The young Jane Austen was a precocious reader, devouring pulp fiction and classic literature, both of which she soon began to imitate and parody. Three volumes of her vivacious teenage writing survive. Devices and themes which appear subtly in her later fiction run riot here: drunkenness, brawling, sexual misdemeanour, theft, and even murder.

The 18th century saw the first significant phase of cultural interchange between Britain and Germany. This study examines the part played in this process by women writers, who were entering the literary world in large numbers for the first time. It asks whether women whether a cross-cultural female literary tradition emerged during the period.

This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the various forms of female Gothic literature as a vehicle for representing the modern forms of subjectivity, or complex and authentic inward experience and identity.

This novel represents a key document in the literary representation of India and the imperial debate, profoundly challenging pre-existent discourses of colonialism.

Jane Austen the Reader explains Austen's excellence and endurance by showing how her writing developed as a response to the writing of others: as parody, satire, criticism and even, on occasion, homage. Seeing Austen as a critic offers new insights into her creativity, and new interpretations of her novels.

Editors: May 1749-Sept. 1803, Ralph Griffiths; Oct. 1803-Apr. 1825, G. E. Griffiths.