Special agent James Cronley Jr. finds that fighting both ex-Nazis and the Soviet NKGB can lead to strange bedfellows, in the dramatic new Clandestine Operations novel about the birth of the CIA and the Cold War. A month ago, Cronley managed to capture two notorious Nazi war criminals, but not without leaving some dead bodies and outraged Austrian police in his wake. He's been lying low ever since, but that little vacation is about to end. Somebody--Odessa, the NKGB, the Hungarian Secret Police?--has broken the criminals out of jail, and he must track them down again. But there's more to it than that. Evidence has surfaced that in the war's last gasps, Heinrich Himmler had stashed away a fortune to build a secret religion, dedicated both to Himmler and to creating the Fourth Reich. That money is still out there in the hands of Odessa, and that infamous organization seems to have acquired a surprising--and troubling--ally. Cronley is fast finding out that the phrase "the enemy of my enemy is my friend" can mean a lot of different things, and that it is not always clear which people he can trust and which are out to kill him.

In his debut collection of poems, Conor Bracken traces the nerves of toxic masculinity—white as maggots but taut as lyre strings—that twitch and fizz inside events as homegrown as school shootings and as distant as the execution of medieval French heretics. Everywhere, though, there are bodies: the stout slouch of Henry Kissinger in a towel, a headless snake writhing in a footwell, a cantor with a beautiful voice and an inexorable need to be touched. And then there’s the body of our speaker: “white and alive and in love” and damaged by the same ravenous appetites he isn’t always able to curb. There is no hero here, only a song that turns towards and away from reckoning with the costs the neo-imperial world order extracts from bodies both supine and thrashing. These poems flicker like fire and billow like night’s velvet curtain, which you can “roughen with one hand / and smooth with the other.”

The archetype of 'my enemy's enemy is my friend', India's political and economic presence in Afghanistan is often viewed as a Machiavellian ploy aimed against Pakistan. The first of its kind, this book interrogates that simplistic yet powerful geopolitical narrative and asks what truly drives India's Afghanistan policy.

An affair that stunned the world. Two men, committed to their impossible love. One general, determined to destroy them both. President Jack Spiers and former Secret Service Agent Ethan Reichenbach throw caution to the wind, committing themselves publicly as the first out male lovers and partners to occupy the White House. Jack moves Ethan into the Residence, but as Ethan settles into his new role as first gentleman of the United States, not everyone is thrilled with their choices. When it seems like the world turns against them, Jack and Ethan must turn to each other, finding the strength together to press on. In the chaos, Jack's relationship with the Russian president, Sergey Puchkov, grows closer, and the two nations find themselves working almost as allies. But President Puchkov has secrets of his own, secrets that could rip everything apart. And Ethan steps back into the action with Lieutenant Adam Cooper, taking charge of a covert kill team tasked with hunting down General Madigan once and for all. But Madigan is elusive, and his dangerous reach is long. He strikes at Jack and Ethan from the shadowy corners of the globe, unraveling their entire world. As the mad general draws new allies together, he is single-minded in his quest to destroy the only two men who ever beat him. He will stop at nothing until Jack and Ethan are shattered men, worlds apart, and struggling to get back to one another. And after that, Madigan's true revenge begins...

My Enemy's Enemy is the first comprehensive study of prestate Zionist policy toward Lebanon. Laura Zittrain Eisenberg identifies early Zionist perceptions about Lebanon, considers efforts to construct a lucid Zionist policy toward that country, and characterizes the nature and course of Zionist-Lebanese relations prior to 1948.

"A true 'Band of brothers' story"--Dust jacket.

The incredible story of Hanna Shahin, a Palestinian boy raised in the old city of Jerusalem who was saved and transformed by the grace of God, then empowered to become a leading Christian broadcaster and an instrument of healing and redemption in the war-torn Middle East.

From THE ENEMY AT HOME: “In this book I make a claim that will seem startling at the outset. The cultural left in this country is responsible for causing 9/11. … In faulting the cultural left, I am not making the absurd accusation that this group blew up the World Trade Center and the Pentagon. I am saying that the cultural left and its allies in Congress, the media, Hollywood, the nonprofit sector, and the universities are the primary cause of the volcano of anger toward America that is erupting from the Islamic world. The Muslims who carried out the 9/11 attacks were the product of this visceral rage—some of it based on legitimate concerns, some of it based on wrongful prejudice, but all of it fueled and encouraged by the cultural left. Thus without the cultural left, 9/11 would not have happened. “I realize that this is a strong charge, one that no one has made before. But it is a neglected aspect of the 9/11 debate, and it is critical to understanding the current controversy over the ‘war against terrorism.’ … I intend to show that the left has actively fostered the intense hatred of America that has led to numerous attacks such as 9/11. If I am right, then no war against terrorism can be effectively fought using the left-wing premises that are now accepted doctrine among mainstream liberals and Democrats.” Whenever Muslims charge that the war on terror is really a war against Islam, Americans hasten to assure them they are wrong. Yet as Dinesh D’Souza argues in this powerful and timely polemic, there really is a war against Islam. Only this war is not being waged by Christian conservatives bent on a moral crusade to impose democracy abroad but by the American cultural left, which for years has been vigorously exporting its domestic war against religion and traditional morality to the rest of the world. D’Souza contends that the cultural left is responsible for 9/11 in two ways: by fostering a decadent and depraved American culture that angers and repulses other societies—especially traditional and religious ones— and by promoting, at home and abroad, an anti-American attitude that blames America for all the problems of the world. Islamic anti-Americanism is not merely a reaction to U.S. foreign policy but is also rooted in a revulsion against what Muslims perceive to be the atheism and moral depravity of American popular culture. Muslims and other traditional people around the world allege that secular American values are being imposed on their societies and that these values undermine religious belief, weaken the traditional family, and corrupt the innocence of children. But it is not “America” that is doing this to them, it is the American cultural left. What traditional societies consider repulsive and immoral, the cultural left considers progressive and liberating. Taking issue with those on the right who speak of a “clash of civilizations,” D’Souza argues that the war on terror is really a war for the hearts and minds of traditional Muslims—and traditional peoples everywhere. The only way to win the struggle with radical Islam is to convince traditional Muslims that America is on their side. We are accustomed to thinking of the war on terror and the culture war as two distinct and separate struggles. D’Souza shows that they are really one and the same. Conservatives must recognize that the left is now allied with the Islamic radicals in a combined effort to defeat Bush’s war on terror. A whole new strategy is therefore needed to fight both wars. “In order to defeat the Islamic radicals abroad,” D’Souza writes, “we must defeat the enemy at home.”

A true story of reconciliation from the Vietnam War.

"When an unstoppable killer from the future targets Dr. Elise Fong, her only hope for survival comes in the unlikely form of Farrow Greene, the ex-CIA operative tasked with kidnapping her for a shady firm"--