#1 New York Times #1 Wall Street Journal #1 Los Angeles Times #1 Entertainment Weekly #1 Publishers Weekly Stephanie Plum is thinking her career as a fugitive apprehension agent has run its course. She's been shot at, spat at, cussed at, fire-bombed, mooned, and attacked by dogs. Time for a change, Stephanie thinks. Time to find the kind of job her mother can tell her friends about without making the sign of the cross. So Stephanie Plum quits. Resigns. No looking back. No changing her mind. She wants something safe and normal. As it turns out, jobs that are safe and normal for most people aren't necessarily safe and normal for Stephanie Plum. Trouble follows her, and the kind of trouble she had at the bail bonds office can't compare to the kind of trouble she finds herself facing now. Her past has come back to haunt her. She's stalked by a maniac returned from the grave for the sole purpose of putting her into a burial plot of her own. He's killed before, and he'll kill again if given the chance. Caught between staying far away from the bounty hunter business and staying alive, Stephanie reexamines her life and the possibility that being a bounty hunter is the solution rather than the problem. After disturbingly brief careers at the button factory, Kan Klean Dry Cleaners, and Cluck-in-a-Bucket, Stephanie takes an office position in security, working for Ranger, the sexiest, baddest bounty hunter and businessman on two continents. It might not be the job she'll keep for the rest of her life, but for now it gives her the technical access she needs to find her stalker. Tempers and temperatures rise as competition ratchets up between the two men in her life---her on-again, off-again boyfriend, tough Trenton cop Joe Morelli, and her bad-ass boss, Ranger. Can Stephanie Plum take the heat? Can you? Between the adventure and the adversity there's attitude, and Stephanie Plum's got plenty in her newest misadventure from Janet Evanovich, Eleven on Top.

Winnie knows that change isn’t all it’s cracked up to be, especially when it means her best friend, Amanda, might be dropping her for someone else. Throw in a grumpy teenage sister, a cat who gets trapped in the wall, and a crush who has pinkeye, and you’ve got one big mess—one that Winnie’s not going to clean up! Winnie’s decided that she’s going to remain exactly the same, no matter what the rest of the world does. But every month brings crazy adventures. A lot can change in a year . . .maybe even Winnie.

NATIONAL BESTSELLER • NATIONAL BOOK AWARD FINALIST • A PEN/FAULKNER AWARD FINALIST • Set in the eerie days of civilization’s collapse—the spellbinding story of a Hollywood star, his would-be savior, and a nomadic group of actors roaming the scattered outposts of the Great Lakes region, risking everything for art and humanity. • Now an original series on HBO Max. • Over one million copies sold! One of the New York Times’s 100 Best Books of the 21st Century Kirsten Raymonde will never forget the night Arthur Leander, the famous Hollywood actor, had a heart attack on stage during a production of King Lear. That was the night when a devastating flu pandemic arrived in the city, and within weeks, civilization as we know it came to an end. Twenty years later, Kirsten moves between the settlements of the altered world with a small troupe of actors and musicians. They call themselves The Traveling Symphony, and they have dedicated themselves to keeping the remnants of art and humanity alive. But when they arrive in St. Deborah by the Water, they encounter a violent prophet who will threaten the tiny band’s existence. And as the story takes off, moving back and forth in time, and vividly depicting life before and after the pandemic, the strange twist of fate that connects them all will be revealed. Look for Emily St. John Mandel’s bestselling new novel, Sea of Tranquility!

My name is Eve Hamilton and I live in Compound Eleven. Here, the hierarchy of the floors is everything. And on my floor, we fight—which is better than the bottom floor, where they toil away in misery. Only the top floor has any ease in this harsh world; they rule from their gilded offices. All because four generations ago, Earth was rendered uninhabitable—the sun too hot, the land too barren. Those who remained were forced underground. While not a perfect life down here, I’ve learned to survive as a fighter. Except my latest match is different. Instead of someone from the circuit, my opponent is a mysterious boy from the top floor. And the look in his eyes tells me he’s different, maybe even kind...right before he kicks my ass. He could be my salvation. He could be my undoing. Because I’m no longer content to just survive in Eleven. Today, I'm ready to fight for more than my next meal. I'm fighting for my freedom. And this boy might just give me the edge I've been waiting for. The Eleven trilogy is best enjoyed in order. Reading Order: Book #1 Escaping Eleven Book #2 Unraveling Eleven Book #3 Ending Eleven

"Alex Douglas always wanted to be a hero. But nothing heroic ever happened to Alex. Nothing, that is, until his eleventh birthday [which fell on September 11, 2001]. Then everything changed"--P. [4] of cover.

A PREGNANT WOMAN. A DERANGED PSYCHOPATH. A DESPERATE RACE AGAINST TIME. Didi Wood, eight-and-a-half months pregnant with her third child, heads to a mall to get out of the oppressive Dallas hear and get some shopping done. She is supposed to meet her husband for lunch at one o' clock. By 1:45, she still isn't there--she's riding down the highway at breakneck speed, with a madman at the wheel. His name is Lyle, and he has abducted her from a department store parking lot. But why he's done this, and what he wants, are anyone's guess. Now the police and the FBI have to somehow track him down. And a very pregnant Didi must keep herself and her unborn child alive at any price--even as they ride closer and closer in the darkest chamber of a psychopath's mind.

Eleven billion people will crowd this marvelous planet by century’s end. If the global economy were to grow five-fold during this period as predicted, humanity’s ecological footprint would exceed Earth’s biocapacity by 400%. We need to chart a new course to the future. The sweeping changes that make a ‘full world’ work—involving dual processes of destruction and reconstruction—will transform global culture, agriculture, and ultimately the human race. ELEVEN is a call to consciousness. Only an ‘ethical revolution’ will allow us to carry forward an ever-advancing civilization. Paul Hanley proposes a transformational model that will help individuals, institutions, and communities make an eleven-billion world work for everyone—and the planet.

Includes an excerpt from the next novel featuring Gabriela Rose.

#1 bestselling author Janet Evanovich’s Stephanie Plum novels are: “irresistible” (Houston Chronicle), “stunning” (Booklist), “outrageous” (Publishers Weekly), “brilliantly evocative” (The Denver Post), and “making trouble and winning hearts” (USA Today). New Jersey bounty hunter Stephanie Plum is certain of three truths: People don’t just vanish into thin air. Never anger old people. And don’t do what Tiki tells you to do. After a slow summer of chasing low-level skips for her cousin Vinnie’s bail bonds agency, Stephanie Plum finally lands an assignment that could put her checkbook back in the black. Geoffrey Cubbin, facing trial for embezzling millions from Trenton’s premier assisted-living facility, has mysteriously vanished from the hospital after an emergency appendectomy. Now it’s on Stephanie to track him down. Unfortunately, Cubbin has disappeared without a trace, a witness, or his money-hungry wife. Rumors are stirring that he must have had help with the daring escape . . . or that maybe he never made it out of his room alive. Since the hospital staff’s lips seem to be tighter than the security, and it’s hard for Stephanie to blend in to assisted living, Stephanie’s Grandma Mazur goes in undercover. But when a second felon goes missing from the same hospital, Stephanie is forced into working side by side with Trenton’s hottest cop, Joe Morelli, in order to crack the case. The real problem is, no Cubbin also means no way to pay the rent. Desperate for money—or maybe just desperate—Stephanie accepts a secondary job guarding her secretive and mouthwatering mentor Ranger from a deadly Special Forces adversary. While Stephanie is notorious for finding trouble, she may have found a little more than she bargained for this time around. Then again—a little food poisoning, some threatening notes, and a bridesmaid’s dress with an excess of taffeta never killed anyone . . . or did they? If Stephanie Plum wants to bring in a paycheck, she’ll have to remember: No guts, no glory.

An NPR Best Book of 2016 A New Yorker Book We Loved in 2016 Named to Kirkus Reviews' Best Books of 2016 The Millions Most Anticipated Book of 2016 Flavorwire Most Anticipated Book From the critically acclaimed author of The Virgins, Eleven Hours is an intimate exploration of the physical and mental challenges of childbirth, told with unremitting suspense and astonishing beauty. Lore arrives at the hospital alone—no husband, no partner, no friends. Her birth plan is explicit: she wants no fetal monitor, no IV, no epidural. Franckline, a nurse in the maternity ward—herself on the verge of showing—is patient with the young woman. She knows what it’s like to worry that something might go wrong, and she understands the distress when it does. She knows as well as anyone the severe challenge of childbirth, what it does to the mind and the body. Eleven Hours is the story of two soon-to-be mothers who, in the midst of a difficult labor, are forced to reckon with their pasts and re-create their futures. Lore must disentangle herself from a love triangle; Franckline must move beyond past traumas to accept the life that’s waiting for her. Pamela Erens moves seamlessly between their begrudging partnership and the memories evoked by so intense an experience: for Lore, of the father of her child and her former best friend; for Franckline, of the family in Haiti from which she’s exiled. At turns urgent and lyrical, Erens’s novel is a visceral portrait of childbirth, and a vivid rendering of the way we approach motherhood—with fear and joy, anguish and awe.