A heartwarming read about the unexpected joys inside an old house

In a novel set in an indefinite, futuristic, post-apocalyptic world, a father and his young son make their way through the ruins of a devastated American landscape, struggling to survive and preserve the last remnants of their own humanity

"My name is Brian Keene. I'm a writer by trade and a road warrior by heart. Neither of these things are wise career or life choices. The tolls add up.Over the last twenty years, things have changed. Book tours have changed, publishing has changed, bookselling has changed, conventions have changed, horror fiction-and the horror genre-have changed. I've changed, too.The only things that haven't changed are writing and the road. They stay the same. The words we type today are the past tomorrow. Everything is connected like the highways on a map are connected. This holds true for the history of our genre, as well.I rode into town twenty years ago. Now I'm riding out. You're all coming with me..."So begins Brian Keene's End of the Road-a memoir, travelogue, and post-Danse Macabre examination of modern horror fiction, the people who write it, and the world they live-and die-in. Exhilarating, emotional, heartfelt, and at times hilarious, End of the Road is a must-read for fans of the horror genre. Introduction by Gabino Iglesias.

When five college friends cross America in a minivan to find themselves, they chance upon a road that isn’t on any map. They can’t resist exploring it. The van breaks down. They find a town, a massive trailer park steeped in squalor. The town isn’t on any map either. They find people in town. They’ll wish they hadn’t. The only sanctuary is the Big House–a giant mansion at the center of town that appears to be abandoned, only all the lights come on at night. Inside the Big House is the secret of the town. Inside, they’ll finally find themselves. They won’t like what they find.

The Alaskan author's radio show is the basis for his observations of the characters who live in the place where the land ends and the sea begins.

25th ANNIVERSARY EDITION • From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road: an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, Blood Meridian traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into the nightmarish world where Indians are being murdered and the market for their scalps is thriving. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.

With millions of Americans watching, one of the nation's most popular television personalities, Joan Lunden, made a life-altering transition with grace and ease as she brought to a close two decades of hosting Good Morning America. For the first time Joan candidly reveals how she approached such an enormous challenge as an opportunity for growth -- and how you can, too. For each change that occurred during the course of those twenty years, Joan had an entire nation watching her respond, commenting on the things that she did, critiquing the way that she did them, and putting forth opinions on what she should do next: "People I had never met constantly offered me suggestions about how I should handle my divorce, how I should raise my children, and the career choices I should make after GMA. I was a private citizen with the normal stresses that a mother, wife, and businesswoman endures on a daily basis, going through life's changes in a public arena." We all go through change. Whether it's an illness in the family, a divorce, teenagers acting out, losing a job, having to move, or kids leaving the nest, one thing is certain: Change is the only thing we can count on. Yet, while change is the one constant in our lives, it often produces the greatest amount of fear. In this inspiring new book, Joan shows us the importance of staying levelheaded in the face of crisis no matter what or whom you're facing. Both an intimate self-portrait and a practical blueprint for living a happier, more fulfilling life, A Bend in the Road is Not the End of the Road proves once again why so many viewers have followed Joan Lunden for so many years.

End of the Road is a novel drawing from an unpublished manuscript by a 110-year-old man in the year 2050 about his trip around the country in a $200-car in 1995. A group of graduate students in 2050 interview him in his assisted-living apartment for their video oral-history thesis project. The story shifts back and forth between the trip in 1995 and the interviews in 2050. The old man's quaint philosophies and his connection with the past intrigue the students. As the theis project progresses, the old man becomes more than a mere interview subject. As the young people gain a perspective on their past, the old man reconnects with the present. Readers may additionally find looking back at our turn-of-the-century road and automobile culture from a viewpoint of young people living in the year 2050 a delightful experience in itself.

The Floating Opera and The End Of The Road are John Barth's first two novels. Their relationship to each other is evident not only in their ribald subject matter but in the eccentric characters and bitterly humorous tone of the narratives. Both concern strange, consuming love triangles and the destructive effect of an overactive intellect on the emotions. Separately they give two very different views of a universal human drama. Together they illustrate the beginnings of an illustrious career.