Sexual confessions on television talk shows. Gender and medical discourse in colonial India. River Phoenix in My Own Private Idaho. White women in a German colony. Henry James' thwarted love. What do these seemingly diverse subjects have in common? All address, in different ways, social and cultural attempts to contain eroticism by delineating the perimeters of genders. They scrutinize the political investments in the construction of gender in such disparate locations as contemporary Hollywood, Renaissance England, colonial India and Africa, and in modern and contemporary homosexual discourse communities and in Freud's sessions with Dora. But whether the gendering of the subject follows the dictates of conservative politics or the radical agenda of a marginalized interest, the essays reveal the erotic overflow—the flood—that cannot be contained within any one gender identity. In examining how the erotic escapes containment, this work discloses problems inherent in the intersections of gender and desire. [ go to the Genders website ]

Perversion - its ubiquity in infantile life and its persistence in the psychical and sexual lives of some adults - was a central element of Freud's lifelong work. The problem of perversion has since been revisited by many psychoanalytic schools with the result that Freud's original view of perversion has been replaced by numerous - often contradictory - perspectives on its aetiology, development and treatment. The concept of perversion has also been significant for the disciplines of cultural studies and gender and queer theory, which have explored the creative and dissident powers of perversion, while expressing a suspicion of its operation as a pathological category. This bi-partite collection offers a series of perspectives on perversion by a range of psychoanalytic practitioners and theorists (edited by Dany Nobus), and a selection of papers by scholars who work with, or critique, psychoanalytic theories of perversion (edited by Lisa Downing). It stages a serious dialogue between psychoanalysis and its commentators on the controversial issue of non-normative sexuality.

Hawthorne wrote much of his major fiction in the decade that the theories of Charles Marie François Fourier crossed the Atlantic and contributed to a wave of communitarian experimentation in the American North. Famously, Hawthorne briefly lived and worked at Brook Farm, a Transcendentalist commune that formally converted to Fourierism when he had left and was embroiled in litigation to recover money he had invested in the community. In his fiction, Hawthorne responded directly to Fourierism and its critique of capitalism. He used his experiences at Brook Farm as the inspiration for The Blithedale Romance, and in The House of the Seven Gables cast one of the principal characters as a recovering Fourierist. In The Scarlet Letter he engaged with Fourierist debates on marriage and the regulation of desire. Somewhat on the Community-System examines these interventions, and argues that Hawthorne's fiction both seeks to contain Fourierism and responds to its allure. Moreover, in formulating alternative, morally acceptable utopias (ones that are predicated on middle-class marriage), Hawthorne's fiction appropriates key aspects of Fourierist theory

In the 1950s, the term "containment" referred to the foreign policy-driven containment of Communism and atomic proliferation. Yet in Homeward Bound May demonstrates that there was also a domestic version of containment where the "sphere of influence" was the home. Within its walls, potentially dangerous social forces might be tamed, securing the fulfilling life to which postwar women and men aspired. Homeward Bound tells the story of domestic containment - how it emerged, how it affected the lives of those who tried to conform to it, and how it unraveled in the wake of the Vietnam era's assault on Cold War culture, when unwed mothers, feminists, and "secular humanists" became the new "enemy." This revised and updated edition includes the latest information on race, the culture wars, and current cultural and political controversies of the post-Cold War era.

"The energy of Eros is powerful--alluring, fascinating, compelling. Many people--especially those who are single or celibate by choice or by circumstance--struggle with the containment of erotic energies. Many people in all walks of life wonder how sexuality and spirituality can live together in harmony. The instinctual energy of Eros and the compelling archetype of Self fire and guide the desires that lead to psychological growth and ultimate spiritual development." "These issues were central to Jung as he began to formulate his theories over against Freud's. The Fires of Desire explores the consequences of Jung's split with Freud over the nature of libido as sexual energy and describes the vicissitudes of that energy's unfolding. The central question is: What is the nature of erotic energy and how may it be transmuted? Just as Jung looked to mythology and the alchemical mysteries of medieval Europe to find answers from the realm of the deep psyche, today one continues to wonder: How is the lead of life transformed into gold? How are ordinary erotic energies transmuted into the passionate yearning that leads the soul to mystical union with the Divine?" "In this book leading Jungians--psychotherapists, analysts, educators, and theologians--revisit the issue that created the Freud/Jung split and attempt to reformulate our understanding of Eros in relation to Spirit. The Fires of Desire follows a developmental path depicting human experience. It marks out the similarities and differences between psychosis and mystical experience. It sketches the structure of feminine and masculine development. It looks at the process of psychospiritual growth and at the transformations of religious experience. In addressing the essential question of the transmutation of erotic energy, it asks: After therapy, what then? In its answer, it delineates four stages in the quest for the Divine and describes the nature of conjunctio or mystical union."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Although theories of exploitation and subversion have radically changed our understanding of gender in Renaissance literature, to favour only those theories is to risk ignoring productive exchanges between 'masculine' and 'feminine' in Renaissance culture. 'Appropriation' is too simple a term to describe these exchanges - as when Petrarchan lovers flirt dangerously with potentially destructive femininity. Spenser revises this Petrarchan phenomenon, constructing flirtations whose participants are figures of speech, readers or narrative voices. His plots allow such exchanges to occur only through conditional speech, but this very conditionality powerfully shapes his work. Seventeenth-century works - including a comedy by Jane Cavendish and Elizabeth Brackley, and Upon Appleton House by Andrew Marvell - suggest that the civil war and the upsurge of female writers necessitated a reformulation of conditional erotics.

Kornegay's brilliant and insightful use of James Baldwin's literary genius offers a way forward that promises to overcome the divide between religion and sexuality that is of crucial importance not only for black church and theology but for socio-political-religious and theological discourse generally.

Shame strikes at the heart of human individuals rupturing relationships, extinguishing joy and, at times, provoking conflict and violence. This book explores the idea that shame has historically been, and continues to be, used by an oftentimes patriarchal Christian Church as a mechanism to control and regulate female sexuality and to displace men’s ambivalence about sex. Using a study of Ireland’s Magdalen laundries as a historical example, contemporary feminist theological and theoretical scholarship are utilised to examine why the Church as an institution has routinely colluded with the shaming of individuals, and moreover why women are consistently and overtly shamed on account of, and indeed take the blame for, sex. In addition, the text asks whether the avoidance of shame is in fact functional in men’s efforts to adhere to patriarchal gender norms and religious ideals, and whether women end up paying the price for the maintenance of this system. This book is a fresh take on the issue of shame and gender in the context of religious belief and practice. As such it will be of significant interest to academics in the fields of Religious Studies, but also History, Psychology and Gender Studies.

The Sexual Politics of Border Control conceptualises sexuality as a method of bordering and uncovers how sexuality operates as a key site for the containment, capture and regulation of movement. By bringing together queer scholarship on borders and migration with the rich archive of feminist, Black, Indigenous and critical border perspectives, it highlights how the heteronormativity of the border intersects with the larger dynamics of racial capitalism, imperialism and settler colonialism; reproductive inequalities; and the containment of contagion, disease and virality. Transnational in focus, this book includes contributions from and about different geopolitical contexts including histories of HIV in Turkey; the politics of reproduction in Palestine/Israel; settler colonialism and anti-Blackness in the United States; the sexual geographies of the Balkan and Southern Europe; the intimate politics of marriage migration between Vietnam and Canada; and sex work in Australia, the United States, France and New Zealand. This collection constitutes a key intervention in the study of border and migration that highlights the crucial role that sexual politics play in the reproduction and contestation of national border regimes. The chapters in this book were originally published as a special issue of Ethnic and Racial Studies.

In both feminist theory and Shakespearean criticism, questions of sexuality have consistently been conflated with questions of gender. First published in 1992, this book details the intersections and contradictions between sexuality and gender in the early modern period. Valerie Traub argues that desire and anxiety together constitute the erotic in Shakespearean drama – circulating throughout the dramatic texts, traversing ‘masculine’ and ‘feminine’ sites, eliciting and expressing heterosexual and homoerotic fantasies, embodiments, and fears. This is the first book to present a non-normalizing account of the unconscious and the institutional prerogatives that comprise the erotics of Shakespearean drama. Employing feminist, psychoanalytic, and new historical methods, and using each to interrogate the other, the book synthesises the psychic and the social, the individual and the institutional.