Alfonso Cruz Espinosa's life was not an easy one but one supported by the rich cultural values of his Mexican ancestry. 'Fonso was born into the loving arms of his parents in 1927, in El Pueblo de Nuestra Senora, La Reina de Los Cielos y Los Angeles - Los Angeles, California - where his parents had settled after immigrating from Mexico. Following their own American dream, he and his family migrated from Los Angeles to the San Joaquin Valley of California. There they moved from labor camp to labor camp, following the crops and opportunities for work. Alfonso and his family faced the hardships many Depression-era workers encountered, multiplied by the fact that discrimination against non-white workers was blatant and widespread. Faced with leaving school at an early age to help support his family, Alfonso found it more and more difficult to work alongside his father in the sulfur-laden agricultural fields of the "Great Valley." Not only would he face a crisis that would mean the end to all his dreams, he would be in a battle for his very survival. A tale lovingly told by Espinosa's daughter, El Caracol is a beautiful testament to the strength and tenacity of the human spirit. A story of both tragedy and triumph, Alfonso's story is that of an everyday hero, simply standing up to be heard in the world. Full of the rich details of a loving family in harsh times, the result is both as simple, and as complex, as the spiral shell which shares its name."

Alfonso Cruz Espinosa's life was not an easy one but one supported by the rich cultural values of his Mexican ancestry. 'Fonso was born into the loving arms of his parents in 1927, in El Pueblo de Nuestra SeÑora, La Reina de Los Cielos y Los Angeles - Los Angeles, California - where his parents had settled after immigrating from Mexico. Following their own American dream, he and his family migrated from Los Angeles to the San Joaquin Valley of California. There they moved from labor camp to labor camp, following the crops and opportunities for work. Alfonso and his family faced the hardships many Depression-era workers encountered, multiplied by the fact that discrimination against non-white workers was blatant and widespread. Faced with leaving school at an early age to help support his family, Alfonso found it more and more difficult to work alongside his father in the sulfur-laden agricultural fields of the "Great Valley." Not only would he face a crisis that would mean the end to all his dreams, he would be in a battle for his very survival. A tale lovingly told by Espinosa's daughter, El Caracol is a beautiful testament to the strength and tenacity of the human spirit. A story of both tragedy and triumph, Alfonso's story is that of an everyday hero, simply standing up to be heard in the world. Full of the rich details of a loving family in harsh times, the result is both as simple, and as complex, as the spiral shell which shares its name.

The story you are about to read is not the complete story about my beloved parents and our family for I believe such an accomplishment is impossible. Most of the information was derived mostly from pure memory since no other means were available; i.e., notes, documents, recordings, or sufficient shared information. Also, it does not include each and every incident that I remember, and it is not intended to be a whole profile of their personalities and all their personal habits, which I deem unimportant for the purpose of my story, here and now.

Vol. 1 includes "Organization number," published Nov. 1917.

This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.

Vols. for 1969- include ACTFL annual bibliography of books and articles on pedagogy in foreign languages 1969-

Latin American culture has given birth to numerous dramatic works, though it has often been difficult to locate information about these plays and playwrights. This volume traces the history of Latin American theater, including the Nuyorican and Chicano theaters of the United States, and surveys its history from the pre-Columbian period to the present. Sections cover individual Latin American countries. Each section features alphabetically arranged entries for playwrights, independent theaters, and cultural movements. The volume begins with an overview of the development of theater in Latin America. Each of the country sections begins with an introductory survey and concludes with copious bibliographical information. The entries for playwrights provide factual information about the dramatist's life and works and place the author within the larger context of international literature. Each entry closes with a list of works by and about the playwright. A selected, general bibliography appears at the end of the volume.

Fifty Key Figures in Latinx and Latin American Theatre is a critical introduction to the most influential and innovative theatre practitioners in the Americas, all of whom have been pioneers in changing the field. The chosen artists work through political, racial, gender, class, and geographical divides to expand our understanding of Latin American and Latinx theatre while at the same time offering a space to discuss contested nationalities and histories. Each entry considers the artist’s or collective’s body of work in its historical, cultural, and political context and provides a brief biography and suggestions for further reading. The volume covers artists from the present day to the 1960s—the emergence of a modern theatre that was concerned with Latinx and Latin American themes distancing themselves from an European approach. A deep and enriching resource for the classroom and individual study, this is the first book that any student of Latinx and Latin American theatre should read.