The Eurovision Song Contest (ESC) is more than a musical event that ostensibly “unites European people” through music. It is a spectacle: a performative event that allegorically represents the idea of “Europe.” Since its beginning in the Cold War era, the contest has functioned as a symbolic realm for the performance of European selves and the negotiation of European identities. Through the ESC, Europe is experienced, felt, and imagined in singing and dancing as the interplay of tropes of being local and/or European is enacted. In Empire of Song: Europe and Nation in the Eurovision Song Contest, contributors interpret the ESC as a musical “mediascape” and mega-event that has variously performed and performs the changing visions of the European project. Through the study of the cultural politics of the ESC, contributors discuss the ways in which music operates as a dynamic nexus for making national identities and European sensibilities, generating processes of “assimilation” or “integration,” and defining the celebrated notion of the “European citizen” in a global context. Scholars in the volume also explore the ways otherness and difference are produced, spectacularized, challenged, or even neglected in the televised musical realities of the ESC. For the contributing authors, song serves as a site for constituting Europe and the nation, on- and offstage. History and politics, as well as the constant production of European subjectivities, are sounded in song. The Eurovision song is a shifting realm where old and new states imagine their pasts, question their presents, and envision ideal futures in the New Europe. Essays in Empire of Song adopt theoretical and epistemological orientations in their exploration of “popular music” within ethnomusicology and critical musicology, questioning the idea of “Europe” and the “nation” through and in music, at a time when the European self appears more fragmented, if not entirely shattered. Bringing together ethnomusicology, music studies, history, social anthropology, feminist theory, linguistics, media ethnography, postcolonial theory, comparative literature, and philosophy, Empire of Song will interest students and scholars in a vast array of disciplines.

"The occupation of the northern half of the Chinese territories in the 1120s brought about a transformation in political communication in the south that had lasting implications for imperial Chinese history. By the late eleventh century, the Song court no longer dominated the production of information about itself and its territories. Song literati gradually consolidated their position as producers, users, and discussants of court gazettes, official records, archival compilations, dynastic histories, military geographies, and maps. This development altered the relationship between court and literati in political communication for the remainder of the imperial period. Based on a close reading of reader responses to official records and derivatives and on a mapping of literati networks, the author further proposes that the twelfth-century geopolitical crisis resulted in a lasting literati preference for imperial restoration and unified rule. Hilde De Weerdt makes an important intervention in cultural and intellectual history by examining censorship and publicity together. In addition, she reorients the debate about the social transformation and local turn of imperial Chinese elites by treating the formation of localist strategies and empire-focused political identities as parallel rather than opposite trends."

Inside the culture of an artistically influential music community Britain is widely considered the cradle of independent music culture. Bands like Radiohead and Belle and Sebastian, which epitomize indie music's sounds and attitudes, have spawned worldwide fanbases. This in-depth study of the British independent music scene explores how the behavior of fans, artists, and music industry professionals produce a community with a specific aesthetic based on moral values. Author Wendy Fonarow, a scholar with years of experience in the various sectors of the indie music scene, examines the indie music "gig" as a ritual in which all participants are actively involved. This ritual allows participants to play with cultural norms regarding appropriate behavior, especially in the domains of sex and creativity. Her investigation uncovers the motivations of audience members when they first enter the community and how their positions change over time so that the gig functions for most members as a rite of passage. Empire of Dirt sheds new light on music, gender roles, emotion, subjectivity, embodiment, and authenticity.

The story of how Lennon and McCartney lost the most valuable song publishing catalogue in the world. This is a staggering saga of incompetence, duplicity and music industry politics.

Using both lyrical and narrative forms, these concise verses explore a family history set against the larger backdrop of Mexican history, immigration, and landscapes of the Southwest. The poet’s delicate touch lends these poems an organic quality that allows her to address both the personal and the political with equal grace. Straightforward without being simplistic or reductive, these poems manage to be intimate without seeming self-important. This distinctive collection ranges from the frighteningly whimsical image of Cortés dancing gleefully around a cannon to the haunting and poignant discovery of a dead refugee boy seemingly buried within the poet herself. The blending of styles works to blur the lines between subjects, creating a textured narrative full of both imagination and nuance. Ultimately, Empire situates individual experience in the wider social context, highlighting the power of poetry as song, performance, testimony, and witness. Addressing themes such as war, family, poverty, gender, race, and migration, Candelaria gives us a dialogue between historical and personal narratives, as well as discreet “conversations” between content and form.

A thousand-year history of how China’s obsession with silver influenced the country’s financial well-being, global standing, and political stability This revelatory account of the ways silver shaped Chinese history shows how an obsession with “white metal” held China back from financial modernization. First used as currency during the Song dynasty in around 900 CE, silver gradually became central to China’s economic framework and was officially monetized in the middle of the Ming dynasty during the sixteenth century. However, due to the early adoption of paper money in China, silver was not formed into coins but became a cumbersome “weighing currency,” for which ingots had to be constantly examined for weight and purity—an unwieldy practice that lasted for centuries. While China’s interest in silver spurred new avenues of trade and helped increase the country’s global economic footprint, Jin Xu argues that, in the long run, silver played a key role in the struggles and entanglements that led to the decline of the Chinese empire.

# Empire Down The Rise and Fall of History’s Greatest Empires **Discover the Unfolding Drama of History's Mightiest Powers** Step into a riveting exploration of power, ambition, and the inevitable decline that has shaped our world. "Empire Down" offers a captivating journey through the life cycles of twenty-one of history's most formidable empires. From the towering heights of the Roman Empire to the vast expanses of the Mongol Empire, each chapter meticulously uncovers the triumphs and tragedies that define human civilization. **Unraveling the Fabric of Dominance** What makes an empire rise to unparalleled glory only to succumb to downfall? Dive deep into the intricacies that defined the Roman Empire at its peak, marred by political corruption and barbarian invasions. Witness the consolidation of power in China's Han Dynasty and its eventual disintegration from internal revolts and external threats. **Intrigue and Conflicts** Explore strategic blunders and internal conflicts within empires such as the Byzantine reliance on mercenaries and the Ottoman Empire's military overextension. Analyze the devastating impacts of external pressures, be it the Crusades, nationalist movements, or the Greco-Persian Wars. **Cultural Marvels and Catastrophes** From the architectural marvels of the Incas and the ambitious conquests of the Gupta Empire to the catastrophic impacts of plagues and invasions, this book paints a vivid picture of innovation alongside tragedy. Delve into the golden ages and subsequent falls of empires such as the Gupta and the Spanish Empires, exploring how riches often led to rampant inflation and military overreach. **Economic Exploits and Trade** Understand the economic engines and trade networks that propelled empires forward and the critical missteps that led to their decline. Learn how the British Empire grappled with the costs of world wars and independence movements, while the Dutch Empire faced economic and naval conflicts that signaled its end. **Lessons for Today and Tomorrow** The concluding chapter synthesizes patterns of decline and offers timeless lessons. What preventive measures could modern nations take to avoid similar fates? Explore the implications of historical rises and falls on contemporary governance and strategy, ensuring readers not only understand history but are also prepared for the future. **Immerse Yourself in "Empire Down"** Engage with a rich tapestry of stories that reveal not just the faces of power but the very essence of what it means to build, sustain, and ultimately witness the fall of an empire. This compelling narrative is essential for history enthusiasts, strategic thinkers, and anyone intrigued by the grand arc of civilization. Order your copy now and embark on a journey through the dramatic historical shifts that have sculpted our world.