Sylvan forms an alliance with the neighboring Snowcrest wolf pack after an attack on Snowcrest by creatures from beyond the veil, and sends a cadre of warriors to aid in training the Snowcrest soldiers to defend against the next attack. Trent, one of Sylvan's lieutenants, understands her duty, but can’t deny the primal call of another Were, even if Zora is the Alpha of the Snowcrest Pack and any relationship between them risks inter-Pack war. When Sylvan receives an unexpected summons—couched in the form of an invitation to parlay—from Cecelia, Queen of Faerie, she decides to cross into Faerie despite Drake’s misgivings and against the advice of her war council. The Timberwolf stronghold has never been breached, but this time the enemy is shielded by dark magic and no one is safe. A Midnight Hunters novella.

We live in a secular age, a world dominated by science and technology. Increasing numbers of us don't believe in God anymore. We don't expect miracles. We've grown up and left those fairy tales behind, culturally and personally. Yet five hundred years ago the world was very much enchanted. It was a world where God existed and the devil was real. It was a world full of angels and demons. It was a world of holy wells and magical eels. But since the Protestant Reformation and the beginning of the Enlightenment, the world--in the West, at least--has become increasingly disenchanted. While this might be taken as evidence of a crisis of belief, Richard Beck argues that it's actually a crisis of attention. God hasn't gone anywhere, but we've lost our capacity to see God. The rising tide of disenchantment has profoundly changed our religious imaginations and led to a loss of the holy expectation that we can be interrupted by the sacred and divine. But it doesn't have to be this way. Hunting Magic Eels shows us that with attention and an intentional, cultivated capacity to experience God as a living, vital presence in our lives, we can cultivate an enchanted faith in a skeptical age. This new paperback edition includes a foreword from Sean Palmer as well as four new, additional chapters, including "Why Good People Need God," "Live Your Beautiful Life," and "The Primacy of the Invisible."

In the aftermath of an assassination attempt, Sylvan Mir, wolf Were Alpha, and her mate Drake McKennan turn their backs on the government that has threatened their survival, vowing to protect their own with primal force, regardless the cost in blood. After escaping the Vampire dungeons beneath the blood club Nocturne, Fae royal Torren de Brinna petitions Sylvan for sanctuary, setting Sylvan and her allies on a collision course with Francesca, Viceregal of the Eastern Vampire seethe. In the midst of war, Torren finds her heart at risk from a young dominant Were, while Francesca's Vampire enforcer Michel draws one of Sylvan's trusted guards into a web of seduction and danger. Hunted by human extremists, targeted by the Shadow Lords who fear her growing power, and beset by enemies masquerading as friends, Sylvan leads the Timberwolf Pack to war on two fronts as alliances shift and long-held beliefs are challenged. A Midnight Hunters novel.

For hunters who love the north woods, the past glory of the wilderness is recorded here. Paulina Brandreth, who wrote under the pseudonym Paul Brandreth, was a woman who hunted and photographed deer in the Adirondacks with noted deer hunters Roy Chapman Andrews, General 'Black Jack' Pershing, and Reuben Cary. She began writing for the acclaimed sportsmen's journal Forest and Stream in 1894 at the age of nine. Her material in the magazine was credited to Camp Good Enough, Brandreth Lake, a major deer camp on land purchased by her grandfather specifically for hunting and fishing. One of only a few women writing about hunting at that time, Brandreth chose to continue to write under a pseudonym, publishing Trails of Enchantment in 1930. She was passionate about still-hunting whitetail bucks, evident in a hunt with her guide and friend Reuben Cary: Side by side, we knelt in the snow, waiting for the buck to appear from behind the intervening trunk of a big birch. The suspense was harrowing. And then at last he loomed suddenly before us....

A tragic mystery blending sleuthing and spirituality ​An exploration in grief, suicide, spiritualism, and Inuit culture, Winter of the Wolf follows Bean, an empathic and spiritually evolved fifteen-year-old, who is determined to unravel the mystery of her brother Sam’s death. Though all evidence points to a suicide, her heart and intuition compel her to dig deeper. With help from her friend Julie, they retrace Sam’s steps, delve into his Inuit beliefs, and reconnect with their spiritual beliefs to uncover clues beyond material understanding. Both tragic and heartwarming, this twisting novel draws you into Bean's world as she struggles with grief, navigates high school dramas, and learns to open her heart in order to see the true nature of the people around her. Winter of the Wolf is about seeking the truth—no matter how painful—in order to see the full picture. In this novel, environmentalist and award-winning author, Martha Handler, brings together two important pieces of her life—the death of her best friend’s son and her work as president of the Wolf Conservation Center—to tell an empathetic and powerful story with undeniable messages.

First published in 1949, Little Boy Brown is a little gem, ripe for rediscovery.

Grandpa Owl, the wisest and wealthiest resident in the Enchanted Forest, teaches his grandkids about kindness, fairness, and the secret to his riches. Follow along with Brother and Sister Owl as they learn lessons that students of top business schools do not receive. When you're done, you will be ready to go on your very own hunt for real treasure!

Reese Conlon’s much anticipated family leave is only two weeks away, and nothing is going to stand in the way of her being at her wife’s side for the upcoming birth—not even the summer crowds in Provincetown, a new rookie cop with a hero complex, and a cruise ship at anchor in the harbor with a reported outbreak of a mysterious illness. Andy Champlain might be a rookie cop, but she was raised by a family of cops, and she’s ready to take on any challenge, if she only gets the chance. With a disaster brewing in Provincetown Harbor, a journalist who’ll do anything for a story, and sexy summer PA, Laurel Winter, at the local clinic, she’s about to have all the excitement she can handle. Before long, Reese, Tory, Laurel, and Andy are caught up in the gathering storms of an epidemic that could threaten all their lives.

Jeremy should be at home eating his supper, instead, he has traveled through time with a cat named Aristotle to Mount Olympus, home of the Greek gods. Neither he nor Aristotle has any idea how to get home, let alone how to help Mr. Magnus lift Zeus's curse on his theater, where no play has been performed for years. Not knowing what else to do, Jeremy and Aristotle climb toward the summit, finding adventure all the way. The epub edition of this title is fully accessible.

The screenplay for Kubrick’s 1962 film tells the story of an older man’s obsession with a young girl. • This is the purely Nabokov version of the screenplay and not the same version which was produced as the motion picture Lolita, distributed by Metro-Goldwyn-Mayer, Inc. “A few days before, at a private screening, I had discovered that Kubrick was a great director, that his Lolita was a first-rate film with magnificent actors, and that only ragged odds and ends of my script had been used. The modifications, the garbling of my best little finds, the omission of entire scenes, the addition of new ones, and all sorts of other changes may not have been sufficient to erase my name from the credit titles but they certainly made the picture as unfaithful to the original script as an American poet’s translation from Rimbaud or Pasternak. I hasten to add that my present comments should definitely not be construed as reflecting any belated grudge, any high-pitched deprecation of Kubrick’s creative approach. When adapting Lolita to the speaking screen he saw my novel in one way, I saw it in another – that’s all, nor can one deny that infinite fidelity may be an author’s ideal but can prove a producer’s ruin.” --- From the foreword