The Torahs are given to show us the way, so we can avoid the wrong and do the right. The Torah of the Gospel is the best Torah of all, applicable in the World to come. Yahuah is looking to see you, not your elohim acherim (other Els). Yahuah wants a face to face encounter with his bride and joy. Elohim acherim basically get in the way of this face to face relationship. If we want to see Yahuah's faces panim to faces panim the Els of Machmad past and present, the El Mammon and the elohim of Hinduism and other forces must we put out of the way. Such sights are an ugly abomination to Yahuah and cause him to turn his face away from us. He says: "Anoki Yahuah which brought you out of Egypt" He brought us out from our house of bondage; he brings us out from bondage, so we can see his face.

Kabbalah has gained notoriety in recent years, thanks in large part to a publicity boost from celebrity adherents like Madonna. Yet the uninitiated may be surprised to learn that Jewish mysticism has been practiced for thousands of years. First published in 1929, The Holy Kabbalah is Arthur E. Waite's guide to these esoteric teachings. Divided into twelve books, with five appendices and a detailed index, this heavily researched volume traces the origins of Kabbalah and examines its influence (if any) on astrology, alchemy, and freemasonry. Including a close look at Kabbalistic literature, and sections on the Zohar and the Ten Sephiroth, this volume will serve as an excellent introduction to the secret tradition for those wanting to learn more about Kabbalah out of scholarship or curiosity. American-born British author ARTHUR EDWARD WAITE (1857-1942) was cocreator of the famous 1910 Rider-Waite Tarot deck. Among his numerous books are Book of Ceremonial Magic, Devil Worship in France, and New Encyclopedia of Freemasonry.

The Rebbe's Likkutei Sichos revolutionizes Torah study, Jewish life, and G-dly experience. Now, for the first time ever, a curated selection of the original Likkutei Sichos is available in English.

According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The contributions, written by a group of international specialists in Western, Byzantine, Islamic and Jewish Art, are committed to a comparative and transcultural approach. The authors reflect upon the different strategies of »clothing« sacred texts with precious materials and elaborate forms. They show how the pretypographic cultures of the Middle Ages used book ornaments as media for building a close relation between the divine words and their human audience. By exploring how art shapes the religious practice of books, and how the religious use of books shapes the evolution of artistic practices this book contributes to a new understanding of the deep nexus between sacred scripture and art.

Cracking the Bible Code is the true account of the most amazing scientific research ever undertaken. References to important names, dates, and historical events have been found encoded in the book of Genesis. No individual could have known this informationfrom what grew in the garden of Eden to details of the Gulf War. Mystics and sages have long held that these codes existed, proving God's direct hand in all that was and is to be. Incredible? Yes. But some of today's greatest scientific minds have been unable as yet to disprove the codes.If the codes are genuine, they will forever change our view of God, faith, and our fate. Cracking the Bible Code explores the extraordinary possibilities and the furor surrounding the codes in a riveting story that is equal parts holy quest, Byzantine intrigue, and cutting-edge science.