A single day in Paris changes the lives of three Americans as they each set off to explore the city with a French tutor, learning about language, love, and loss as their lives intersect in surprising ways. Josie, Riley, and Jeremy have come to the City of Light for different reasons: Josie, a young high school teacher, arrives in hopes of healing a broken heart. Riley, a spirited but lonely expat housewife, struggles to feel connected to her husband and her new country. And Jeremy, the reserved husband of a renowned actress, is accompanying his wife on a film shoot, yet he feels distant from her world. As they meet with their tutors—Josie with Nico, a sensitive poet; Riley with Phillippe, a shameless flirt; and Jeremy with the consummately beautiful Chantal—each succumbs to unexpected passion and unpredictable adventures. Yet as they traverse Paris’s grand boulevards and intimate, winding streets, they uncover surprising secrets about one another—and come to understand long-buried truths about themselves.

The seventeenth-century French diplomat François de Callières once wrote that "an ambassador resembles in some way an actor exposed on the stage to the eyes of the public in order to play great roles." The comparison of the diplomat to an actor became commonplace as the practice of diplomacy took hold in early modern Europe. More than an abstract metaphor, it reflected the rich culture of spectacular entertainment that was a backdrop to emissaries' day-to-day lives. Royal courts routinely honored visiting diplomats or celebrated treaty negotiations by staging grandiose performances incorporating dance, music, theater, poetry, and pageantry. These entertainments—allegorical ballets, masquerade balls, chivalric tournaments, operas, and comedies—often addressed pertinent themes such as war, peace, and international unity in their subject matter. In both practice and content, the extravagant exhibitions were fully intertwined with the culture of diplomacy. But exactly what kind of diplomatic work did these spectacles perform? Ellen R. Welch contends that the theatrical and performing arts had a profound influence on the development of modern diplomatic practices in early modern Europe. Using France as a case study, Welch explores the interconnected histories of international relations and the theatrical and performing arts. Her book argues that theater served not merely as a decorative accompaniment to negotiations, but rather underpinned the practices of embodied representation, performance, and spectatorship that constituted the culture of diplomacy in this period. Through its examination of the early modern precursors to today's cultural diplomacy initiatives, her book investigates the various ways in which performance structures international politics still.

"Masterful. Magnificent. A passionate story of survival and a real page turner. This story will stay with me for a long time." —Heather Morris, author of The Tattooist of Auschwitz and Cilka's Journey Living through World War II working in a Paris bookstore with her young daughter, Vivi, and fighting for her life, Charlotte is no victim, she is a survivor. But can she survive the next chapter of her life? Alternating between wartime Paris and 1950s New York publishing, Ellen Feldman's Paris Never Leaves You is an extraordinary story of resilience, love, and impossible choices, exploring how survival never comes without a cost. The war is over, but the past is never past.

The story of Madeleine and Colonel John Jacob Astor is very much part of the story of Bar Harbor, Maine. The relatively poor Madeleine Force met Colonel Astor, the third richest man in the United States, in Bar Harbor in 1910. The vicious scandal after they're wedding caused the newlyweds to board the Titanic to return to America; the ensuing tragedy would claim the life of the colonel. Madeleine Astor returned to Bar Harbor after the Titanic disaster, where all eyes were on her, and where she was triumphant in claiming the role of social leader. In 1916, she remarried in the center of Bar Harbor, and gave up everything Astor. The story follows the 17 years of her second marriage, and then her scandalous third marriage. Madeleine, now in her 40s, married a penniless young boxer and her name erased from the Social Register after that. She died a lonely figure in her 40s. This new book from historian Mac Smith documents Madeleine's life in Bar Harbor and the Astor presence on Bar Harbor through Colonel Astor's family and the Kane family--Astor cousins who were prominent there. It puts Madeleine Astor's story in the context of Bar Harbor's Golden Age. In telling Madeleine Astor's story, the story of a changing Bar Harbor is also revealed.

Thomas French (1639-1699), a Quaker, married twice and immigrated from England to Burlington County, New Jersey in 1677. He held various political offices in the colony, including Deputy Governor and then Governor of New Jersey. Descendants and relatives lived in New Jersey, New England, Pennsylvania, New York, Virginia and elsewhere. Includes some family history and genealogy of ancestors in England to about 1066 A.D.

This is Margaret French Cresson 1947 biography "The Life of Daniel Chester French - Journey Into Fame". It is a fascinating exploration of the life and work of Daniel Chester French not to be missed by those with an interest in this exceptional artist. Daniel Chester French (1850 - 1931) was an American sculptor of the late nineteenth and early twentieth centuries. He is one of the most famous and prolific sculptors of that period, and is best known for designing the statue of Abraham Lincoln (1920) in the Lincoln Memorial, Washington, D.C.. Other notable statues of his include: "Death and the Sculptor" (1893), Boston; "Architecture" (1901), Richard Morris Hunt Memorial, and "Republic", (1893), Chicago. Many vintage books such as this are becoming increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in a modern, high-quality edition complete with the original text and artwork.

Alan Spitzer approaches the history of the French Restoration by examining the experience of a particular age group born between 1792 and 1803: the generation of 1820. A predominantly male, middle-class, educated minority of this group was perceived as representing all that was most promising and specifically youthful in the period. Their response to the pressures of transition was expressed in the fractious behavior of the youth of the schools,'' and in voluntary associations, masonic lodges, conspiratorial cells, and influential journals, which depended on a dense network of personal relationships. Professor Spitzer portrays these connections in a set of sociograms using new techniques for the visual representation of social networks. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.