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This indispensable, popular art book provides a comprehensive guide to 386 of the world's best known artists from medieval times to the present day. Arranged in alphabetical order by artist, each spread contains important biographical details alongside a full-colour illustration of one of the artist's best-known works. In providing an international look at the world of art, this book gives a unique insight into the glorious mix of styles and movements that make up the great traditions in Western art. Each spread reflects artistic variety and freshness, with Renaissance masterpieces rubbing shoulders with cool neo-classicism, or fiery Romantic brilliance nestling next to a tranquil Impressionist scene or a striking contemporary portrait. The A-Z of Art, with its informed commentary and fresh approach, should excite enthusiasts as well as those looking to improve their knowledge of the visual arts.

Medieval churchmen typically defended religious art as a form of "book" to teach the unlettered laity their faith, but in late medieval England, Lollard accusations of idolatry stimulated renewed debate over image worship. Popular Piety and Art in the Late Middle Ages places this dispute within the context of the religious beliefs and devotional practices of lay people, showing how they used and responded to holy images in their parish churches, at shrines, and in prayer books. Far more than substitutes for texts, holy images presented a junction of the material and spiritual, offering an increasingly literate laity access to the supernatural through the visual power of "beholding."

"This is a book about the creative life of Britain and the first attempt since the Festival of Britain to document the popular and folk art of the present day"--http://www.bookworks.org.uk/asp/detail.asp?uid=book_E46009BD-166D-4E0C-9F38-AD0303E0474E&sub=new.

The most famous and popular book on art ever published, this quintessential "introduction to art," now in its sixteenth edition, has been a worldwide bestseller for over four decades.

There are some artists for whom 'popular' is a bit of a dirty word. Grayson Perry is not one of them. He thinks art shouldn't be an exclusive club for people who 'get' it, but for everyone - that's why his new show is called The Most Popular Art Exhibition Ever! This accompanying book contains all his latest works, in full colour - including his much-discussed 'Leave' and 'Remain' pots, and creations inspired by his recent TV series All Man - along with an introduction by Grayson, his sketches and his commentary on each piece, explaining the thinking behind them. The images and words here explore populism, celebrity, masculinity, identity, Britain today and Grayson himself. They invite us to look again at the things we think we know, and show us that nothing, not even Brexit, is black and white.