Perfect for fans of The Crown, this captivating biography from a New York Times bestselling author follows Queen Elizabeth II and her sister Margaret as they navigate life in the royal spotlight. They were the closest of sisters and the best of friends. But when, in a quixotic twist of fate, their uncle Edward Vlll decided to abdicate the throne, the dynamic between Elizabeth and Margaret was dramatically altered. Forever more Margaret would have to curtsey to the sister she called 'Lillibet.' And bow to her wishes. Elizabeth would always look upon her younger sister's antics with a kind of stoical amusement, but Margaret's struggle to find a place and position inside the royal system—and her fraught relationship with its expectations—was often a source of tension. Famously, the Queen had to inform Margaret that the Church and government would not countenance her marrying a divorcee, Group Captain Peter Townsend, forcing Margaret to choose between keeping her title and royal allowances or her divorcee lover. From the idyll of their cloistered early life, through their hidden war-time lives, into the divergent paths they took following their father's death and Elizabeth's ascension to the throne, this book explores their relationship over the years. Andrew Morton's latest biography offers unique insight into these two drastically different sisters—one resigned to duty and responsibility, the other resistant to it—and the lasting impact they have had on the Crown, the royal family, and the ways it adapted to the changing mores of the 20th century.

In Royal Sisters, Anne Edwards, author of the best-selling Vivien Leigh: A Biography and Matriarch: Queen Mary and the House of Windsor, has written the first dual biography of Elizabeth, the princess who was to become Queen, and her younger sister, Margaret, who was to be her subject. From birth to maturity, they were the stuff of which dreams are made. “I’m three and you’re four,” the future Queen, then a child, imperiously informed her sister. The younger girl, not understanding this reference to their position in the succession, proudly countered, “No, you’re not. I’m three, you’re seven.” The royal sisters had no choice in their historic positions, but behind the palace gates and within the all-too-human confines of their personalities, they displayed tremendous individuality and suffered the usual symptoms of sibling rivalry. Royal Sisters provides an unprecedented and intimate portrait of these most famous siblings during their formative and dramatic youthful years. It is also one of the twentieth century’s most fascinating stories of sisterly loyalty. Edwards’s book is an honest look at how the royal sisters feel toward each other, their parents, their close relations and the men whom they have loved. It openly discusses, with new insights and information, the romance of Elizabeth and Philip and the tragic aborted love affair between Margaret and Group Captain Peter Townsend, and it has a cast of characters ranging from the youthful sisters’ suitors to Winston Churchill and the entire Royal Family. It is also the story of the making of a queen, of the high drama of her situation in the Townsend affair, of the real effect their uncle’s abdication had on the sisters’ lives, and of the internecine feuds that have brewed within the Royal Family since that time. Brought vividly to life through the many personal interviews of close royal associates, filled with new facts, previously unpublished anecdotes and photographs, Royal Sisters is a never-before-glimpsed look at the relationship of the Queen and Princess Margaret.

_______________ 'Ideal for those who like their recipes to come with a back story ... The book is tremendously funny, and her cooking was way ahead of her time' - Sally Hughes, BBC Good Food Magazine 'Hilarious' - English Home _______________ Recently, Elizabeth Gilbert unpacked some boxes of family books that had been sitting in her mother's attic for decades. Among the old, dusty hardbacks was a book called At Home on the Range, written by her great-grandmother, Margaret Yardley Potter. As Gilbert writes in her Foreword: 'I jumped up and dashed through the house to find my husband, so I could read parts of it to him: Listen to this! The humor! The insight! The sophistication! Then I followed him around the kitchen while he was making our dinner (lamb shanks), and I continued reading aloud as we ate... By the end of the night there were three of us sitting at that table. Gima had come to join us, and she was wonderful, and I was in love.' The cookbook was far ahead of its time. In it, Potter espouses the importance of farmer's markets and ethnic food (Italian, Jewish and German), derides preservatives and culinary shortcuts and generally celebrates a devotion to epicurean adventures. Potter takes car trips out to Pennsylvania Dutch country to eat pickled pork products, and to the eastern shore of Maryland, where she learns to catch and prepare eels so delicious, she says, they must be 'devoured in a silence almost devout'. Part scholar and part crusader for a more open food conversation than currently existed, it's not hard to see where Elizabeth Gilbert inherited both her love of food and her warm, infectious prose. At Home on the Range is a fascinating, humorous and useful cookbook from the past that is essential for the present day.

One of today's premier historical novelists, "New York Times" bestseller George dazzles here as she tackles her most difficult subject yet: the legendary Elizabeth Tudor, queen of enigma. But what was she really like? In this novel, her flame-haired, lookalike cousin, Lettice Knollys, thinks she knows all too well.

An account of the childhoods and early adulthoods of Queen Elizabeth and Princess Margaret, as told by one of their primary caregivers, offers insight into early twentieth-century British royal life.

A GUARDIAN BOOK OF THE YEAR * A TIMES BOOK OF THE YEAR * A SUNDAY TIMES BOOK OF THE YEAR * A DAILY MAIL BOOK OF THE YEAR 'An original, memorable and substantial achievement' TLS'A masterpiece' Mail on Sunday'I honked so loudly the man sitting next to me dropped his sandwich' ObserverShe made John Lennon blush and Marlon Brando clam up. She cold-shouldered Princess Diana and humiliated Elizabeth Taylor. Andy Warhol photographed her. Jack Nicholson offered her cocaine. Gore Vidal revered her. John Fowles hoped to keep her as his sex-slave. Dudley Moore propositioned her. Francis Bacon heckled her. Peter Sellers was in love with her. For Pablo Picasso, she was the object of sexual fantasy. "If they knew what I had done in my dreams with your royal ladies" he confided to a friend, "they would take me to the Tower of London and chop off my head!" Princess Margaret aroused passion and indignation in equal measures. To her friends, she was witty and regal. To her enemies, she was rude and demanding. In her 1950's heyday, she was seen as one of the most glamorous and desirable women in the world. By the time of her death, she had come to personify disappointment. One friend said he had never known an unhappier woman. The tale of Princess Margaret is pantomime as tragedy, and tragedy as pantomime. It is Cinderella in reverse: hope dashed, happiness mislaid, life mishandled. Combining interviews, parodies, dreams, parallel lives, diaries, announcements, lists, catalogues and essays, Ma'am Darling is a kaleidoscopic experiment in biography, and a witty meditation on fame and art, snobbery and deference, bohemia and high society. 'Brown has been our best parodist and satirist for decades now ... Ma'am Darling is, as you would expect, very funny; also, full of quirky facts and genial footnotes. Brown has managed to ingest huge numbers of royal books and documents without losing either his judgment or his sanity. He adores the spectacle of human vanity' Julian Barnes, Guardian

Provides reissues of the popular Dead Famous titles in the Horribly Famous series. This work presents fresh livery and cover artwork.

Elizabeth Severn: The ‘Evil Genius’ of Psychoanalysis chronicles the life and work of Elizabeth Severn, both as one of the most controversial analysands in the history of psychoanalysis, and as a psychoanalyst in her own right. Condemned by Freud as "an evil genius", Freud disapproved of Severn’s work and had her influence expelled from the psychoanalytic mainstream. In this book, Rachman draws on years of research into Severn to present a much needed reappraisal of her life and work, as well as her contribution to modern psychoanalysis. Arnold Rachman’s re-discovery, restoration and analysis of the Elizabeth Severn Papers – including previously unpublished interviews, books, brochures and photographs – suggests that, far from a failure, that the analysis of Severn by Ferenczi constitutes one of the great cases in psychoanalysis, one that was responsible a new theory and methodology for the study and treatment of trauma disorder, in which Severn played a pioneering role. Elizabeth Severn should be of interest to any psychoanalyst looking to glean fresh light on Severn’s progressive views on clinical empathy, self-disclosure, countertransference analysis, intersubjectivity and the origins of relational analysis.