Widely acclaimed when first published, this lively social history of Hogarth's England went into a second edition with a new preface and updated notes and guide to further reading. 'This panorama of eighteenth-century English life ...Methodists and melancholia, village cricketers versified to glory and homosexuals pilloried to death, he has an eye and a word for everything in the pullulating scene.' THE SUNDAY TIMES 'Social history is ever flourishing, but the number of really original contributions is relatively small. Mr. Jarrett's book is one of this number; he is an historian of established reputation in general history who sets out to describe the eighteenth-century scene from his own examination of original sources.' ECONOMIST 'Jarrett's comprehensive learning, his graceful style, and his instinct for the telling detail make this an excellent book to dip into, to read in installments and to keep for reference.'NEW YORKER 'Jarrett digs deep into the diaries, letters, memoirs of the period, gives anecdote and incident as a counterpoint to the illustrations, examines the age's attitude toward children and education, the role of women, marriage, pleasures, politics, life and death ...A brilliant study.' LOS ANGELES TIMES

Traces the career of the English artist and satirist, and depicts life in eighteenth-century England

A highly illustrated journey through Hogarth's series paintings and engravings, from the blockbuster 'Rake's Progress and Marriage a la Mode' to the enigmatic and lesser known Happy Marriage this book offers a close analysis of place and setting in Hogarth's works' in order to revisit the artist's complex stance on morality, society, and the city, and the enduring appeal of his satires in the present.0William Hogarth (1697-1764) remains one of Britain's best loved painters. His most renowned works, the series relating to moral subjects, are rarely displayed together, and will be united at the Soane Museum for the first time in its history.0The book also focusses tightly on Hogarth's series; The Soane Museum's own Rake's Progress and An Election, as well as Marriage a la Mode, the Four Times of Day, as well as the three surviving paintings of The Happy Marriage engraved series such as Stages of Cruelty, Industry and Idleness and Gin Lane and Beer Street. It is edited by David Bindman, a world authority on Hogarth and comprises four essays by leading academics, along with Bindman's own introduction to each of the series according to the themes of "place" and "progress".00Exhibition: Sir John Soane's Museum, London, UK (09.10.2019-05.01.2020).

Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.

A Harlot's Progress, A Rake's Progress, Before and After, and Marriage a la Mode are among the prints presented with descriptive notes and an introductory discussion of Hogarth's style

What is the artistic impulse uniting Robert Hooke's drawings of insects, George Stubbs's studies of horses, and Damien Hirst's pickled shark? In this new and spirited account of British art, Jonathan Jones argues for empiricism. From the Enlightenment to the present, British artists have shared a passion for looking hard at the world around them. Jones shows how this zeal for precision and careful observation paved the way for Realism, Impressionism, and the birth of modern art

The reputation of William Hogarth (1697-1764) rests largely on his pictorial stories, a series of engravings that he called "modern Moral Subjects," the most famous being the Harlot's and the Rake's Progress. In this catalog, David Bindman works backward from Hogarth's reputation today--where he is seen by some as a conservative populist and by others as a political radical--and examines his impact on various artists over the past three centuries. Bindman also sets Hogarth's prints firmly in their historical context, discussing the artist's public and the different influences on his work, from Roman satire to the politics of the day. The result is an engaging and insightful portrayal not only of William Hogarth, but also of the middle years of the eighteenth century. Art lovers will enjoy this book, but so too will anyone with an interest in the literature and history of the mid-eighteenth century. The reputation of William Hogarth (1697-1764) rests largely on his pictorial stories, a series of engravings that he called "modern Moral Subjects," the most famous being the Harlot's and the Rake's Progress. In this catalog, David Bindman works backward from Hogarth's reputation today--where he is seen by some as a conservative populist and by others as a political radical--and examines his impact on various artists over the past three centuries. Bindman also sets Hogarth's prints firmly in their historical context, discussing the artist's public and the different influences on his work, from Roman satire to the politics of the day. The result is an engaging and insightful portrayal not only of William Hogarth, but also of the middle years of the eighteenth century. Art lovers will enjoy this book, but so too will anyone with an interest in the literature and history of the mid-eighteenth century.