We think we know language. We think it is ours. The body speaks it. Words are pieces and parts of humans. However, like people, language morphs. Andrew Ruzkowski investigates the complications of language in his long poem A Shape & Sound. The poet explores what words can do to us, in us, and for us. His love of writing, the world, and the beloved take us to a connected space. This long poem begs the reader to explore our collective and individual happenings.

The most beautiful moments are when we love and see love in unexpected places. We Love in Small Moments is a collection of snapshots into love, however that looks for you.

Gutenberg’s invention of movable type in the fifteenth century introduced an era of mass communication that permanently altered the structure of society. While publishing has been buffeted by persistent upheaval and transformation ever since, the current combination of technological developments, market pressures, and changing reading habits has led to an unprecedented paradigm shift in the world of books. Bringing together a wide range of perspectives—industry veterans and provocateurs, writers, editors, and digital mavericks—this invaluable collection reflects on the current situation of literary publishing, and provides a road map for the shifting geography of its future: How do editors and publishers adapt to this rapidly changing world? How are vibrant public communities in the Digital Age created and engaged? How can an industry traditionally dominated by white men become more diverse and inclusive? Mindful of the stakes of the ongoing transformation, Literary Publishing in the 21st Century goes beyond the usual discussion of 'print vs. digital' to uncover the complex, contradictory, and increasingly vibrant personalities that will define the future of the book.

Orca publishes short stories, flash fiction, and nonfiction. We are a literary journal and we believe in the literary style of writing. We are open to almost any topic, as long as it's written in a literary style.We are committed to diversity of identities, origins, and perspectives on our pages. Many of our contributors are from other countries and cultures. But the main criterion by which we judge submissions is the quality of the writing. We seek work that is high concept: imaginative, thoughtful, even speculative, and open to possibilities. We look for deep, diverse characters, and narratives that blend genres, or connect seemingly disparate ideas. We currently pay $50 for published short stories and $25 for flash fiction.We are also committed to the intentions of our contributors. Although we often work with writers to polish their stories, we also respect their original intent, and as much as possible retain the artist's individual and local language, spelling, style, and vernacular.Orca publishes four issues per year. April and October feature literary stories, and January and July are our literary-speculative issues. Literary stories with a speculative aspect are sometimes included in the literary issues.Although we are relatively new, our fiction has already been honored with a reprint of Kristyn Dunnion's "Daughter of Cups" in the anthology Best Canadian Stories 2020. Three of our flash fiction contributors have been selected for the 2021 edition of Best Small Fictions: "July First and Last," by Stephen Ground; "Life Underground" by Avra Margariti; and "A Fall Play: In One Act and Three Scenes" by David Luntz. "A Terrible Thing Has Happened" by Natascha Graham received an honorable mention in the Rotary Club of Stratford's (Canada) 2021 Short Story Contest.Fiction published in Orca may also be nominated for anthologies such as Best American Short Stories, Best Small Fictions, the Pushcart Prize, and others.

Maryann grows up alone within a family of six, shrouded by her sister's anorexia, her brother's cancer, and her mother's affair with alcohol. With her childhood consumed by her sister's eating disorder, she braces for a future fraught with loss. Sinking deep into depression as a teenager, she struggles to understand what it means to love those around her, and questions whether being loved is worth the cost. After her sister's recovery and her brother's remission, she's left to comb the depths of her loneliness and confront the darkest pall of her adolescence: her mother's drinking. In moving from her hometown in Montana to New York City, she finds a place where those who are alone are not always lonely, and begins to define love, loneliness, and intimacy for herself. Through experimentation with form, the book captures the perspectives of Maryann's adult and childhood selves, as well as her experience of mental illness. Flipping through its pages, readers will discover a tapestry of image and white space, scenes written in screenplay, faux news articles, a one-woman show, a Punnett square, a poetry-prose hybrid, a report card, sketches, and math problems. LITTLE ASTRONAUT is a literary kaleidoscope blending the cerebral and emotional, and humor with darkness. The book explores anxiety and depression next to the intricacies of Barbie sex and a failed driving test. These essays dig into the tiny, intimate moments that stitch us together: awaiting sunrise on Christmas mornings with a brother, the unexpected grief of finding a wounded bird, and the meaning of objects passed between sisters. LITTLE ASTRONAUT is, at its heart, the story of a woman redefining intimacy after a lifetime of self-imposed detachment. Literary Nonfiction.

A debut YA American epic and historical adventure from Melissa Ostrom about striking out for your own destiny. She's not the girl everyone expects her to be. Harriet Winter is the eldest daughter in a farming family in New Hampshire, 1807. She is expected to help with her younger sisters. To pitch in with the cooking and cleaning. And to marry her neighbor, the farmer Daniel Long. Harriet’s mother sees Daniel as a good match, but Harriet doesn’t want someone else to choose her path—in love or in life. When Harriet’s brother decides to strike out for the Genesee Valley in Western New York, Harriet decides to go with him—disguised as a boy. Their journey includes sickness, uninvited strangers, and difficult emotional terrain as Harriet sees more of the world, realizes what she wants, and accepts who she’s loved all along.

Selma and Zeke are two African American youth living in small town Northern California. As the novelette switches between their voices, they learn the limits of love, friendship and family. Feeling trapped by their community, the constraints of race and class weigh heavy on their lives. Jamie L. Moore explores the persistence of racism and how it forces these friends to question if the boundaries already set for them determine their fate.

Baptism by Fire is a poetry collection rich in symbolism, and gut wrenching in content. Not for the faint hearted. Muller's work reads like a story; told as a collection of visceral experiences through one female protagonist. The work takes us on a journey where the speaker encounters the destructive realities of the world attempting to undermine and manipulate her and her body. This work leads us on a passionate pursuit of authenticity and the drive toward the liberation of power. Harshly real, vexatiously honest, and brutally confrontational, the work leans towards a feminist commentary on sexual liberation and the power of female identity. The work is beautifully introduced by Stoya, Pornographer and author of Philosophy, Pussycats, & Porn. Amy-Jean Muller's writing is rooted in experiences inspired by symbolism, research and mythology. Her work does not attempt to gloss over the disturbing encounters of the world through its confrontational honesty. These truths are both devastatingly beautiful in their melancholy, and enigmatic in their veracities. Muller, writes with gut punching rawness, which is both transgressive and existential. She is currently completing her first novel.

This is Not About Love: Poems explores the complexities of human emotion and relationships via memory, experience, and imagination. Smith reminds us that love is not a singular emotion, and romantic relationships are not paramount to happiness.