Karl Marx's youngest daughter Eleanor (1855-98) is one of the most significant figures in the cultural politics of the late nineteenth century. As a feminist and radical socialist she never flinched from confrontation; as an aspiring actress, working journalist and literary translator she advanced contemporary understanding of Flaubert, Ibsen and Shakespeare. This collection of newly commissioned essays helps to establish the full extent of her outstanding achievements.

Yvonne Kapp’s monumental biography of the daughter of Karl Marx who became a radical activist Eleanor Marx is one of the most tragically overlooked radical figures in history, usually overshadowed by her father, Karl. But not only did she edit, translate, transcribe and collaborate with her father, she also led an extraordinary life as a labour organiser, trade unionist, translator, actor, writer and feminist. Much of this we only know because of this highly acclaimed, outstanding exception to the omission of Eleanor Marx from history. Yvonne Kapp’s biography was first published at the height of feminist organising in the 1970s. Kapp brilliantly succeeds in capturing Eleanor’s spirit, from a lively child opining on the world’s affairs, to the new woman, aspiring to the stage, earning her living as a free intellectual, and helping to lead England’s unskilled workers at the height of the new unionism. She was always more than, yet at the same time inescapably, Karl Marx’s daughter. It is also, inevitably, an unrivalled biography of the Marx household in Victorian London, of the Marx circle, and of Friedrich Engels, the family’s extraordinary mentor. This single-volume edition of Kapp’s foundational biography includes an introduction by Sally Alexander.

Jeff Guy is Professor of History at the University of Natal, Durban. He is the author of The Destruction of the Zulu Kingdom and The Heretic, a biography of Bishop Colenso.

This fascinating new study examines the experiences of women involved in the socialist movement during its formative years in Britain and the active role they played in campaigning for the vote. By giving full attention to this much-neglected group of women, Socialist Women examines and challenges the orthodox views of labour and suffrage history. Torn between competing loyalties of gender, class and politics, socialist women did not have a fixed identity but a number of contested identities. June Hannam and Karen Hunt probe issues that created divisions between these women, as well as giving them the opportunity to act together. In three fascinating case studies they explore: * women's suffrage * women and internationalism * the politics of consumption. Believing above all that being a woman was vital to their politics, these individuals sought to develop a woman-focused theory of socialism and to put this new politics into practice.

Russomania: Russian Culture and the Creation of British Modernism provides a new account of modernist literature's emergence in Britain. British writers played a central role in the dissemination of Russian literature and culture during the early twentieth century, and their writing was transformed by the encounter. This study restores the thick history of that moment, by analyzing networks of dissemination and reception to recover the role of neglected as well as canonical figures, and institutions as well as individuals. The dominant account of British modernism privileges a Francophile genealogy, but the turn-of-the century debate about the future of British writing was a triangular debate, a debate not only between French and English models, but between French, English, and Russian models. Francophile modernists associated Russian literature, especially the Tolstoyan novel, with an uncritical immersion in 'life' at the expense of a mastery of style, and while individual works might be admired, Russian literature as a whole was represented as a dangerous model for British writing. This supposed danger was closely bound up with the politics of the period, and this book investigates how Russian culture was deployed in the close relationships between writers, editors, and politicians who made up the early twentieth-century intellectual class--the British intelligentsia. Russomania argues that the most significant impact of Russian culture is not to be found in stylistic borrowings between canonical authors, but in the shaping of the major intellectual questions of the period: the relation between language and action, writer and audience, and the work of art and lived experience. The resulting account brings an occluded genealogy of early modernism to the fore, with a different arrangement of protagonists, different critical values, and stronger lines of connection to the realist experiments of the Victorian past, and the anti-formalism and revived romanticism of the 1930s and 1940s future.

The first full-length study of Shakespeare's influence on Victorian women writers, actresses and readers.

Nearly thirty years after its initial publication, Marxism and the Oppression of Women remains an essential contribution to the development of an integrative theory of gender oppression under capitalism. Lise Vogel revisits classical Marxian texts, tracking analyses of “the woman question” in socialist theory and drawing on central theoretical categories of Marx's Capital to open up an original theorisation of gender and the social production and reproduction of material life. Included in this edition are Vogel's article, “Domestic Labor Revisited” (originally published in Science & Society in 2000) which extends and clarifies her main theoretical innovations, and a new Introduction by Susan Ferguson and David McNally situating Vogel's work in the trajectory of Marxist-feminist thought over the past forty years.

"Racism, Class and the Racialized Outsider is that rare thing nowadays, an academic book that not only engages with a wider public but also provides a sharp campaigning edge to the analysis. Historical and broad in its coverage, this is one of the best accounts of contemporary racism published in a good long time." Mark Perryman, Philosophy Football Racism, Class and the Racialized Outsider offers an original perspective on the significance of both racism and anti-racism in the making of the English working class. While racism became a powerful structuring force within this social class from as early as the mid-Victorian period, this book also traces the episodic emergence of currents of working class anti-racism. Through an insistence that race is central to the way class works, this insightful text demonstrates not only that the English working class was a multi-ethnic formation from the moment of its inception but that racialized outsiders – Irish Catholics, Jews, Asians and the African diaspora – often played a catalytic role in the collective action that helped fashion a more inclusive and democratic society.

This wide-ranging Companion to Modern British and Irish Drama offers challenging analyses of a range of plays in their political contexts. It explores the cultural, social, economic and institutional agendas that readers need to engage with in order to appreciate modern theatre in all its complexity. An authoritative guide to modern British and Irish drama. Engages with theoretical discourses challenging a canon that has privileged London as well as white English males and realism. Topics covered include: national, regional and fringe theatres; post-colonial stages and multiculturalism; feminist and queer theatres; sex and consumerism; technology and globalisation; representations of war, terrorism, and trauma.

Includes radicals of the Chartist and earlier periods, trade unionists and other radicals after 1850. The book is especially concerned with 20th-century activists and intellectuals, notably those whose formative years or main political life was spent during the period between the two World Wars.