First published in 1959, Stoltz's classic story is now available in paperback, with Williams' original illustrations painted in full color by renowned illustrator Wells.

A sweet story for anyone who's ever dreamed of having a pet pig Emmett loves pigs and has all the toy pigs any kid could dream of. But Emmett wants a real pig. He lives in a New York City apartment, so Emmett’s family says that he can’t keep one in the house. Instead, on his birthday, his dreams will come true in the most surprising way! This Level Two I Can Read book is geared for kids who read on their own but still need a little help. This digital edition of the classic Emmett’s Pig by Mary Stolz and Garth William is a special commemorative edition celebrating the 60th anniversary of I Can Read books for beginning readers. The book features an anniversary burst and eight pages of bonus material on the history of I Can Read—including a timeline, origin stories of favorite characters, and never-before-seen early sketches.

New editions of old favorites Meet Harry Kitten and Tucker Mouse. No one would ever dream that a cat and mouse could become friends, but that doesn't stop Harry and Tucker. All they have is each other to depend on. Together they begin an exciting adventure throughout New York, searching for a home they can call their own. But the two friends run into some troublesome times in their journey around town. Is all hope lost? Where will they turn to next? Join Chester Cricket and his friends in this classic tale from George Selden.

Emmett endures the death of his pet pig and his family's move from New York City to Ohio and finally comes to accept the thought of getting another pet.

A cunning spider and her terrific friend, an adventurous mouse, and a musical swan can all be found in an omnibus of the author's three best-selling stories. Simultaneous.

Chester Cricket and his friends from the meadow have to help poor old Mr. Budd. He and his dog Dubber have to move out of their quiet corner of the Old Meadow because it has been named a historical landmark. Chester Cricket and the meadowfolk band together to save Mr. Budd from being evicted from the Old Meadow by the town council. Through their efforts and dreams, they are able to stop the world one magical night just long enough to make a difference.

Once upon a time there was a mothe . . . who loved her daughter so much, she wanted to make her a wonderful surprise. So she mixed up some dough and cut out a beautiful gingerbread rabbit. But she got the surprise when the rabbit jumped up, ran out the door, and escaped into the forest! Follow the gingerbread rabbit and the mother as they run through the woods finding adventure, new friends, and the best surprises of all.

In this book, Thomas J. Connelly draws on a number of key psychoanalytic concepts from the works of Jacques Lacan, Slavoj Žižek, Joan Copjec, Michel Chion, and Todd McGowan to identify and describe a genre of cinema characterized by spatial confinement. Examining classic films such as Alfred Hitchcock's Rope and Stanley Kubrick's The Shining, as well as current films such as Room, Green Room, and 10 Cloverfield Lane, Connelly shows that the source of enjoyment of confined spaces lies in the viewer's relationship to excess. Cinema of Confinement offers rich insights into the appeal of constricted filmic spaces at a time when one can easily traverse spatial boundaries within the virtual reality of cyberspace.

A teenager struggles through physical loss to the start of acceptance in an absorbing, artful novel at once honest and insightful, wrenching and redemptive. (Age 12 and up) On a sunny day in June, at the beach with her mom and brother, fifteen-year-old Jane Arrowood went for a swim. And then everything -- absolutely everything -- changed. Now she’s counting down the days until she returns to school with her fake arm, where she knows kids will whisper, "That’s her -- that’s Shark Girl," as she passes. In the meantime there are only questions: Why did this happen? Why her? What about her art? What about her life? In this striking first novel, Kelly Bingham uses poems, letters, telephone conversations, and newspaper clippings to look unflinchingly at what it’s like to lose part of yourself - and to summon the courage it takes to find yourself again.