The first comprehensive history of seventeenth-century London, told through the lives of those who experienced it The Gunpowder Plot, the Civil Wars, Charles I’s execution, the Plague, the Great Fire, the Restoration, and then the Glorious Revolution: the seventeenth century was one of the most momentous times in the history of Britain, and Londoners took center stage. In this fascinating account, Margarette Lincoln charts the impact of national events on an ever-growing citizenry with its love of pageantry, spectacle, and enterprise. Lincoln looks at how religious, political, and financial tensions were fomented by commercial ambition, expansion, and hardship. In addition to events at court and parliament, she evokes the remarkable figures of the period, including Shakespeare, Bacon, Pepys, and Newton, and draws on diaries, letters, and wills to trace the untold stories of ordinary Londoners. Through their eyes, we see how the nation emerged from a turbulent century poised to become a great maritime power with London at its heart—the greatest city of its time.

Censorship profoundly affected early modern writing. Censorship and Conflict in Seventeenth-Century England offers a detailed picture of early modern censorship and investigates the pressures that censorship exerted on seventeenth-century authors, printers, and publishers. In the 1600s, Britain witnessed a civil war, the judicial execution of a king, the restoration of his son, and an unremitting struggle among crown, parliament, and people for sovereignty and the right to define “liberty and property.” This battle, sometimes subtle, sometimes bloody, entailed a struggle for the control of language and representation. Robertson offers a richly detailed study of this “censorship contest” and of the craft that writers employed to outflank the licensers. He argues that for most parties, victory, not diplomacy or consensus, was the ultimate goal. This book differs from most recent works in analyzing both the mechanics of early modern censorship and the poetics that the licensing system produced—the forms and pressures of self-censorship. Among the issues that Robertson addresses in this book are the workings of the licensing machinery, the designs of art and obliquity under a regime of censorship, and the involutions of authorship attendant on anonymity.

In this path-breaking study, first published in 2000, Jonathan Scott argues that seventeenth-century English history was shaped by three processes. The first was destructive: that experience of political instability which contemporaries called 'our troubles'. The second was creative: its spectacular intellectual consequence in the English revolution. The third was reconstructive: the long restoration voyage toward safe haven from these terrifying storms. Driving the troubles were fears and passions animated by European religious and political developments. The result registered the impact upon fragile institutions of powerful beliefs. One feature of this analysis is its relationship of the history of events to that of ideas. Another is its consideration of these processes across the century as a whole. The most important is its restoration of this extraordinary English experience to its European context.

"The Oxford Handbook of British Philosophy of the 17th Century provides an advanced comprehensive overview of the issues that are informing research on the subject of British philosophy in the seventeenth century, while at the same time offering new directions for research to take. It covers the whole of the seventeenth century, ranging from Francis Bacon to John Locke and Isaac Newton. The book contains five parts: the introductory Part I examines the state of the discipline and the nature of its practitioners as the century unfolded; Part II discusses the leading natural philosophers and the philosophy of nature, including Bacon, Boyle, and Newton; Part III covers knowledge and the human faculty of the understanding; Part IV explores the leading topics in British moral philosophy from the period; and Part V concerns political philosophy. In addition to dealing with canonical authors and celebrated texts, such as Thomas Hobbes and his Leviathan, it discusses many less-well-known figures and debates from the period whose importance is only now being appreciated."--Publisher's description.

Reprint of the original, first published in 1875.

This engaging and beautifully illustrated book takes us back to the domestic world of the landed gentry in seventeenth-century England. Relating countless stories and case histories drawn from a wide range of primary sources, the book describes the physical environment, staffing, and functioning of gentry households, the inhabitants and their activities, and the role of these houses in the social and economic life of their localities. J. T. Cliffe begins by exploring the exterior and interior of houses and the outbuildings, parks, and gardens that surrounded them. He then investigates the people who lived in the country houses and the relationships between them. He provides colorful details about the responsibilities of the squire and his wife; the duties, remuneration, food, clothing, accommodation, and treatment of servants; and the special duties of estate stewards, coachmen, chaplains, and tutors. Cliffe explains various aspects of housekeeping, such as the tradition of hospitality and the factors militating against it. He also discusses other kinds of activity: religious practices; outdoor sports and indoor pastimes, including music and billiards; and such intellectual pursuits as antiquarian research, poetry, and scientific experiments. He concludes with a fascinating survey of scandal in the world of the gentry, telling of domestic strife, financial disaster, lunacy, and other disasters that marred this idyllic existence.

A look at the constant confrontation with mortality the English experienced in a time of plague, smallpox, civil war, and other calamities. In the lives of the rich and poor alike in seventeenth-century England, death was a hovering presence, much more visible in everyday existence than it is today. It is a highly important and surprisingly captivating part of the epic story of England during the turbulent years of the 1600s. This book guides readers through the subject using a chronological approach, as would have been experienced by those living in the country at the time, beginning with the myriad causes of death, including rampant disease, war, and capital punishment, and finishing with an exploration of posthumous commemoration, including mass interments in times of disease, the burial of suicides, and the unconventional laying to rest of English Catholics. Although the people of the seventeenth century did not fully realize it, when it came to the confrontation of mortality they were living in wildly changing times.

This is a study of the words of political discourse in seventeenth-century England from which we now reconstruct its theories. Taking its starting point in modern theories of language,intellectual history is first reconceptualised. Part 1 presents an overview of the political domain in the seventeenth century arguing that what we see as the political was fugitive and subject to reductionist pressures from better established fields of discourse. Further, there were strong pressures leading towards an indiscriminate and relatively general vocabulary, in turn facilitating the imposition of our anachronistic images of political theory. Part 2 focuses on a sub-set of the political vocabulary, charting the changing relationships between the words subject, citizen, resistance, rebellion, the coinage of rhetorical exchange. The final chapter returns most explicitly to the themes of the introduction, by exploring how the historians own vocabulary can be systematically misleading when taken into the context of seventeenth-century word use.