Coming to terms with emotions and how they influence human behaviour, seems to be of the utmost importance to societies that are obsessed with everything “neuro.” On the other hand, emotions have become an object of constant individual and social manipulation since “emotional intelligence” emerged as a buzzword of our times. Reflecting on this burgeoning interest in human emotions makes one think of how this interest developed and what fuelled it. From a historian’s point of view, it can be traced back to classical antiquity. But it has undergone shifts and changes which can in turn shed light on social concepts of the self and its relation to other human beings (and nature). The volume focuses on the historicity of emotions and explores the processes that brought them to the fore of public interest and debate.

In the shadows of the night in Caldwell, New York, there’s a deadly war raging between vampires and their slayers. And there exists a secret band of brothers like no other—six vampire warriors, defenders of their race. And now, a dutiful twin must choose between two lives... Fiercely loyal to the Black Dagger Brotherhood, Phury has sacrificed himself for the good of the race, becoming the male responsible for keeping the Brotherhood's bloodlines alive. As Primale of the Chosen, he is to father the sons and daughters who will ensure that the traditions of the race survive and that there are warriors to fight those who want all vampires extinguished. As his first mate, the Chosen Cormia wants to win not only his body but his heart for herself- she sees the emotionally scarred male behind all his noble responsibility. But while the war with the Lessening Society grows more grim, and tragedy looms over the Brotherhood's mansion, Phury must decide between duty and love.

"Beautiful. Poignant." -Rachel Van Dyken, #1 NYT bestselling author "Enshrine is a story of hope, love, and embracing life's unexpected challenges." Meredith Wild, #1 NYT bestselling Author After a phone call changes my life, I shut the world out. Paralyzed by the fear, the darkness becomes inescapable. When I refuse to open my door, my best friend goes to the most notorious man in town. Bruno's known to everyone in the neighborhood - he's feared and only spoken about in whispers. Only there's a problem - after he breaks down my door, he doesn't want to leave. I never expected to find a man with a heart bigger than his reputation. But just like illusions, things are never what they seem. With fear surrounding me, only he can chase away the shadows. This isn't your typical love story - it's a story of fight and survival. Most importantly, it's about finding the light and basking in the rays. Enshrine is a USA Today bestselling steamy, inspirational standalone romance by Wall Street Journal and USA Today bestselling author Chelle Bliss. This is a story about survival, hope, and most of all...love.

Based upon lectures presented at an invitational colloquium in honor of Nico Frijda, this collection of essays represents a brief and up-to-date overview of the field of emotions, their significance and how they function. For most, emotions are simply what we feel, giving our lives affective value. Scientists approach emotions differently -- some considering the "feeling" aspect to be of little relevance to their research questions. Some investigators consider emotions from a phenomenological perspective, while others believe that the psychophysiological bases of the emotions are of prime importance, and still others observe and study animals in order to generate hypotheses about human emotions. Containing essays which represent each of these approaches, this book is in one sense a heterogenous collection. Nevertheless, the variety of approaches and interests come together, since these scholars are all operating from a more or less cognitive psychological orientation and use the same conceptual reference scheme. Written by experts in their own area, the essays reflect the richness of research in emotions. Whether these approaches and opinions can be harmonized into a single theory of emotions is a question which the future will have to answer.

Anthony Giddens is arguably the world's leading sociologist. In this controversial contribution to the Giddens debate, Stjepan Mestrovic takes up and criticizes the major themes of his work - particularly the concept of 'high modernity' as opposed to 'postmodernity' and his attempted construction of a 'synthetic' tradition based on human agency and structure. Testing Giddens' theories against what is happening in the real world from genocide in Africa to near secession in Quebec, Mestrovic discerns in the construction of synthetic traditions not the promise of freedom held out by Giddens but rather the ominous potential for new forms of totalitarian control.

This book introduces students and professional historians to the main areas of concern in the history of emotions. It discusses how the emotions intersect with other lines of historical research relating to power, practice, society and morality. Addressing criticism from within and without the discipline of history, the book offers a rigorous defence of this new approach, demonstrating its potential centrality to historiographical practice, as well as the importance of this kind of historical work for our general understanding of the human brain and the meaning of human experience.

We all feel emotions and are moved to action by them. Religious communities often select and foster certain emotions over others. Without understanding this it is hard to grasp the way groups view the world and each other. Often, it is the underlying emotional pattern of a group rather than its doctrines that either divides it from, or attracts it to, others. These issues, so important in today's world, are explored in this book in a genuinely interdisciplinary way by anthropologists, psychologists, theologians and historians of religion, and in some detailed studies of well and less well known religious traditions from across the world.

Philosophers and students of the arts have wondered since the time of Aristotle about the nature of aesthetic experience, and how this experience can seemingly be evoked by works of art. For more than a century producers and directors of motion pictures have made decisions about how to craft them based upon assumptions about complex stylistic devices and the effects such patterns of organization have on viewers. Over the past few years film scholars have made considerable progress in analyzing the manifold connections that exist between stylistic patterns and aesthetic effects for moving images of all kinds. In doing so, they have increasingly drawn upon insights and methodologies derived from psychology. The international conference from which this volume takes its contributions and its title, was organized to encourage the seeking of descriptive models pertaining to those elements of filmic construction that account for specific aesthetic experience. The focus of the current selection of twenty essays is therefore on the elements of filmic narration and their presumed aesthetic effects. The editors are pleased to strengthen the link between film studies and psychology in the interest of gaining tangible insight into the ancient mystery of the link between art and aesthetic experience.