This wide-ranging, interdisciplinary collection explores different ways of visualising Greek and Roman epic from Homer to Statius, in both ancient and modern culture. The book presents new perspectives on Homer, Virgil, Ovid, Lucan, Valerius Flaccus and Statius, and covers the re-working of epic matter in tragedy, opera, film, late antique speeches of praise, story-boarding, sculpture and wall-painting. The chapters use a variety of methods to address the relationship between narrative and visuality, exploring how and why epic has inspired artists, authors and directors, and offering fresh visual interpretations of epic texts. Themes and issues discussed include: intermediality, ekphrasis and panegyric, illusion and deception, imagery and deferral, alienation and involvement, the multiplicity of possible visual responses to texts, three-dimensionality, miniaturisation, epic as cultural capital, and the specificity of genres, both literary and visual.

Dive into the mind of a cinematic visionary with Cinematic Visions: The Evolution of Blockbuster Films - James Cameron. This captivating biography explores the remarkable life and career of one of the most influential filmmakers of our time. More than just a behind-the-scenes look at Cameron's career, this book delves into the creative process that drives his groundbreaking work. Discover the influences that shaped his unique vision, from his early days in special effects to his groundbreaking innovations in filmmaking. Travel through the evolution of his iconic films, from the groundbreaking action of Terminator and Aliens to the historical epic Titanic and the groundbreaking visual spectacle of Avatar. Uncover the secrets behind the creation of these blockbusters, and understand how Cameron revolutionized the way we experience movies. Explore the technical advancements, the creative struggles, and the enduring impact of Cameron's films on both the industry and the world at large. Discover the themes of ambition, innovation, and imagination that drive his work, and witness how he continues to push the boundaries of cinematic storytelling. This book is a must-read for: Fans of James Cameron's films Film enthusiasts interested in the history of blockbuster cinema Anyone fascinated by the creative process and the art of filmmaking Readers eager to explore the legacy of a cinematic visionary Cinematic Visions: The Evolution of Blockbuster Films - James Cameron offers an unprecedented look into the world of one of the most influential figures in film history, a journey that will inspire and captivate readers of all ages.

Did Zechariah really see visions? This question cannot be definitely answered, so the idea must remain a hypothesis. Here, Tiemeyer shows that this hypothesis is nonetheless reasonable and instrumental in shedding light on matters in Zechariah's vision report that are otherwise unclear. Tracking through each verse of the text, the key exegetical problems are covered, including the topics of the distinction between visions and dreams, dream classification, conflicting sources of evidence for dream experiences, and rhetorical imagery as opposed to dream experience. Further attention is focused on the transmission of the divine message to Zechariah, with the key question raised of whether a visual or oral impression is described. Tiemeyer's study further demonstrates that Zech 1-6 depicts a three-tier reality. This description seeks to convey the seer's visionary experience to his readers. In a trance state, Zechariah communicates with the Interpreting Angel, while also receiving glimpses of a deeper reality known as the 'visionary world.'

Re-envisions epic from Homer to Nonnus through theories of the gaze.

The first full study of corpse mistreatment and funeral violation in Greco-Roman epic poetry, illuminating many major texts.

This wide-ranging exploration of the spiritual and scientific dimensions of dreaming offers new connections between the ancient wisdom of the world's religious traditions, which have always taught that dreams reveal divine truths, and the recent findings of modern psychological research. Drawing upon philosophy, anthropology, sociology, neurology, literature, and film criticism, the book offers a better understanding of the mysterious complexity and startling creative powers of human dreaming experience. For those interested in gaining new perspectives on dreaming, the powers of the imagination, and the newest frontiers in the dialogue between religion and science, Visions of the Night promises to be a welcome resource.

Bringing to bear the latest developments across various areas of research and disciplines, this collection provides a broad perspective on how Western Europe made sense of a complex, multi-faceted, and by and large Sino-centered East and Southeast Asia. The volume covers the transpacific period--after Magellan's opening of the transpacific route to the Far East and before the eventual dominance of the region by the British and the Dutch. In contrast to the period of the Enlightenment, during which Orientalist discourses arose, this initial period of encounters and conquest is characterized by an enormous curiosity and a desire to seize--not only materially but intellectually--the lands and peoples of East Asia. The essays investigate European visions of the Far East--particularly of China and Japan--and examine how and why particular representations of Asians and their cultural practices were constructed, revised, and adapted. Collectively, the essays show that images of the Far East were filtered by worldviews that ranged from being, on the one hand, universalistic and relatively equitable towards cultures to the other extreme, unilaterally Eurocentric.

This book dismantles the stereotype of Spenser as one who blurs earlier epic traditions. John Watkins's examinations of Spenser's major poetry reveal a poet keenly attuned to dissonances among his classical, medieval, and early modern sources. By bringing Virgil into an intertextual dialogue with Chaucer, Ariosto, and Tasso, and several Neo-Latin commentators, Spenser transformed the most patriarchal of genres into a vehicle for praising the Virgin Queen.

What was a hero in Classical Antiquity? Why is it that their characteristics have transcended chronological and cultural barriers while they are still role models in our days? How have their features changed to be embodied by comic superheroes and film? How is their essence vulgarized and turned into a mass consumption product? What has happened with their literary and artistic representation along centuries of elitist Western culture? This book aims at posing these and other questions about heroes, allowing us to open a cultural reflection over the role of the classical world in the present, its meaning in mass media, and the capacity of the Greek and Roman civilizations to dialogue with the modern world. This dialogue offers a glimpse into modern cultural necessities and tendencies which can be seen in several aspects, such as the hero’s vulnerability, the archetype’s banalization, the possibility to extend the heroic essence to individuals in search of identities – vital as well as gender or class identities. In some products (videogames, heavy metal music) our research enables a deeper understanding of the hero’s more obvious characteristics, such as their physical and moral strength. All these tendencies – contemporary and consumable, contradictory with one another, yet vigorous above all – acquire visibility by means of a polyhedral vehicle which is rich in possibilities of rereading and reworking: the Greco-Roman hero. In such a virtual and postmodern world as the one we inhabit, it comes not without surprise that we still resort to an idea like the hero, which is as old as the West.