Between the mid-18th and mid-19th centuries, Britain evolved from a substantial international power yet relative artistic backwater into a global superpower and a leading cultural force in Europe. In this original and wide-ranging book, Hoock illuminates the manifold ways in which the culture of power and the power of culture were interwoven in this period of dramatic change. Britons invested artistic and imaginative effort to come to terms with the loss of the American colonies; to sustain the generation-long fight against Revolutionary and Napoleonic France; and to assert and legitimate their growing empire in India. Demonstrating how Britain fought international culture wars over prize antiquities from the Mediterranean and Near East, the book explores how Britons appropriated ancient cultures from the Mediterranean, the Near East, and India, and casts a fresh eye on iconic objects such as the Rosetta Stone and the Parthenon Marbles.

The warlocks and ghosts of fantasy film haunt our popular culture, but the genre has too long been ignored by critics. This comprehensive critical survey of fantasy cinema demonstrates that the fantasy genre amounts to more than escapism. Through a meticulously researched analysis of more than a century of fantasy pictures--from the seminal work of Georges Melies to Peter Jackson's recent tours of Middle-earth--the work identifies narrative strategies and their recurring components and studies patterns of challenge and return, setting and character. First addressing the difficult task of defining the genre, the work examines fantasy as a cultural force in both film and literature and explores its relation to science fiction, horror, and fairy tales. Fantasy's development is traced from the first days of film, with emphasis on how the evolving genre reflected such events as economic depression and war. Also considered is fantasy's expression of politics, as either the subject of satire or fuel for the fires of propaganda. Discussion ventures into the subgenres, from stories of invented lands inhabited by fantastic creatures to magical adventures set in the familiar world, and addresses clashes between fantasy and faith, such as the religious opposition to the Harry Potter phenomenon. From the money-making classics to little-known arthouse films, this richly illustrated work covers every aspect of fantasy film.

The life story of Gary Gygax, godfather of all fantasy adventure games, has been told only in bits and pieces. Michael Witwer has written a dynamic, dramatized biography of Gygax from his childhood in Lake Geneva, Wisconsin to his untimely death in 2008. Gygax's magnum opus, Dungeons & Dragons, would explode in popularity throughout the 1970s and '80s and irreversibly alter the world of gaming. D&D is the best-known, best-selling role-playing game of all time, and it boasts an elite class of alumni--Stephen Colbert, Robin Williams, and Junot Diaz all have spoken openly about their experience with the game as teenagers, and some credit it as the workshop where their nascent imaginations were fostered. Gygax's involvement in the industry lasted long after his dramatic and involuntary departure from D&D's parent company, TSR, and his footprint can be seen in the genre he is largely responsible for creating. But as Witwer shows, perhaps the most compelling facet of his life and work was his unwavering commitment to the power of creativity in the face of myriad sources of adversity, whether cultural, economic, or personal. Through his creation of the role-playing genre, Gygax gave two generations of gamers the tools to invent characters and entire worlds in their minds. Told in narrative-driven and dramatic fashion, Witwer has written an engaging chronicle of the life and legacy of this emperor of the imagination.

Empires of the Imagination takes the Louisiana Purchase as a point of departure for a compelling new discussion of the interaction between France and the United States. In addition to offering the first substantive synthesis of this transatlantic relationship, the essays collected here offer new interpretations on themes vital to the subject, ranging from political culture to intercultural contact to ethnic identity. They capture the cultural breadth of the territories encompassed by the Louisiana Purchase, exploring not only French and Anglo-American experiences, but also those of Native Americans and African Americans. Despite differences in concerns and methods, the pieces collected share crucial ground in how they suggest new ways for thinking about empire, identity, and memory. The authors show how France and the United States set about their competing imperial projects even as residents of the North American West effectively resisted those imperial aims, creating instead their own notions of community and connection. At the same time, these essays show how the contact among peoples created new social configurations and distinct cultural identities. Moving beyond the particulars of the late eighteenth and early nineteenth centuries, these essays reveal how the Louisiana Purchase subsequently entered into the public consciousness on both sides of the Atlantic in ways that continue to define imperial projects, racial identities, and ethnic communities. Delineating a unique moment in transatlantic historical conversation, Empires of the Imagination also provides important lessons in cross-disciplinary approaches to North American and Atlantic history. In addition to the multinational perspectives of the authors, individual essays deploy social science history, political culture, and ideological history, as well as social and cultural history, to create a cohesive understanding of diverse experiences. Contributors:Emily Clark, Tulane University * Laurent Dubois, Duke University * Mark Fernandez, Loyola University, New Orleans * Peter J. Kastor, Washington University in St. Louis * Paul Lachance, University of Ottawa * Jean-Pierre Le Glaunec, Dalhousie University * James E. Lewis Jr., Kalamazoo College * Peter S. Onuf, University of Virginia * Jacques Portes, Université de Paris VIII * Marie-Jeanne Rossignol, Université de Paris VII–Denis Diderot * Cécile Vidal, L’ École des Hautes Études en Sciences Sociales * François Weil, L’ École des Hautes Études en Sciences Sociales * Richard White, Stanford University

Empires of the Imagination takes the Louisiana Purchase as a point of departure for a compelling new discussion of the interaction between France and the United States. In addition to offering the first substantive synthesis of this transatlantic relationship, the essays collected here offer new interpretations on themes vital to the subject, ranging from political culture to intercultural contact to ethnic identity. They capture the cultural breadth of the territories encompassed by the Louisiana Purchase, exploring not only French and Anglo-American experiences, but also those of Native Americans and African Americans. Despite differences in concerns and methods, the pieces collected share crucial ground in how they suggest new ways for thinking about empire, identity, and memory. The authors show how France and the United States set about their competing imperial projects even as residents of the North American West effectively resisted those imperial aims, creating instead their own notions of community and connection. At the same time, these essays show how the contact among peoples created new social configurations and distinct cultural identities. Moving beyond the particulars of the late eighteenth and early nineteenth centuries, these essays reveal how the Louisiana Purchase subsequently entered into the public consciousness on both sides of the Atlantic in ways that continue to define imperial projects, racial identities, and ethnic communities. Delineating a unique moment in transatlantic historical conversation, Empires of the Imagination also provides important lessons in cross-disciplinary approaches to North American and Atlantic history. In addition to the multinational perspectives of the authors, individual essays deploy social science history, political culture, and ideological history, as well as social and cultural history, to create a cohesive understanding of diverse experiences. Contributors: Emily Clark, Tulane University * Laurent Dubois, Duke University * Mark Fernandez, Loyola University, New Orleans * Peter J. Kastor, Washington University in St. Louis * Paul Lachance, University of Ottawa * Jean-Pierre Le Glaunec, Dalhousie University * James E. Lewis Jr., Kalamazoo College * Peter S. Onuf, University of Virginia * Jacques Portes, Université de Paris VIII * Marie-Jeanne Rossignol, Université de Paris VII-Denis Diderot * Cécile Vidal, L' École des Hautes Études en Sciences Sociales * François Weil, L' École des Hautes Études en Sciences Sociales * Richard White, Stanford University

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Placing Empire examines the spatial politics of Japanese imperialism through a study of Japanese travel and tourism to Korea, Manchuria, and Taiwan between the late nineteenth century and the early 1950s. In a departure from standard histories of Japan, this book shows how debates over the role of colonized lands reshaped the social and spatial imaginary of the modern Japanese nation and how, in turn, this sociospatial imaginary affected the ways in which colonial difference was conceptualized and enacted. The book thus illuminates how ideas of place became central to the production of new forms of colonial hierarchy as empires around the globe transitioned from an era of territorial acquisition to one of territorial maintenance.

Burbank and Cooper examine Rome and China from the third century BCE, empires that sustained state power for centuries.

What happens to our understanding of 'orientalism' and imperialism when we consider British-Chinese relations during the nineteenth century, rather than focusing on India, Africa or the Caribbean? This book explores China's centrality to British imperial aspirations and literary production, underscoring the heterogeneous, interconnected nature of Britain's formal and informal empire. To British eyes, China promised unlimited economic possibilities, but also posed an ominous threat to global hegemony. Surveying anglophone literary production about China across high and low cultures, as well as across time, space and genres, this book demonstrates how important location was to the production, circulation and reception of received ideas about China and the Chinese. In this account, treaty ports matter more than opium. Ross G. Forman challenges our preconceptions about British imperialism, reconceptualizes anglophone literary production in the global and local contexts, and excavates the little-known Victorian history so germane to contemporary debates about China's 'rise'.

Technologies of Empire reshapes post-colonial scholarship of the long eighteenth century by exploring the ways in which post-enlightenment authors employ writing and imagination to produce rather than simply represent empire. Challenging the assumption that the first imaginings of coordinated global empires occur in the later nineteenth century, this study argues that authors ranging from Adam Smith, Edmund Burke to William Wordsworth conceive of imagination and writing as technologies that can conceptualize and consolidate the new forms of empire they see emerging.

The Glory of the Empire is the rich and absorbing history of an extraordinary empire, at one point a rival to Rome. Rulers such as Basil the Great of Onessa, who founded the Empire but whose treacherous ways made him a byword for infamy, and the romantic Alexis the bastard, who dallied in the fleshpots of Egypt, studied Taoism and Buddhism, returned to save the Empire from civil war, and then retired “to learn to die,” come alive in The Glory of the Empire, along with generals, politicians, prophets, scoundrels, and others. Jean d’Ormesson also goes into the daily life of the Empire, its popular customs, and its contribution to the arts and the sciences, which, as he demonstrates, exercised an influence on the world as a whole, from the East to the West, and whose repercussions are still felt today. But it is all fiction, a thought experiment worthy of Jorge Luis Borges, and in the end The Glory of the Empire emerges as a great shimmering mirage, filling us with wonder even as it makes us wonder at the fugitive nature of power and the meaning of history itself.