Investigates the development of a gendered poetics of inspiration in the modernist period

This book offers a positive and compelling exploration of how young south Asian women can be encouraged to study science further and to consider STEM as a career. Drawing together both intersectional and personal perspectives, the book celebrates south Asian culture, sharing the stories of these individuals, their multifaceted identities, aspirations and successes. At the micro-level, an intersectional analysis reveals complicated identity negotiations of being young, female, a science-orientated student, imigré, Muslim, a daughter and a sister, as well as how these identities might interact, nest, and shift. The chapters build on the authors' previous work in science education, developing models of science identity (Sci-ID) and women's engagement with the study of science and their aspirations for a science-based career.

Many modernist and avant-garde artists and authors were fascinated by the occult movements of their day. This volume explores how Occultism came to shape modernist art, literature, and film. Individual chapters examine the presence and role of Occultism in the work of such modernist luminaries as Rainer Maria Rilke, August Strindberg, W.B. Yeats, Joséphin Péladan and the artist Jan Švankmaier, as well as in avant-garde film, post-war Greek Surrealism, and Scandinavian Retrogardism. Combining the theoretical and methodological foundations of the field of Esotericism Studies with those of Literary Studies, Art History, and Cinema Studies, this volume provides in-depth and nuanced perspectives upon the relationship between Occultism and Modernism in the Western arts from the nineteenth century to the present day.

Everyday and Prophetic is the first book to describe and analyze at length the prophetic voice and the everyday voice in postwar and contemporary American poetry. Nick Halpern's commentaries on the work of Robert Lowell, A.R. Ammons, James Merrill, Adrienne Rich, Jorie Graham, and Louise Glück, serve the reader with a fresh and original context in which to see their work, and Postwar American poetry as a whole.

The theological and philosophical works of C. S. Lewis were grounded in the argument from reason (being a form of revelation that predates nature and relates to the divine; i.e., the Word of God, Christ the Logos). These essays provide some understanding of the essentials to Lewis's philosophical theology--that is, the essentia, "in the highest degree." Lewis's corpus can seem disparate, but here we find unity in his aims, objectives, and methodology, a consistency that demonstrates the deep roots of his philosophical theology in Scripture, Greek philosophy, patristic and medieval theology, and some of the Reformers, all framed by a reasoned discipline from a perceptive and critical mind: method and form, content and reason, for the glory of God. From an analysis of reason to the evidence of Christ as the light of the world across human endeavors and religions, a doctrine of election, and an understanding of Scripture ("the Philosophy of the Incarnation," as Lewis termed it), in fundamental arguments with various modern/liberal theologians, we find evidence for the actuality of the incarnation: the divinity of Christ.

Ulysses as a touchstone for generating provacative ideas for innovation in teaching.

C. S. Lewis--The Work of Christ Revealed focuses on three doctrines or aspects of Lewis's theology and philosophy: his doctrine of Scripture, his famous mad, bad, or God argument, and his doctrine of christological prefigurement. In each area we see Lewis innovating within the tradition. He accorded a high revelatory status to Scripture, but acknowledged its inconsistencies and shrank away from a theology of inerrancy. He took a two-thousand-year-old theological tradition of aut Deus aut malus homo (either God or a bad man) and developed it in his own way. Most innovative of all was his doctrine of christological prefigurement--intimations of the Christ-event in pagan mythology and ritual. This book forms the second in a series of three studies on the theology of C. S Lewis titled C. S. Lewis, Revelation, and the Christ (www.cslewisandthechrist.net). The books are written for academics and students, but also, crucially, for those people, ordinary Christians, without a theology degree who enjoy and gain sustenance from reading Lewis's work.

Connecting to your inner life through the transformative poetry of Rainer Maria Rilke. In the Company of Rilke is a rare book about a rare poet. Rainer Maria Rilke was a giant of twentieth-century writing who remains a visionary voice for our own time, captivating readers not only with his brilliance but also his fearlessness about the "deepest things." Speaking through his own contradictions and ambivalences, he gives readers a profound understanding of the complex beauty of human existence. Here, questions matter more than answers. Here, a poet can speak directly to God while also doubting God. Astonishingly, this is the first major study of Rilke from a spiritual perspective, even though the greatest of Rilke' s gifts was to show how inevitably life centers upon a profound mystery-to which we can freely open ourselves. Drawing on her deep understanding of the gifts of Rilke's writings, as well as her own personal spiritual seeking, Stephanie Dowrick offers an intimate and accessible appreciation of this most exceptional poet and his transcendent work.

Focusing on cultural practices, and gender issues during a period of the early 20th-century that witnessed radical transformations in sex roles, this anthology of original (and one classic) essays will generate a greater understanding of women's contributions to modernist culture, and explore how that culture was affected by gender issues. The essays provide a wealth of insights into literature, painting, architecture, design, anthropology, sociology, religion, science, popular culture, music, issues of race and ethnicity, and the influence of 20th-century women and sexual politics.

Spiritualism is often dismissed by literary critics and historians as merely a Victorian fad. Helen Sword demonstrates that it continued to flourish well into the twentieth century and seeks to explain why. Literary modernism, she maintains, is replete with ghosts and spirits. In Ghostwriting Modernism she explores spiritualism's striking persistence and what she calls "the vexed relationship between mediumistic discourse and modernist literary aesthetics."Sword begins with a brief historical review of popular spiritualism's roots in nineteenth-century literary culture. In subsequent chapters, she discusses the forms of mediumship most closely allied with writing, the forms of writing most closely allied with mediumship, and the thematic and aesthetic alliances between popular spiritualism and modernist literature. Finally, she accounts for the recent proliferation of a spiritualist-influenced vocabulary (ghostliness, hauntings, the uncanny) in the works of historians, sociologists, philosophers, and especially literary critics and theorists.Documenting the hitherto unexplored relationship between spiritualism and modern authors (some credulous, some skeptical), Sword offers compelling readings of works by James Joyce, T. S. Eliot, W. B. Yeats, H.D., James Merrill, Sylvia Plath, and Ted Hughes. Even as modernists mock spiritualism's ludicrous lingo and deride its metaphysical excesses, she finds, they are intrigued and attracted by its ontological shiftiness, its blurring of the traditional divide between high culture and low culture, and its self-serving tendency to favor form over content (medium, so to speak, over message). Like modernism itself, Sword asserts, spiritualism embraces rather than eschews paradox, providing an ideological space where conservative beliefs can coexist with radical, even iconoclastic, thought and action.