and nillies. Houses with an erotic tension that make you fantasise. Houses that could just as well be a movie set. Houses that make you dream of a wild party rather than a cosy family breakfast. Houses where the shade of Hamilton still wanders around. All of them characteristic and iconic, and top of their architectural class, selected by Thijs Demeulemeester. AUTHOR: Thijs Demeulemeester is a Belgian lifestyle journalist, specialising in interiors, contemporary art and architecture. Athos Burez creates storytelling images with a mix of portraits, still lives and landscapes. He works with staged settings and suggests with huge imagination. Burez balances on the thin line between kitsch and classic. A combination of blurred photography and sharp images results in a perfect composition. Louise Mertens runs her own design studio in Antwerp. She focuses on visual concepts, creative & art direction, brand communication, artwork and design. Her attention to detail and the use of different materials and her interest in the mysterious are some of her trademarks. SELLING POINTS: * Delve into a sensual world of villainous style with these intriguing, sleek houses * This book, designed by Louise Mertens who is the sensation of the moment because of her work with theKardashians, offers a unique look inside glamorous and never before photographed houses. In cooperation with style photographer Athos Burez 260 colour illustrations

This is a trilogy about three young men finding the fulfillment of their youthful ambitions, from the late 1980s onwards, in rock music and journalism, up to the present day and middle age. As middle age comes on, each must accept a wider responsibility for their past sins. Having either emigrated to or been born in London, all of them become caught up in tantalising opportunities in the capital to fulfill their ambitions of success and fame. Each of them also finds that success comes with an immense price for them personally, and private failures that unmercifully torment them. Their hopeful idealism and dreams become tainted by ruthlessness, opportunism and betrayal of their principles. As each character grows older, he realises he wants to redeem himself and somehow resolve the worst things he has perpetrated in his life – but true redemption requires genuine sacrifice; one even more intense and difficult than their hard-won successes of the past. It may be more than any of them can endure. All of this happens against the background of London’s fantastic, fabulous variety and wealth and exoticism, opportunity and glamour, corruption and poverty and loneliness and harshness. Its pitfalls, rewards and insatiable demands as a fast-moving cultural and media capital are a significant part of the novel’s tone, with an intensified sense of time and place. Edward St. Boniface takes inspiration from a wide range of authors, including Ray Bradbury, Mark Z. Danielewski and David Foster Wallace. The London Trilogy is a work of adult contemporary fiction that will appeal to fans of highbrow and literary novels, bildungsromans and satire.

A drag queen initiates her protégée into the magical arts in this phantasmagoric epic, the first novel from the legendary comics writer and New York Times bestselling author. “Grant Morrison is a modern mythmaker.”—Alex Segura, bestselling author of Secret Identity ONE OF THE BEST BOOKS OF THE YEAR: NPR Luci LaBang is a star: For decades this flamboyant drag artist has cast a spell over screen and stage. Now she’s the leading lady in a smash hit musical. But as time takes its toll, Luci fears her star is beginning to dim. When Luci’s co-star meets with a mysterious accident, a new ingenue shimmers onto the scene: Luda, whose fantastical beauty and sinister charm infatuate Luci immediately . . . and who bears a striking resemblance to Luci herself at a much younger age. Luda begs Luci to share the secrets of her stardom and to reveal the hidden tricks of her trade. For Luci LaBang is a mistress of the Glamour, a mysterious discipline that draws on sex, drugs, and the occult for its trancelike, transformative effects. But as Luci tutors her young protégée, their fellow actors and crew members begin meeting with untimely ends. Now Luci wonders if Luda has mastered the Glamour all too well . . . and exploited it to achieve her dark ambitions. What follows is an intoxicating descent into the demimonde of Gasglow, a fantastical city of dreams, and into the nightmarish heart of Luda herself: a femme fatale, a phenomenon, a monster, and, perhaps, the brightest star of them all.

From rural New Hampshire and on to New York, Paris, and London, The Clarksons is a panoramic tale of a multi-generational family of novelists and publishers, who play out sometimes loving, sometimes parasitic relationships with one another. J. Hayes Hurley is a novelist and a philosopher. He is the author of sixteen novels including "Diary of the Attending Rays" and "Those Brownsville Blues." He holds a Ph.D in philosophy from Yale University.

After the Second World War, Vancouver emerged as a hotbed of striptease talent. In Burlesque West,the first critical history of this notorious striptease scene, Becki Ross delves into the erotic entertainment industry at the northern end of the dancers' west coast tour - the North-South route from Los Angeles to Vancouver that provided rotating work for dancers and variety for club clientele. Drawing on extensive archival materials and fifty first-person accounts of former dancers, strip-club owners, booking agents, choreographers, and musicians, Ross reveals stories that are deeply flavoured with an era before "striptease fell from grace because the world stopped dreaming," in the words of ex-dancer Lindalee Tracey. Though jobs in this particular industry are often perceived as having little in common with other sorts of work, retired dancers' accounts resonate surprisingly with those of contemporary service workers, including perceptions of unionization and workplace benefits and hazards. Ross also traces the sanitization and subsequent integration of striptease style and neo-burlesque trends into mass culture, examining continuity and change to ultimately demonstrate that Vancouver's glitzy nightclub scene, often condemned as a quasi-legal strain of urban blight, in fact greased the economic engine of the post-war city. Provocative and challenging, Burlesque West combines the economic, the social, the sexual, and the personal, and is sure to intellectually tantalize.

From the New York Times bestselling author of The Perfume Collector comes this charming, witty novel about a “professional” flirt. “Unique situation for an attractive, well-mannered, morally flexible young man. Hours irregular. Pay generous. Discretion a must…” When struggling, out-of-work actor, Hughie Venables-Smythe sees the mysterious job description in the classifieds, he’s convinced he’s found his destiny. For, though he’s become accustomed to running out of credit on his cell phone, sleeping on his sister’s sofa, and begging the waitress at the local café to let him slide yet again on his bill, he longs to treat his lover—the sexy, sophisticated, and amorously ruthless lingerie designer, Leticia Vane, to the finer things in life. But how is he to win her heart if he can’t even pay for dinner? When he learns that his lucrative new position means flirting with married women who have been neglected by their spouses, he can’t believe his luck. Soon initiated into the extraordinary secret fraternity of the Professional Flirt, Hughie promises to have an exceptional career ahead of him. However, the life of a Flirt is a curiously lonely calling and there’s one absolute rule his new employer has: he must remain single. Only—how can he live without the delicious Leticia Vane? Surely, there’s nothing wrong with using a few of his newly polished romantic skills on the side to quietly seduce the woman he loves . . . is there? As clueless as he is handsome, Hughie gamely decides to throw his already complicated life into utter chaos . . . and discovers exactly why a Flirt’s professional and personal life should never mix.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.