Based on intensive study of human origin illustrations, responses from students and colleagues and research into reconstructive illustration and feminist criticism of Western art, this ground-breaking book traces the subtle ways in which paleoanthropological conventions have influenced and have shifted in the creation of these illustrations. Wiber reveals that embedded meanings in these illustrations go beyond gender to include two other ubiquitous themes—racial superiority and upward cultural progress. Underlying all these themes, she found a basic conservatism in the paleoanthropological approach to evolutionary theory. Erect Men/Undulating Women provides a deeper understanding of popularized illustrations of human origins, but, more importantly, it encourages readers to gain a sensitivity to the ways in which Western culture constructs “scientific” findings that are compatible with its deeply held beliefs and values.

The first book to examine the iconic depiction of evolution, the "march of progress," and its role in shaping our understanding of how humans evolved We are all familiar with the "march of progress," the representation of evolution that depicts a series of apelike creatures becoming progressively taller and more erect before finally reaching the upright human form. Its emphasis on linear progress has had a decisive impact on public understanding of evolution, yet the image contradicts modern scientific conceptions of evolution as complex and branching. This book is the first to examine the origins and history of this ubiquitous and hugely consequential illustration. In a story spanning more than a century, from Victorian Britain to America in the Space Age, Gowan Dawson traces the interconnected histories of the two most important versions of the image: the frontispiece to Thomas Henry Huxley's Evidence as to Man's Place in Nature (1863) and "The Road to Homo Sapiens," a fold-out illustration in the best-selling book Early Man (1965). Dawson explores how the recurring appearances of this image pointed to shifting scientific and public perspectives on human evolution, as well as indicated novel artistic approaches and advancements in technology.

"The Domesticated Penis is the first anthropological history of the penis, incorporating evidence from evolutionary theory, primatology, archaeology, and cultural anthropology"--

A critical assessment of how evidence in biological anthropology is discovered, collected and interpreted.

Archaeology and Women draws together from a variety of angles work currently being done within a contemporary framework on women in archaeology. One section of this collection of original articles addresses the historical and contemporary roles of women in the discipline. Another attempts to link contemporary archaeological theory and practice to work on women and gender in other fields. Finally, this volume presents a wide diversity of theoretical approaches and methods of study of women in the ancient world, representing a cross section of work being carried out today under the broad banner of gender archaeology. The geographical and chronological range of the contributions is also wide, from Southeast Asia and South America to Western Asia, Egypt and Europe, from Great Britain to Greece, and from 10,000 years ago to the recent past. An ideal sampler for courses dealing with women and archaeology.

A wry look at what the astonishing world of animal penises can tell us about how we use our own. The fallacy sold to many of us is that the penis signals dominance and power. But this wry and penetrating book reveals that in fact nature did not shape the penis--or the human attached to it--to have the upper...hand. Phallacy looks closely at some of nature's more remarkable examples of penises and the many lessons to learn from them. In tracing how we ended up positioning our nondescript penis as a pulsing, awe-inspiring shaft of all masculinity and human dominance, Phallacy also shows what can we do to put that penis back where it belongs. Emphasizing our human capacities for impulse control, Phallacy ultimately challenges the toxic message that the penis makes the man and the man can't control himself. With instructive illustrations of unusual genitalia and tales of animal mating rituals that will make you particularly happy you are not a bedbug, Phallacy shows where humans fit on the continuum from fun to fatal phalli and why the human penis is an implement for intimacy, not intimidation.

Gender, Sexuality and Museums provides the only repository of key articles, new essays and case studies for the important area of gender and sexuality in museums. It is the first reader to focus on LGBT issues and museums, and the first reader in nearly 15 years to collect articles which focus on women and museums. At last, students of museum studies, women’s studies, LGBT studies and museum professionals have a single resource. The book is organised into three thematic parts, each with its own introduction. Sections focus on women in museum work, applications of feminist and LGBT theories to museum exhibitions, exhibitions and collections pertaining to women and individuals who are LGBT. The Case studies in a fourth part provide different perspectives to key topics, such as memorials and memorializing; modernism and museums; and natural history collections. The collection concludes with a bibliographic essay evaluating scholarship to date on gender and sexuality in museums. Amy K. Levin brings together outstanding articles published in the past as well as new essays. The collection’s scope is international, with articles about US, Canadian, and European institutions. Gender, Sexuality and Museums: A Routledge Reader is an essential resource for those studying gender and sexuality in the museum.

How the emergence of wildlife photography changed the way we think about animals.

"The scholarship in this book is superior, revealing a depth of insight and a scope of knowledge possible only from a scholar who has lived with the concerns of feminist theology for decades. Ruether is a gifted storyteller, and lucidly translates complex ideas and debates. This work is of the highest importance, and Ruether asks the right questions at the right time. The text is groundbreaking."—Nancy Pineda-Madrid, Saint Mary's College of California "Ruether has provided a valuable introduction to an important feminist topic: what can we know about sacred female imagery in Western culture? She guides us through contemporary feminist scholarship, providing engaging narrative, and venturing her own interpretations. Ruether calls for feminists to move beyond divisions created by our different interpretations of prehistory and work together towards our common project of a more peaceful, just, and ecological world."—Carol Hepokoski, Meadville Lombard Theological School